The discovery of a dismantled Stone Circle, the same size as the Aubrey Holes Circle at Stonehenge, near to the Quarry that modern science has identified as the source of the Bluestones at Stonehenge, has validated what Geoffrey of Monmouth said in the 12th Century.
That is that Stonehenge was second hand and was brought from the West. (OK he said Ireland and the newly discovered Henge is in West Wales, and everything else he said seems to be wrong). But at least it would seem Geoffrey didn’t just make up it all up, which is what I have been saying for many years.
Anyway the point of this post is to direct you to this article which is the definitive word on the new discovery by Mike Parker Pearson and his colleagues.
Every Thursday (from 7th January 2021) at 2.30pm Exit 2 Bank Underground Station
Legend says that London was founded as New Troy. Historians believed it was founded as Londinium after the Bridge was built by the legionaries of the Emperor Claudius in AD 43. Archaeologists in the 1970s and 1980s discovered that London was refounded as Lundenwic in the 7th Century and again in the 9th Century when it was called Lundeburg.
This walk tells the epic tale of the uncovering of London’s past by Archaeologists. And provides an insight into the dramatic history of the Capital of Britannia, and how it survived revolts, fires, plagues, and reacted to the decline and fall of the Roman Empire. It became the foremost English City but with periods under Viking and Norman control.
We tell the story in the streets of the City of London, beginning in the valley of the River Walbrook by the Temple of Mithras, and visit many sites where important archaeological discoveries were made, including the Roman Forum, Amphitheatre. Bath Houses, Temples, Roman roads and the City Walls.
We explore the origins of London. The walk is given alternately by Kevin Flude & Leo Heaton
Every Thursday (from Jan 7th 2021) at 6.30pm Exit 2 Bank Underground Station
A walk which explores the City of London that was destroyed by the Great Fire of London in 1666. By 1400 London was dominating the affairs of the Kingdom in spectacular fashion and had grown into a sophisticated medieval Capital, competing against the great capitals of Europe.
We will walk in the footsteps of Geffrey Chaucer, in the muddy City Streets, exploring the unhealthy conditions and poverty amidst great riches and pageantry. It was a cosmopolitan City with colonies of Italians, Germans, Dutch, and French who lived cheek by jowl with native Londoners.
By the 16th Century despite repeated visitations of plague, the huge influx of newcomers created non-stop growth in London. There was a corresponding increase in trade, in crime, in violence, and in creativity. There were riots against foreigners, riots against May Revels, and burnings at the stake of both protestants and catholics as society struggled to cope with the impact of religious change.
With so many young people drawn into the City to work in its expanding industries, entertainment grew more sophisticated and poets could make a living penning entertainments to the masses. The London landscape changed dramatically as new renaissance inspired architecture began to replace the medieval timber framed buildings and the old medieval monasteries were pulled down.
We explore London in one of its greatest periods of change. The walk is given alternately by Kevin Flude & Leo Heaton
The walk is led by Kevin Flude, a former archaeologist at the Museum of London, who has an interest both in the archaeological evidence as well as the myths and legends of London’s origin.
The walk will tell the story of the legendary origins of London which record that it was founded in the Bronze Age by an exiled Trojan called Brutus. The new City was called Troia Nova or New Troy, which became corrupted to Trinovantum, and then changed to Lud’s Dun and eventually Londinium. The legends provide a host of characters in the rich mythic past of London. Kevin will tell the stories, and relate some to the archaeological evidence.
The route starts at Tower Hill, then down to the River Thames at Billingsgate, London Bridge, up to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls.
This is a London Walks Guided Walks. Look at their web site for a list of other of their amazing walks.
This walks looks at the development of the City of London as a financial centre. Its origins were among the money lenders of the Jewish and Italian quarters of Old Jewry and Lombard Street. We continue the story with the introduction of the first commercial companies and the Merchant Adventurers of Elizabethan London, alongside the revival of the cruel trade in Slaves. We walk through the alleyways of the City where innovation went side by side with the introduction of Coffee in the Coffee Houses of Stuart London.
We look at the distinctive architecture of the City as we walk around one of the most specialised market places in the world that once prided itself on the virtues of providing face to face contact.. The financial institutions in the City have encountered many changes since the scandal of the South Sea Bubble and it has weathered them all, so far. It was given a huge boast by the ‘Big Bang’ in Mrs Thatcher’s time. But the consequences of the effects of Brexit and Covid on top of the Internet are not yet clear on the City.
The Old Operating Theatre Museum is in St Thomas Church, Southwark, part of the old St Thomas Hospital. The Church, built in 1703, by Thomas Cartwright has a fine baroque Tower, the top two chambers of which have been empty for many years. The conversion to a bijou pied a terre has been completed and details can be found in the link above.
The Passenger Pigeon Manifesto is a call for cultural institutions to open their digital archives for free use by the public. You can see the manifesto in the link below.
It would mean a loss of income from copyright for organisations who are already short of money but on the other hand it would help greatly increase access to our cultural heritage, and, it would help preserve these items, at least digitally, into the long distance future.
So, to my mind, a good thing. I’m trying to find out how to sign up.
Please note it is not asking for low quality reproduction but the high definition copies.