London – And Did Those Feet

17th July 202417th July 2024

Twin, Twins – Festival of Castor and Pollux July 15th

The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia

The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods. Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda. So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.

One is therefore immortal and the other isn’t. They had many adventures including sailing with Jason as Argonauts.

According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus. Thus, they are the epitome of brotherly love.

Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.

It happened like this. The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed. On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.

*Leda and the Swan*, 16th-century copy after the lost painting by Michelangelo

Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks. On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)

painting of Clytemnestra after she has slaughtered her husband Agamemnon _by_John_Collier,_1882 (Wikipedia Guildhall Museum) — Clytemnestra_by_John_Collier,_1882 (Wikipedia Guildhall Museum)

Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.

Cassandra prophesizes that she too will be a victim. She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.

I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.

In the 18th/19th Century rich people were into ‘attitudes’. For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats. She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of. She would assume an appropriate facial expression and posture for everyone’s pleasure.

Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’

Being Clytemnestra is difficult! I imagine Collier’s model being prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.

Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle.

Leighton’s model was Dorothy Dene. She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895. Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.

I have one of those half million prints on my bedroom wall.

Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).

For more on Flaming June see my blog post of 12 July 2024

European Twin Gods

It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue people lost at sea. St Elmo’s fire was said to be the way they manifested their divinity to sailors. Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.

First written in 2023 updated in July 24.

13th July 2024

Sandals of the Saints

Copy of the Last Supper by Leonardo da Vinca at the Collection Gallery, Royal Academy, UK
(Copy made 1515-1520, and was in the Carthusian Monsatery at Pavia in the 17th Century before being brought to the RA in the 19th Century)

Whilst visiting Flaming June at the RA, it was nice to have another look at the Last Supper. What strikes me most is their sandals (and the beautifully pressed table cloth).

Detail of the RA copy of the Last Supper

Details that bring the past to life. The shoes would surely sell today, while the table cloth really destroys the common idea that the past was dirty and smelly. It wasn’t. People took pride in their appearance and surroundings. Just look at the ironing!

Here, by way of contrast, is a medieval shoe from the 14th Century from the Museum of London. And this is a link to the Museum of London’s collections of medieval shoes, most have been collected from excavations, and it is one of the best collections.

12th July 202412th July 2024

Discovering Mary Beale in Pall Mall, Flaming June in Piccadilly

Philip Mould Galley,Bond Street.The home of painter Mary Beale

Yesterday, I was asked to do two Jane Austen’s London walks. The walk explores Mayfair, where her brother, Henry lived and had his Bank, and where Austen placed the central drama of Sense and Sensibility. I decided to use the time between the walks to look for a shopping mall which dates back to Jane Austen’s time, but I got diverted as I saw a sign for a free exhibition on Mary Beale in Pall Mall.

Mary Beale is that rare beast; a professional female artist of the 17th Century (1633-1699). So, I double-checked the ‘free entry’ notice because this was a posh West End private art gallery and the name Philip Mould was familiar. I went in and realised that this was something special. I returned to the entrance to ask the very friendly staff whether I could take photographs. ‘Yes, of course, they said.’ much to my surprise.

Downstairs, the art of Mary Beale was beautifully displayed, and the exhibition had a very interesting story to tell, which was well-told, using excellent labels and a film narrated by Philip Mould. He was, as I thought, the co-presenter of ‘Fake or Fortune’ (with Fiona Bruce, newsreader and anchor of the BBC’s Antiques Roadshow). This is a BBC art programme which is in its 12th Series. The conceit of the show is that they investigate dubious paintings to find out whether they are genuine or not.

The film revealed that Philip Mould opened his Art Gallery here over a decade ago, but research has recently discovered that this is the very address where Mary Beale had her studio.

Scene shot of Philip Mould in the Mary Beale Exhibition in his short film shot in his Art Gallery.

Her career is not only remarkable in itself, but it was recorded in great detail by her husband. She was the bread winner. He was her partner, and in effect the studio manager. In correspondence, he describes her as his ‘dearest heart’.

Self-Portrait of Mary, with her husband and son

It was a family business and their children also worked as painting assistants, doing draperies and other background details. Her paintings gave them an income of around £200 a year, which is not riches but, by comparison, a labourer got about £30 a year.

She was associated with Sir Peter Lely, the Court painter who succeeded Van Dyke. Mary Beale made copies of many of his paintings. She also painted many pictures of her family.

