Category: Archaeology

Posted on

Parthenon Marble Replica – will it help the claim for repatriation?

This is a really interesting story because the scans for the replica were made in a guerilla intervention. The BM did not give permission for it, and the Oxford-based Institute for Digital Archaeology (IDA) undertook the scanning surreptitiously. Salon (see below) says ‘Roger Michel, the founder of the Institute and Alexy Karenowska, the Institute’s Director of Technology, used Lidar cameras to generate an accurate scan.’

I’ve heard it said that the robot created an absolutely faithful replica.

‘The sculptures are accurate to a fraction of a millimetre.’

Photo from Salon: The Society of Antiquaries of London Online Newsletter (see below) mage credits: Roger Michel watches as the head is carved, Institute for Digital Archaeology (IDA)

So, critics of the BM can then say ‘Why not return the original if you have faithful replicas?’

Well, yes but it is still a replica (albeit made of the same Pentelic Marble as the original) and museums are testament to the power of the original. I can see a great reproduction of the Mona Lisa anytime, but it didn’t stop me going to the Louvre to stand with the hordes to see the original. Further, the robot produced sculpture was then finished off with extensive work by a team of humans.

The issue has never been about the quality of a possible copy to replace the returned originals. It is about who owns the originals.

However, this is still a coup of propaganda that has created one more chip in the defensive wall the BM has put up around the issue.

Note: you can subscribe to Salon: The Society of Antiquaries of London Online Newsletter

Posted on

Walks coming up this Weekend!

ROMAN LONDON – A LITERARY & ARCHAEOLOGICAL WALK

Reconstruction View of Roman Riverside Wall being built
Reconstruction View of Roman Riverside Wall being built

Saturday 30 October 20/22 11.30 am Monument Underground Station

This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.

To book

Myths, Legends & Halloween Walk

Druids at All Hallows, by the Tower
Druids at All Hallows, by the Tower

Sunday 30th October 2022 2.30pm Tower Hill Tube

The walk tells the story of London’s myths and legends and the celtic origins of Halloween

To book

Myths, Legends & Halloween Virtual Tour

MONDAY 31st October 2022 7.30pm

The tour tells the story of London’s myths and legends and the celtic origins of Halloween

To book

Posted on

British Museum is talking about a deal with Greece over the Parthenon Marbles

Copies of the Parthenon available in BM shop! Photo: KFlude

AKA the Elgin Marbles. All my life it seems as if we haven’t been talking to Greece about sending them home. Recently, there was a strong dismissal of any such hope. But today, I read that the British Museum is open to discussion. Statements from the Deputy Jonathan Williams and even the Chairman, ex Tory Chancellor of the Exchequer, George Osborne, have expressed optimism that there is a ‘deal to be done’.

Reading between the lines, the position appears to be based on the ‘fact’ that we own them legally, and that, by discussion of mutual loan arrangements, some, if not all, of the stones, can go home on loan, in exchange for other loans from Greece coming to the UK.

https://www.museumsassociation.org/museums-journal/news/2022/08/british-museum-opens-door-to-parthenon-deal-with-greece/#msdynttrid=sQLCQs-9urbZY6tAcOyVSPE4FS0zrRWKh9OGeB5eDD0

Nearly, all ‘restitution’ cases are settled by the realisation that there are mutual benefits to be had for the return of items. The Horniman is leading the way with its announcement to return 72 Benin Bronzes to Nigeria.

The statement from Nigeria suggests that mutual loans are a part of the deal here too.

Abba Tijani, director-general of Nigeria’s National Commission for Museums and Monuments (NCMM), said: “We very much welcome this decision by the trustees of the Horniman Museum & Gardens. Following the endorsement by the Charity Commission, we look forward to a productive discussion on loan agreements and collaborations between the NCMM and the Horniman.”

Posted on

Wife-Selling & the bonds of Marriage

October 1837, Wolverhampton Chronicle.

A strange and unwonted exhibition took place in Walsall market on Tuesday last,” the Wolverhampton Chronicle said.

