Twin, Twins – Festival of Castor and Pollux July 15th

The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia

The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods.   Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda.  So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.

One is therefore immortal and the other isn’t.   They had many adventures including sailing with Jason as Argonauts.

According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend  eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus.  Thus, they are the epitome of brotherly love.

Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.

It happened like this.  The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed.  On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.

Leda and the Swan, 16th-century copy after the lost painting by Michelangelo

Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks.  On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)

painting of Clytemnestra after she has slaughtered her husband Agamemnon _by_John_Collier,_1882 (Wikipedia Guildhall Museum)
Clytemnestra_by_John_Collier,_1882 (Wikipedia Guildhall Museum)

Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.

Cassandra prophesizes that she too will be a victim.  She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.

I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.

In the 18th/19th Century rich people were into ‘attitudes’.  For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats.  She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of.  She would assume an appropriate facial expression and posture for everyone’s pleasure. 

Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’

Being Clytemnestra is difficult! I imagine Collier’s model being  prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.

Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle. 

Leighton’s model was Dorothy Dene.  She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895.  Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.

I have one of those half million prints on my bedroom wall.

Print of Flaming June by Lord Leighton

Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).

For more on Flaming June see my blog post of 12 July 2024

European Twin Gods

It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue  people lost at sea.   St Elmo’s fire was said to be the way they manifested their divinity to sailors.   Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.

First written in 2023 updated in July 24.

Fête Nationale Française. Le 14 juillet. Bastille Day July 14th

French Revolutionary Month of Messidor (June-July)

Today, is the French National Day, le Quatorze Juillet, the day to celebrate the storming of the infamous Bastille on 14 July 1789. It was a symbol of Royal oppression, but only had 7 relatively insignificant prisoners on the day it was stormed. 200 attackers and 1 defender were killed in the first round, and then the Commander surrendered to avoid more deaths, but was then himself killed with 7 of his soldiers. But it was symbolic of the collapse of the old order.

I wrote about the French Revolutionary Calendar earlier in the year which introduced a rational non-christian calendar to France.

Here is an except of what I wrote about the names of the new months:

I’m going to begin by giving you the names (of the months) as reported, satirically, by John Brady in England 1811 (starting with ‘October’ and separating seasons by semicolons).

Wheezy, Sneezy and Freezy; Slippy, Drippy and Nippy; Showery, Flowery
and Bowery; Hoppy, Croppy and Poppy.

The official name of this month was Messidor (or ‘hoppy’ in the list above). You might like to have a look at the post below to celebrate the French National Day. The 14th July was the day named after Sage in the Month of Messidor.

Sandals of the Saints

Copy of the Last Supper by Leonardo da Vinca at the Collection Gallery, Royal Academy, UK
(Copy made 1515-1520, and was in the Carthusian Monsatery at Pavia in the 17th Century before being brought to the RA in the 19th Century)

Whilst visiting Flaming June at the RA, it was nice to have another look at the Last Supper. What strikes me most is their sandals (and the beautifully pressed table cloth).

Detail of the RA copy of the Last Supper

Details that bring the past to life. The shoes would surely sell today, while the table cloth really destroys the common idea that the past was dirty and smelly. It wasn’t. People took pride in their appearance and surroundings. Just look at the ironing!

Here, by way of contrast, is a medieval shoe from the 14th Century from the Museum of London. And this is a link to the Museum of London’s collections of medieval shoes, most have been collected from excavations, and it is one of the best collections.

Discovering Mary Beale in Pall Mall, Flaming June in Piccadilly

Philip Mould Galley,Bond Street.The home of painter Mary Beale

Yesterday, I was asked to do two Jane Austen’s London walks.  The walk explores Mayfair, where her brother, Henry lived and had his Bank, and where Austen placed the central drama of Sense and Sensibility. I decided to use the time between the walks to look for a shopping mall which dates back to Jane Austen’s time, but I got diverted as I saw a sign for a free exhibition on Mary Beale in Pall Mall. 

Mary Beale is that rare beast; a professional female artist of the 17th Century (1633-1699). So, I double-checked the ‘free entry’ notice because this was a posh West End private art gallery and the name Philip Mould was familiar.  I went in and realised that this was something special. I returned to the entrance to ask the very friendly staff whether I could take photographs.  ‘Yes, of course, they said.’ much to my surprise.