Mary Beale’s painting after Sir Peter Lely’s portrait of Charles II

There are several excellent short films about Mary Beale on the Gallery’s web site, which is well worth a visit. The exhibition ends on the 19th July, but there is also, for you to see, Tate Britain’s exhibition ‘Now you see us’ which is the story of British female artists from the 1520’s to 1920.

On the way back from the Gallery, I popped into the Royal Academy to renew an old acquaintance with ‘Flaming June’ by Lord Leighton, a copy of which hangs on my bedroom wall, and which is on one of its rare visits to the UK. There is also the statue of the Sluggard and it’s all free to view.

It is days like this, that you realise what a wonderful thing it is to live in London. All this superb art, and all without laying out a penny (travelling on my free travel pass too!).

I wrote about Flaming June in a post you can read here.

27th June 20242nd July 2024

World’s First ATM Honoured. Digital Heritage June 27th 1967

On the 10th April 2023, Heritage England announced on its webpage, that they had listed a Bank which contained the world’s first ATM Machine. Barclays Bank chose its Enfield Branch for this honour which opened on 27th June 1967. Above, you will see local celebrity, Reg Varney (in hat), a star of a very popular and ‘corny’ sitcom called ‘On the Buses.’ opening the new machine. It miraculously delivered a £10 note without any human intervention, and offered access to money after banking hours.

Barclay’s had previously launched the UK’s first credit card, and selected Enfield to be the place where they launched an automatic machine to dispense money – nicknamed ‘money machines’ in the UK. The customer was issued a ‘punched card’ and had to enter a PIN for the magic to be initiated. Barclays were developing the idea of a magnetic strip on a card at the same time.

Google Street View image of the Enfield Barclays Bank (screenprinted 15/07/23)

The building, which has a plaque and a gold-painted modern ATM, is Grade II listed and so should be protected from development in future. The building itself is an interesting, almost typical, late Victorian red brick commercial building, with fine details in the Flemish Renaissance style by William Gilbee Scott. Scott lived in Enfield.

I look forward to visiting it on my next visit to Enfield Lock on my narrow boat Mrs Towser.

First published in June 2023 and republished in 2024

24th June 20242nd July 2024

Festival of St John the Baptist June 24th

The Feast Days of St John the Baptist (June 24th) and of St Peter and Paul (29th June) What is remarkable is the scale and the expense of the celebrations.

These Saints are some of the most important in the Christian Calendar. John being the forerunner to Jesus and his cousin, and Peter and Paul being the apostles who, more than anyone else, created the Christian Church.

There are also pagan rituals associated with the Feast of St John. Here is an example of French pagan solstice fires:

“They were lit at the crossroads in the fields to prevent witches and sorceresses from passing through during the night; herbs gathered on Saint John’s Day were sometimes burned to ward off lightning, thunder and storms, and it was thought that these fumigations would ward off demons and tumults.”

For more information, have a look at ‘French Moments’ here:

The Feast of St John is often described as being on the Summer Solstice, it isn’t by modern reckoning, but nor is December 25th the Winter Solstice. But they were celebrated as such by Christians, and the Solstice can be thought of as spread over 3 or 4 days (or more if taking into account Solstice Old style). The major events of the sun and the moon were linked into Christian theology and symbolism. Jesus, son of God, would clearly have arrived at the auspicious time of the Winter Solstice. His cousin, John the Baptist, came to tell the world about the coming of Jesus and so his birthday was exactly 6 months before the Summer Solstice.

St John is also special as most Saint’s Days are linked to the day of their death, but June 24th is the birthday of St John. His beheading by Herod is commemorated on 29th August.

St John the Baptist upon Walbrook in the City of London is first mentioned in the 12th Century, burnt down and not rebuilt after the Great Fire of London. The parish was, later, united with St Antholin, Budge Row, The Graveyard survived until 1884 when the District Line destroyed most of the Graveyard and the bones were reinterred below a monument, which can still be seen in Cloak Lane.

Here is what John Stow tells us about the processions on the night before the feast of St John (24th June) and St Peter and Paul (29th June):

On the vigil of St. John the Baptist, and on St. Peter and Paul the Apostles, every man’s door being shadowed with green birch, long fennel, St. John’s wort, orpin, white lilies, and such like, garnished upon with garlands of beautiful flowers, had also lamps of glass, with oil burning in them all the night; some hung out branches of iron curiously wrought, containing hundreds of lamps alight at once, which made a goodly show, namely in New Fish street, Thames street, etc.