“A man named George Hitchinson brought his wife, Elizabeth Hitchinson, from Burntwood, for sale, a distance of eight or nine miles. They came into the market between ten and eleven o’clock in the morning, the woman being led by a halter, which was fastened round her neck and the middle of her body. “

“In a few minutes after their arrival she was sold to a man of the name of Thomas Snape, a nailer, also from Burntwood. There were not many people in the market at the time. “

“The purchase money was 2s 6d [about 13p today] and all the parties seemed satisfied with the bargain. “The husband was glad to get rid of his frail rib, who, it seems, had been living with Snape three years, at any price, erroneously imagining that because he had brought her through a turnpike gate in a halter, and had publicly sold her in the market before witnesses, that he is thereby freed from all responsibility and liability with regard to her future maintenance and support.”

Readers will note the similarity of this to the plot of the Mayor of Casterbridge by Thomas Hardy, published in 1886. Michael Henchard, gets drunk on spiked Fumity – a mixture of Corn, milk, raisins and currents to which the Furmity Woman at Weydon-Priors Fair adds Rum. Henchard in a drunken rage offers his wife for safe, and she is purchased by Richard Newson, a sailor who has a successful relationship with Henchard’s wife until the sailor is drowned.

While not exactly legal, records show that wife-selling at markets happened occasionally from the 17th Century onwards. As in the case at Walsall Market it seems to have been a recognised mechanism to end an unsuccessful marriage. In both factual and fictional cases the wife accepts the sale to rid herself of a difficult husband. The husband is relieved of his life long duty to be financially responsible for his wife, and, for a fee, he passes that duty on to the seller.

The sale seems to a modern onlooker to be a humiliation while in fact the public nature of it might be rather a public acknowledgement that the marriage has irrevocably broken down, and that another union has superseded the failed marriage. In the Walsall case the new husband has in fact been living with the wife for some years.

At this time there was no legal way to divorce except by the means of an expensive private act of Parliament far beyond the reach of any but the richest. Marriage itself was also a looser institution than we think. Hand-fasting and common-law marriages were very common in pre-Victorian times.

Tomorrow we are going on a skimmity ride.

Posted on

RESTITUTION OF BENIN BRASSES

The Society of Antiquities newsletter ( Salon: Issue 494) reports on a restitution deal of one of the major collections of Benin bronzes back to Nigeria.

The Bronzes, which are actually Brasses, are from the Royal Palace of the Kingdom of Benin which was looted by the British during the Benin Expedition of 1897 as part of British subjection of Nigeria.

Wikipedia reports that ‘Two hundred pieces were taken to the British Museum in London, while the rest found their way to other European museums. A large number are held by the British Museum[ with other notable collections in Germany and the United States.’

The Smithsonian has recently made a similar arrangement to restore their brasses to Nigeria, and UK collection The Great North Museum: Hancock, has followed suit joining Jesus College, Cambridge and the University of Aberdeen. (The Art Newspaper)The British Museum has refused and is indeed prevented from so doing by an Act of Parliament.

An interesting sidelight on the collection is that the wealth of the Benin Kingdom benefited from income from the slave trade.

This is what The Society of Antiquities newsletter ( Salon: Issue 494) says:

Two Benin Bronzes Returned

Last week, Germany signed a restitution agreement with Nigeria. The agreement covers 1,100 artefacts currently held by the Linden Museum in Stuttgart, Berlin’s Humboldt Forum, the Cologne Rautenstrauch-Joest Museum, Hamburg’s Museum of World Cultures and the State Ethnographic Collections of Saxony. The agreement immediately puts these objects into Nigerian ownership; the affected Museums will then negotiate directly with the Nigerian Government whether they return to Nigeria, or remain in Germany under custodial agreements.

Lai Mohammed, Nigeria’s Culture Minister, described the agreement as ‘the single largest known repatriation of artefacts in the world’. It was marked by the return of two Benin Bronzes – an eighteenth century 35kg head of an oba and a 16th-century relief depicting an oba accompanied by guards or companions. German foreign minister, Annalena Baerbock, said ‘It was wrong to take the bronzes and it was wrong to keep them. This is the beginning to right the wrongs.’

Image credits: The returned Benin Bronzes, Martin Franken

The Society of Antiquities newsletter ( Salon: Issue 494)
Posted on

The London Equinox and Solstice Walk

Druids at All Hallows, by the Tower
Druids at All Hallows by the Tower


Tuesday June 21st 2022 7.30 pm Tower Hill Underground Station
(meet by the Tower Hill Tram coffee stand) |


We explore London’s History through its celebrations, festivals, calendars, almanacs and its myths and legends.