Mary Beale Exhibition sign.

Downstairs, the art of Mary Beale was beautifully displayed, and the exhibition had a very interesting story to tell, which was well-told, using excellent labels and a film narrated by Philip Mould.  He was, as I thought, the co-presenter of ‘Fake or Fortune’ (with Fiona Bruce, newsreader and anchor of the BBC’s Antiques Roadshow). This is a BBC art programme which is in its 12th Series. The conceit of the show is that they investigate dubious paintings to find out whether they are genuine or not.

The film revealed that Philip Mould opened his Art Gallery here over a decade ago, but research has recently discovered that this is the very address where Mary Beale had her studio.

Scene shot of Philip Mould in the Mary Beale Exhibition in his short film shot in his Art Gallery.

Her career is not only remarkable in itself, but it was recorded in great detail by her husband. She was the bread winner.  He was her partner, and in effect the studio manager. In correspondence, he describes her as his ‘dearest heart’. 

Self-Portrait of Mary, with her husband and son

It was a family business and their children also worked as painting assistants, doing draperies and other background details.   Her paintings gave them an income of around £200 a year, which is not riches but, by comparison, a labourer got about £30 a year.

She was associated with Sir Peter Lely, the Court painter who succeeded Van Dyke. Mary Beale made copies of many of his paintings.  She also painted many pictures of her family.

Mary Beale’s painting after Sir Peter Lely’s portrait of Charles II

There are several excellent short films about Mary Beale on the Gallery’s web site, which is well worth a visit. The exhibition ends on the 19th July, but there is also, for you to see, Tate Britain’s exhibition ‘Now you see us’ which is the story of British female artists from the 1520’s to 1920.

On the way back from the Gallery, I popped into the Royal Academy to renew an old acquaintance with ‘Flaming June’ by Lord Leighton, a copy of which hangs on my bedroom wall, and which is on one of its rare visits to the UK. There is also the statue of the Sluggard and it’s all free to view.

Flaming June by Lord Leighton
The Sluggard by Lord Leighton

It is days like this, that you realise what a wonderful thing it is to live in London. All this superb art, and all without laying out a penny (travelling on my free travel pass too!).

I wrote about Flaming June in a post you can read here.

World’s First ATM Honoured. Digital Heritage June 27th 1967

Screenshot from Londonist Web Page

On the 10th April 2023, Heritage England announced on its webpage, that they had listed a Bank which contained the world’s first ATM Machine. Barclays Bank chose its Enfield Branch for this honour which opened on 27th June 1967. Above, you will see local celebrity, Reg Varney (in hat), a star of a very popular and ‘corny’ sitcom called ‘On the Buses.’ opening the new machine. It miraculously delivered a £10 note without any human intervention, and offered access to money after banking hours.

1967 Ten pound note

Barclay’s had previously launched the UK’s first credit card, and selected Enfield to be the place where they launched an automatic machine to dispense money – nicknamed ‘money machines’ in the UK. The customer was issued a ‘punched card’ and had to enter a PIN for the magic to be initiated. Barclays were developing the idea of a magnetic strip on a card at the same time.

Google Street View image of the Enfield Barclays Bank (screenprinted 15/07/23)
Google Street View image of the Enfield Barclays Bank (screenprinted 15/07/23)

The building, which has a plaque and a gold-painted modern ATM, is Grade II listed and so should be protected from development in future. The building itself is an interesting, almost typical, late Victorian red brick commercial building, with fine details in the Flemish Renaissance style by William Gilbee Scott. Scott lived in Enfield.

I look forward to visiting it on my next visit to Enfield Lock on my narrow boat Mrs Towser.

First published in June 2023 and republished in 2024

Festival of St John the Baptist June 24th

The Feast Days of St John the Baptist (June 24th) and of St Peter and Paul (29th June) What is remarkable is the scale and the expense of the celebrations.

These Saints are some of the most important in the Christian Calendar. John being the forerunner to Jesus and his cousin, and Peter and Paul being the apostles who, more than anyone else, created the Christian Church.