Then had ye besides the standing watches all in bright harness, in every ward and street of this city and suburbs, a marching watch, that passed through the principal streets thereof, to wit, from the little conduit by Paule’s gate to West Cheape, by the stocks through Cornhill, by Leaden hall to Aldgate, then back down Fenchurch street, by Grasse church, about Grasse church conduit, and up Grasse church street into Cornhill, and through it into West Cheape again.

Grasse Church Street is Gracechurch Street.

The whole way for this marching watch extendeth to three thousand two hundred tailor’s yards of assize; for the furniture whereof with lights, there were appointed seven hundred cressets, five hundred of them being found by the companies, the other two hundred by the chamber of London.

Note a cresset is: a ‘metal container of oil, grease, wood, or coal set alight for illumination and typically mounted on a pole’ (Wikipedia).

Besides the which lights every constable in London, in number more than two hundred and forty, had his cresset: the charge of every cresset was in light two shillings and four pence, and every cresset had two men, one to bear or hold it, another to bear a bag with light, and to serve it, so that the poor men pertaining to the cressets, taking wages, besides that every one had a straw hat, with a badge painted, and his breakfast in the mornings amounted in number to almost two thousand.

The marching watch contained in number about two thousand men, part of them being old soldiers of skill, to be captains, lieutenants, serjeants, corporals, etc., wiflers, drummers, and fifes, standard and ensign bearers, sword players, trumpeters on horseback, demilances on great horses, gunners with hand guns, or half hakes, archers in coats of white fustian, signed on the breast and back with the arms of the city, their bows bent in their hands, with sheaves of arrows by their sides, pike-men in bright corslets, burganets, etc., halberds, the like bill-men in almaine rivets, and apernes of mail in great number;

there were also divers pageants, morris dancers, constables, the one-half, which was one hundred and twenty, on St. John’s eve, the other half on St. Peter’s eve, in bright harness, some overgilt, and every one a jornet of scarlet thereupon, and a chain of gold, his henchman following him, his minstrels before him, and his cresset light passing by him, the waits of the city, the mayor’s officers for his guard before him, all in a livery of worsted, or say jackets party-coloured, the mayor himself well mounted on horseback, the swordbearer before him in fair armour well mounted also, the mayor’s footmen, and the like torch bearers about him, henchmen twain upon great stirring horses, following him.

The sheriffs’ watches came one after the other in like order, but not so large in number as the mayor’s; for where the mayor had besides his giant three pageants, each of the sheriffs had besides their giants but two pageants, each their morris dance, and one henchman, their officers in jackets of worsted or say, party-coloured, differing from the mayor’s, and each from other, but having harnessed men a great many, etc

John Stow, author of the ‘Survey of London‘ first published in 1598. Available at the wonderful Project Gutenberg: ‘https://www.gutenberg.org/files/42959/42959-h/42959-h.htm’

First published june 2023 republished in 2024

2nd June 202413th July 2024

June & July – Street Parties in London on the Vigils of Feast Days

Image from the Agas Map of London
Civitas Londinum is a bird’s-eye view of London first printed from woodblocks in about 1561 — Civitas Londinum is a bird’s-eye view of London first printed from woodblocks in about 1561

John Stow, author of the ‘Survey of London‘ first published in 1598, tells us that there were bonfires and street parties in the City throughout June and July on the Vigils of Festivals. The Vigil is the evening before a festival. A custom that might owe a little to the Celtic choice of dusk as the beginning of the new day.

Front cover of the Survey of London by John Stow

Stow does not give a list of the vigils thus celebrated and only mentions those of St John the Baptist and of St Paul and St Peter, (which fall later in June, when I will post about them). But I would guess it would include prominent Saints in the Catholic Calendar, and also Saints with London Churches or Chapels named after them. These might include: St Botolph, St Alban, St James, St Thomas, St Margaret, St Wilgerfortis, St. Mary Magdalen, St Bridget, St James, as well as Saints John, Peter, and Paul. I’m guessing that City wide celebration would be reserved for the most important Saints, and with local celebrations for the Saint on the local Church. I am assuming these celebrations were ended or much reduced after the Reformation.

Here is his introduction to the Vigil celebrations.