As the Sun and Moon move around our skies we look at how Londoners organised and celebrated their year throughout history.

The tour is led by Kevin Flude, a former archaeologist at the Museum of London, Curator and Lecturer

One of the most popular forms of publication in London was the Almanac. It was full of seasonal advice, of prophecy, traditional wisdom, and important events past and future. Different cultures, religions and institutions had their own methods of organisation and celebrations. We explore the varied calendars that ruled people’s lives from the prehistoric period to the present.

On the way we look at customs, and folklore of the Celts, Romans, Saxons, and into the Medieval and Modern period. We look at different calendars such as the Pagan year, the Egyptian year, the Roman, Christian, Jewish, Church and Financial years. On the route we discover the people who lived in London and walk through fascinating areas with their deep histories.

This is a London Walks Guided Walk. Look at their web site for a list of other of their amazing walks

To Book: click here

Posted on

THE SOCIETY OF ANTIQUARIES ON RETURNING THE ELGIN MARBLES (FROM SALON IFA ISSUE 491)

Return of the Elgin Marbles – Talks Begin

(The following is the verbatum text of the Salon IFA note on this subject. My opinion is that it sounds promising but will not happen under a Conservative Government)

Under increasing pressure from Greece and UNESCO, the British government has agreed to talks about the repatriation of the Elgin Marbles, the collection of sculptures which were taken from the Parthenon in Athens in the early 19th century by the British ambassador to the Ottoman Empire, Lord Elgin. At the time the ambassador claimed to have received a permit, since lost, to remove the sculptures from the Acropolis, which was then an Ottoman military fort. The excavation and removal were completed in 1812 at a personal cost to Lord Elgin, of £70,000.  The marbles were bought by the British Government in 1816 for £35,000 and placed in the British Museum.

On a visit to Britain last November, the Greek Prime Minister, Kyriakos Mitsotakis, insisted that the statues currently in the British Museum, had been ‘stolen’. Last week at a UNESCO meeting, the debate centred on whether the sculptures had been lifted from the rubble around the monument or hacked off the walls, using marble saws, as the contemporary documents seem to suggest. The Museum’s Deputy Director, Jonathan Williams FSA said the objects were not all hacked off the building. Anthony Snodgrass FSA, Honorary President of the Committee for the Reunification of the marbles, argued that the state of preservation of t

he sculptures shows the vast majority could not have fallen 40 ft to the ground but were carefully removed and had their backs sawn off. 

The Greek Prime Minister has suggested that the Parthenon sculptures could be loaned to Greece in exchange for other artefacts including the golden Mask of Agamemnon. In January, Palermo’s archaeological museum returned a small fragment of the Parthenon frieze, depicting the foot of Artemis, to Athens’ new Acropolis Museum, on long-term loan. Plaster cast replicas currently stand in the Acropolis Museum, representing the statues in the British Museum.

Perhaps the resolution to this long-running dispute is, surprisingly, to be found in Apple’s latest technology. Recently, Oxford-based researchers from the Institute of Digital Archaeology (IDA), without permission – although in plain view of security – scanned 3D images of some of the sculptures using iPhones and iPads.  A ‘robot sculptor’ can now create perfect replicas, using chisels and blocks of the same Pentelic marble used by the sculptor Phidias in the 5th century BC. The 3D scans were taken using a combination

of Lidar, which uses laser lights to measure distances within a fraction of a millimetre, and photogrammetry, which stitches together multiple images of a subject.

The British Museum had refused a formal application by IDA to take the 3D scans, saying it was already using 3D scanning to reveal some of the secrets of the marbles. Roger Michel, Executive Director from the Institute for Digital Archaeology (IDA) now hopes that the manufacture of incredibly-accurate replicas may pave the way for the original marbles to be returned.

I would be very interested to hear your views on the Elgin Marbles debate, and whether creating an identical copy helps or hinders finding a resolution to the issue. Please do write in to saloneditor@sal.org.uk with your views.

Image Credits: Marble relief (Block XLVII) from the North frieze of the Parthenon, British Museum, Marble relief (block XLI) from the North frieze of the Parthenon, British Museum, Scanned 3D Image, Institute for Digital Archaeology