There are also pagan rituals associated with the Feast of St John. Here is an example of French pagan solstice fires:

“They were lit at the crossroads in the fields to prevent witches and sorceresses from passing through during the night; herbs gathered on Saint John’s Day were sometimes burned to ward off lightning, thunder and storms, and it was thought that these fumigations would ward off demons and tumults.”

For more information, have a look at ‘French Moments’ here:

The Feast of St John is often described as being on the Summer Solstice, it isn’t by modern reckoning, but nor is December 25th the Winter Solstice. But they were celebrated as such by Christians, and the Solstice can be thought of as spread over 3 or 4 days (or more if taking into account Solstice Old style). The major events of the sun and the moon were linked into Christian theology and symbolism. Jesus, son of God, would clearly have arrived at the auspicious time of the Winter Solstice. His cousin, John the Baptist, came to tell the world about the coming of Jesus and so his birthday was exactly 6 months before the Summer Solstice.

St John is also special as most Saint’s Days are linked to the day of their death, but June 24th is the birthday of St John. His beheading by Herod is commemorated on 29th August.

St John the Baptist upon Walbrook in the City of London is first mentioned in the 12th Century, burnt down and not rebuilt after the Great Fire of London. The parish was, later, united with St Antholin, Budge Row, The Graveyard survived until 1884 when the District Line destroyed most of the Graveyard and the bones were reinterred below a monument, which can still be seen in Cloak Lane.

Here is what John Stow tells us about the processions on the night before the feast of St John (24th June) and St Peter and Paul (29th June):

On the vigil of St. John the Baptist, and on St. Peter and Paul the Apostles, every man’s door being shadowed with green birch, long fennel, St. John’s wort, orpin, white lilies, and such like, garnished upon with garlands of beautiful flowers, had also lamps of glass, with oil burning in them all the night; some hung out branches of iron curiously wrought, containing hundreds of lamps alight at once, which made a goodly show, namely in New Fish street, Thames street, etc.

Then had ye besides the standing watches all in bright harness, in every ward and street of this city and suburbs, a marching watch, that passed through the principal streets thereof, to wit, from the little conduit by Paule’s gate to West Cheape, by the stocks through Cornhill, by Leaden hall to Aldgate, then back down Fenchurch street, by Grasse church, about Grasse church conduit, and up Grasse church street into Cornhill, and through it into West Cheape again.

Grasse Church Street is Gracechurch Street.

The whole way for this marching watch extendeth to three thousand two hundred tailor’s yards of assize; for the furniture whereof with lights, there were appointed seven hundred cressets, five hundred of them being found by the companies, the other two hundred by the chamber of London.

Note a cresset is: a ‘metal container of oil, grease, wood, or coal set alight for illumination and typically mounted on a pole’ (Wikipedia).

Besides the which lights every constable in London, in number more than two hundred and forty, had his cresset: the charge of every cresset was in light two shillings and four pence, and every cresset had two men, one to bear or hold it, another to bear a bag with light, and to serve it, so that the poor men pertaining to the cressets, taking wages, besides that every one had a straw hat, with a badge painted, and his breakfast in the mornings amounted in number to almost two thousand.

The marching watch contained in number about two thousand men, part of them being old soldiers of skill, to be captains, lieutenants, serjeants, corporals, etc., wiflers, drummers, and fifes, standard and ensign bearers, sword players, trumpeters on horseback, demilances on great horses, gunners with hand guns, or half hakes, archers in coats of white fustian, signed on the breast and back with the arms of the city, their bows bent in their hands, with sheaves of arrows by their sides, pike-men in bright corslets, burganets, etc., halberds, the like bill-men in almaine rivets, and apernes of mail in great number;

there were also divers pageants, morris dancers, constables, the one-half, which was one hundred and twenty, on St. John’s eve, the other half on St. Peter’s eve, in bright harness, some overgilt, and every one a jornet of scarlet thereupon, and a chain of gold, his henchman following him, his minstrels before him, and his cresset light passing by him, the waits of the city, the mayor’s officers for his guard before him, all in a livery of worsted, or say jackets party-coloured, the mayor himself well mounted on horseback, the swordbearer before him in fair armour well mounted also, the mayor’s footmen, and the like torch bearers about him, henchmen twain upon great stirring horses, following him.