‘In the months of June and July, on the vigils of festival days, and on the same festival days in the evenings after the sun setting, there were usually made bonfires in the streets, every man bestowing wood or labour towards them; the wealthier sort also, before their doors near to the said bonfires, would set out tables on the vigils, furnished with sweet bread and good drink, and on the festival days with meats and drinks plentifully, whereunto they would invite their neighbours and passengers also to sit and be merry with them in great familiarity, praising God for his benefits bestowed on them. These were called bonfires as well of good amity amongst neighbours that being before at controversy, were there, by the labour of others, reconciled, and made of bitter enemies loving friends; and also for the virtue that a great fire hath to purge the infection of the air. ‘

He goes on to describe a large scale City wide celebration, which is probably a description of the Midsummer festivities, which I will present on the 21st June.

John Stow is one of the most important sources for Tudor and Medieval London. He was a Londoner, buried in St Andrews Undershaft (see map above), who wrote up all he could glean about London. I use him all the time – for example, on my Wolf Hall Tudor London Walk, which I am doing tomorrow. Stow’s Survey of London can be accessed online, in full, here: or via the wonderful online Agas Map, from which the map above came from.

28th May 202427th May 2024

St Pancras May 12th

St Pancras, Old Church (Photo: Kevin Flude)

Pancras means ‘all-powerful’ in Greek. St Pancras was a 14 year old who refused to give up his Christian Faith during the persecution of Christians by the Emperor Diocletian. He was beheaded on the Via Aurelia, traditionally, on 12 May 303 AD. His youth makes him the Patron Saint of children, but he is also the patron saint of jobs and health, and ‘invoked’ against cramps, false witnesses, headaches, and perjury. His body was buried in the Catacombs, but his head is kept in a reliquary in the Church of Saint Pancras in Rome, where he was buried.

Pope Gregory is said to have given St Augustine relics from St Pancras when his mission came to Kent in 597AD. They built a church dedicated to St Pancras, ruins of which can be found in the grounds of what is now St Augustine’s. Canterbury.

This story is partly responsible for the claims that St Pancras Old Church (pictured above) is a very old foundation. The idea being that there was a late Roman place of worship here. But there is very little solid evidence for this. It is also argued that, if it isn’t late Roman, then it dates to just after 604AD when St Mellitus, sent by St Augustine, established St Pauls Cathedral, and St Pancras Church. St Pancras’ Church was a Prebend of St Pauls Cathedral, but this is not evidence it was established as early as the Cathedral was. (a Prebend provides the stipend (pay) to support a Canon of a Cathedral).

When the Church was restored, the architects said it was mostly Tudor work with traces of Norman architecture. However, the suggested finding of a Roman tile or two, reused in the fabric, is used as evidence to keep the legend going.

If you read the Wikipedia page you will see evidence of two strands to the contributions, one trying to play down the legends of its early foundation, and, another trying to keep hold of its place as among the ‘earliest sites of Christian worship’.

Read the wikipedia page here: https://en.wikipedia.org/wiki/St_Pancras_Old_Church

It is a lovely Church, on an impressive site, with links to Thomas Hardy, and Sir John Soane whose tomb is the design inspiration for the iconic Red Telephone Box.

The End of Hardy’s tree

27th May 2024

May Posts & Medieval Royal Horses

Medieval illumination of a medieval tournament

I’ve been taking groups around Britain from London to Edinburgh and have fallen behind on my postings.

So, I am going to post a few posts today to put them on my Almanac of the Past. They will be brief, and will be worked up for a re-publication in greater length next year.

Archaeological Discoveries at Elverton St. Westminster

Near the site of the medieval jousting arena in Westminster, London at Elverton St, archaeologists, nearly 30 years ago, excavated a Cemetery which contained the remains of horses. The University of Exeter has recently revealed the results of their analysis of the horses’ bones. The 15 animals studied were found to be above average in height, and marked by a life where they had been worked hard. Analysis of their teeth suggested they came from as far afield as Scandinavia, the Alps, Spain, and Italy.

Three of the animals are the largest found in England at the time. The findings suggest they might be from a Royal Stud farm, providing war, jousting or hunting animals for the elite.

For more details read: https://www.bbc.co.uk/news/uk-england-london-68632099

11th May 202411th May 2024

Boating adventure & the Second Best Modernist Building in London

The Hoover Building in Perivale NW London, photo Kevin Flude

I published this piece in April, but for some reason to do with the fact that I published the posts from my phone rather than my computer, no email was sent to subscribers.

So, here is a chance to see it.