The sheriffs’ watches came one after the other in like order, but not so large in number as the mayor’s; for where the mayor had besides his giant three pageants, each of the sheriffs had besides their giants but two pageants, each their morris dance, and one henchman, their officers in jackets of worsted or say, party-coloured, differing from the mayor’s, and each from other, but having harnessed men a great many, etc

John Stow, author of the ‘Survey of London‘ first published in 1598. Available at the wonderful Project Gutenberg: ‘https://www.gutenberg.org/files/42959/42959-h/42959-h.htm’

First published june 2023 republished in 2024

Midsummer June 21st

A gentle reminder – Facebook post.

Midsummer Solstice is the 21st of June, but the Celtic version of it began when the Celtic Day begun, on June 20th, which we would call Midsummer Eve. Midsummer is a fire festival, dedicated to the Celtic Fire God, Belinus. His name might mean Powerful One or Shining One, and he is linked to Apollo, one of the Greco-Roman Sun Gods. His main festival is Beltane, May Day, but many of the attributes of May celebrations and indeed Halloween celebrations are also carried out in Midsummer.

In the early medieval period, the Church hijacked Midsummer’s Day and transferred it to June 24th St John the Baptist’s Day. John was born 6 months before Jesus. John Aubrey in the 17th Century writes:

‘Still in many places on St John’s Night they make Fires on the Hills: but the Civil Warres coming on have putt all these Rites or customes quite out of fashion.’

John Aubrey, Miscellanies, 1695

Like May Fires, the fire should be made from wood donated from all farms in the area, and using a range of trees, ideally collected by 9 men and from 9 different trees. Blazing branches should be carried sunwise around the fields to bless the crops, and it was good luck to jump over the ashes of the fire.

To prepare for Midsummer remember that it is, like Halloween, a uncanny period when Hobgoblins, Fairies and Sprites, are, like in Shakespeare’s Play, Midsummer’s Night’s Dream, all abroad making mischief.

First in the line of defence against the infernal is St John’s Wort, known as Chasse-diable, Demon Chaser, Fuga Daemonum (amongst many other appellations) It was used to keep demons away, and to exorcise haunted houses. John Aubrey in ‘Miscellanies’ talks about a haunted London house which was cured by a Doctor who put St John’s Wort under the pillow of the bed at night. Bankes Herbel 1525 says:

‘The virtue of St John’s Wort is thus. If it be put in a man’s house, there shall come no wicked sprite therein.’

Vervain, yarrow, corn marigold, and orpins were also used often woven into garlands, and hung around the necks of cows, or on door lintels as protection. If the St John’s Wort withered, the picker was to die or at least endure disappointment. If orpins entwined themselves on Midsummer’s Night, marriage would follow.

A girl seeking love should walk around the Church seven or twelve times (accounts vary!) at midnight scattering hempseed, and singing:

Hempseed I sow
Hempseed I hoe
Let him that is my true love
Come after me and mow

In the South West of England, there was a custom to watch the church porch on Midsummer Evening, when the spirits of all the living people of the village could be seen entering the church. Those not seen coming out again would surely die, as would any watcher foolish enough to fall asleep.

Orpine, (Sedum Telephium) aka Live Long, or Life Everlasting was valued for the length of time it remained fresh after being gathered. Medicinally, it was considered good to use outwardly to cool scaldings, inflammations, and wounds.

Sedum_telephium by Bernd Haynold wikipedia

St John’s Wort has a reputation for helping with depression, menopausal symptoms, ADHD, anxiety and other conditions.

St John’s Wort Photo by Lex Melony on Unsplash

Thanks to the ‘Customs and Ceremonies of Britain’ by Charles Kightly.

First written in June 2023, and revised and republished in June 2024

The Great Broadway Paint off June 18th

Artist painting in the Broadway 'Great Paint off'
Artist painting in the ‘Great Broadway Paint off’

One of the joys of my Spring & Summer is revisiting places I know and love in my role as a Course Director for Road Scholar. Sunday, I was in Broadway, once considered the most beautiful village in Britain. It was also the model for Riseholme in the wonderful ‘Mapp and Lucia’ books by E. F. Benson (made into a TV series by the BBC starring Prunella Scales, Geraldine McEwan and Nigel Hawthorne).

This weekend was the:

The artists register in the morning and have their paper or canvas stamped, or given a block of Maltese stone. They then go off to create a work of art in the village. At 3pm or so, they are judged. At 5pm, the art works are exhibited and often on sale in the Marquee on the village green.

Artist painting in the Broadway 'Great Paint off'
Another artist participating Artist in the ‘Great Broadway Paint off’

It’s always a delight walking around Broadway in the sun, but with an artist and easel every 50 yards or so even more enjoyable. By the tent on the village green were about 10 sculptors chipping away at identical blocks of stone.

Sculptors at the Great Broadway Paint off.
Sculptors at the Great Broadway Paint off

I believe ceramic, textile, and artists in other media are also willing to have a go at making art in a limited timescale.

The appellation of most beautiful village, came in the late 19th Century. Broadway, once made rich by selling wool and then as a stop off on the stage coach route from Aberystwyth to Worcester, Oxford and London, fell on hard times with the arrival of Brunel’s Great Western Railway to the Cotswolds. Half the village, the Broadway Museum says, moved away as their livelihood serving the coaching trade died.

Painting in Broadway
@dawnjordanart

But artists, led by Americans Frances Millet and Edwin Abbey, turned Broadway into a much sort-after country retreat. Visitors included Oscar Wilde, J. M. Barrie, Singer-Sargeant, William Morris, Edward Burne-Jones, Gabriel Dante Rossetti, American actress, Mary Anderson, Edward Elgar, E. F, Benson. Mark Twain visited for Millet’s marriage.

J.M. Barrie being bowled by Mary de Navarro. (aka Mary Anderson, who played many roles including Juliette at Stratford-on-Avon)
J.M. Barrie being bowled by Mary de Navarro. (aka Mary Anderson, who played many roles including Juliette at Stratford-on-Avon)

What made the visit particularly interesting was the story told to me by the Volunteer at the Gordon Russell Museum in Broadway. (More about Gordon Russell in a future post) This is the story as I understood it:

The Russells restored the Lygon Arms in Broadway using Arts And Crafts architects. They also restored antique furniture. The son, Gordon Russell, became a leading designer of modernist Furniture and so advertised to passengers on the Cunard Line in order to attract the attention of rich American visitors. One, Henry T Ford, was interested, came to Broadway, staying at the Lygon arms. He asked for help to purchase a Cotswold Cottage. He was taken to nearby village Snowshill, where Ford bought a complete Blacksmith’s workshop, and shipped them back stone by numbered stone to Brentford on the Thames, then to the London Docks and across the Atlantic to set them up in a Museum in Michigan where they still are!

Research suggests it’s a little more complicated, in so far as he purchased his first Cottage before coming to Broadway, but it still leaves a delightful story about American ideas of Quintessential English village life. More on this story here:

By the way, Frances Millet planned to return to the States on the Titanic. He was one of the 1500 who drowned, but a letter he wrote while on the ship was posted, probably in France and is on display in the Broadway Museum.

First Published in June 2023, Republished in June 2024

St Columba’s (St Colmcille’s) Day June 9th

St Columba st margarets chapel by Graham van der Wielen  Edinburgh  Lead glass
St Columba Stained Glass window in St Margaret’s Chapel Edinburgh Castle by Graham van der Wielen Wikipedia CC BY 2.0

St Columba, or Colmcille is one of the most important saints for the early transmission of Christianity. He was born in 521 and said to be a descendent of the possibly legendary Irish King Niall of the Nine Hostages. (The Hostages were a token of Niall’s power as they came from the five provinces of Ireland, which are Ulster, Connacht, Leinster, Munster, and Meath. The other four represented Scotland, the Saxons, the Britons, and the Franks). Columba was sent at an early age to be brought up as a Monk, and went on to set up Monasteries in Ireland at Derry and Durrow.

In 563, he left Ireland, possibly because he got involved in a dispute that had a deadly outcome. He went into exile to Scotland and set up the famous Monastery on the island of Iona, Inner Hebrides, off the coast of what would one day be called Scotland. At the time, it was under the control of the Kingdom of Dál Riata, which was nominally Christian and controlled parts of Ulster and Western Scotland.

From Iona, Columba led the conversion of the Picts to Christianity, which helped towards the unification of the Gaels, the Picts and the Britons, eventually into the Kingdom of Alba which became Scotland. Iona became the traditional burial place of early Scottish Kings such as Macbeth (Mac Bethad mac Findlaích). Kings who were crowned at Scone and buried in Iona.

Much of the events of this part of Columba’s life are recorded by St. Adamnan in The Life of Saint Columba written in the 7th Century, much of which is apocryphal. One notable story tells how he came across a group of Pagan Picts who were mourning a child killed by a monster in the River Ness. St Columba revived the child. He then sent one of the Brothers to swim across the Loch to fetch a boat. The “water beast” pursued the Monk and was about to attack him when St Columba told the monster to stop, and so it did, retreating to the depths of Loch Ness. Thus began the legend of the Loch Ness monster.

St Columba died in 597AD. Iona continued to prosper and in, 634AD sent St Aidan from Iona to found the Monastery at Lindisfarne, which is on the Eastern coast of Britain in the Anglo-Saxon Kingdom of Northumbria, which was one of the most powerful at the time. Lindisfarne was instrumental in the conversion of the Kingdom of Northumbria. This tradition of evangelism took hold in the British Isles, and it was from here that much of the German-speaking world was converted to Christianity.

This is St Columba’s legacy.

There is a developing understanding among scholars that this Irish inspired form of Christianity took a leading role in ritual, art, scholarship in the Roman Catholic world at this time. Just stop and think about that sentence for a moment. The north-western extreme of the Islands off the coast of Europe took a leading role in the development of Western Christianity. This was highlighted in a recent exhibition of Anglo-Saxon art at the British Library.

British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude
British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude

A look at the Lindisfarne Gospel and the Book of Kells showcases the amazing art of this period. For a real treat, look through this scrollable virtual copy of the Lindisfarne Gospel. (Currently this is unavailable, I suspect since the BL was hacked) The Book itself has been missing from the displays of the British Museum for a couple of years, and was on display in Northumberland in 2022. I’m not sure whether it is yet back on display at the British Museum. I hope so, but the scrollable version almost compensates for its absence. You can see the Book of Kells at Trinity College, Dublin or look at their online offering here: Not quite as joyous an experience as the online Lindisfarne but beautiful enough.

Carpet Page from the Lindisfarne Gospel
Carpet Page from the Lindisfarne Gospel Photo Wikiepedia Eadfrith –
Lindisfarne evangeliarium, tapijtbladzijde op f26v, Matteüsevangelie

Here is a virtual tour of Iona

Here is a 360-degree panoramic photo tour of Lindisfarne Abbey

The most important weather forecast in History D Day June 6th

North Atlantic chart of weather for June 6th 1944.  Showing occupied Europe with observations obtained from the enigma machine

In 2014 or thereabouts I went to a play by David Haig which was based on the true story of weather forecaster James Stagg’s advice that the weather on June 6th 1944 would be the best day to go ahead.

The play was called Pressure and was great because it really conveyed the enormity of the decision that Ike, Churchill and others had to make.  To go ahead in bad weather risked enormous casualties and the failure of the Landings.  To postpone, might mean Hitler discovered the location of the invasions and disaster.

Major characters portrayed in the play included Ike and his driver, Kay Summersby with whom he was very close, and an American forecaster who disagreed with the British meteorologist James Stagg.  How much of the play was for dramatic effect and how much is true, I’m not entirely sure but it is a fascinating D Day story.

The maps were hand drawn and partially based on intercepted data decoded by the enigma machine.  Stagg recommended postponing the landings one day from the 5th to the 6th of June, when it was hoped the ideal combination of calm seas, low water at first light and a full moon would occur.

Maps used to present the data have recently been  up for sale and are discussed here https://www.bbc.co.uk/news/uk-england-somerset-68845546

I was reminded of the play by this article on the weather on D DAY on the BBC website https://www.bbc.co.uk/weather/articles/c2995n9wgz8o.

Please have a read.