What makes owning a narrow boat so wonderful, apart from enjoying living amidst nature, is the accidental discovery of undreamt of wonders. Last week, I moved my narrow boat from Westbourne Park, on the Grand Union Canal, to Perivale. A 3-hour boat trip of less than 10 miles to a frankly uninspiring suburb. But, as so often, mooring in an uninspiring place uncovered surprises that transform the mundane to the delightful.

Paddington branch of the Grand Union Canal heading west from Westbourne Park. Photo Harriet Salisbury

We set off on a beautifully sunny April morning to move the boat the requisite distance to satisfy licence terms. Rain at 12 prompted a premature end to the trip. We trudged to Perivale Underground Station, bemoaning our failure to get to Southall, to enjoy a Dosa In London’s Little India.

The road to Perivale is dull suburbia. But we stopped at a library boasting a cafe, which turned out to be a really nice bit of early 20th Century library architecture, with a cheerful volunteer explaining they were keeping the library from closure due to council cost-cutting.

They had made the library really cosy with sofas and comfortably sitting areas. Sadly, the promised Café was not open.

Perivale Library. Interior. Photo Kevin Flude

The volunteer pointed us in the direction of a sandwich at the Tesco in the Hoover Building. I had no idea this icon of Modernism was a short walk away, so we jumped at the chance to see, at close range, one of my favourite London buildings.

I regularly point it out to the groups I take to Oxford. But I have never seen it up close nor standing still. Not only is the building a fabulous cream and green, but it has a backstory of interest to London’s history. As road transport began to remake the geography of London in the early 20th Century, factories in Hackney, Tower Hamlets, Southwark, Lambeth, and other Inner London Boroughs closed, and new factories were constructed on the roads out of London, mostly manufacturing consumer goods. Park Royal, Greenford, Slough and Staines were among the areas to develop as consumerism powered the 20th Century with the production of irons, kettles, hairdryers, radios, washing machines, vacuum cleaners and suchlike delights for the workers and families. The fields around were turned into rows of semi-detached houses to mortgage to the workers.

‘The Hoover Building is a Grade II* listed building of Art Deco architecture^[1] designed by Wallis, Gilbert and Partners located in Perivale in the London Borough of Ealing. The site opened in 1933 as the UK headquarters, manufacturing plant and repairs centre for The Hoover Company.^[2]‘ (Wikipedia). It has been converted to apartments and a Tesco occupies the Factory Floor.

What made this trip even more special was that one of the original buildings has become a Hotel, in which we discovered a massive Indian Restaurant. There, we found it full of about 500 people eating a fast-breaking Eid dinner. £26 to eat as much as you can, all self-service, with scores of chefs serving their delicious tureens of Asian food. Such a great cultural experience, and rather better than the tasteless Tesco sandwich we were expecting.

If I’m passing the factory on a tour, I tend to read to my group Sir John Betjeman’s patronising poem ‘Slough’ which is about the horror of the new consumer society. ‘Slough’ is wonderful to read and, yet, also, awful, not just the Oxbridge author looking down his long privileged nose at the lower classes but going to the extreme of suggesting Slough would be better off bombed to smithereens.

Guernica was bombed on 26th April 1937 and ‘Slough appeared’ in a Betjeman collection called ‘Continual Dew’ in the same year (I havent located a reference with the actual date of publication). Bad taste in the extreme, hardly mitigated by the fact that it was originally written in 1928 and was about trading estates in general rather than Slough in particular. Still, despite all it is still one of my favourite poems for the insight it gives to attitudes of the British class system.

So, here it is.

Slough

Come friendly bombs and fall on Slough!
It isn’t fit for humans now,
There isn’t grass to graze a cow.
Swarm over, Death!

Come, bombs and blow to smithereens
Those air-conditioned, bright canteens,
Tinned fruit, tinned meat, tinned milk, tinned beans,
Tinned minds, tinned breath.

Mess up the mess they call a town-
A house for ninety-seven down
And once a week a half a crown
For twenty years.

And get that man with double chin
Who’ll always cheat and always win,
Who washes his repulsive skin
In women’s tears:

And smash his desk of polished oak
And smash his hands so used to stroke
And stop his boring dirty joke
And make him yell.

But spare the bald young clerks who add
The profits of the stinking cad;
It’s not their fault that they are mad,
They’ve tasted Hell.

It’s not their fault they do not know
The birdsong from the radio,
It’s not their fault they often go
To Maidenhead

And talk of sport and makes of cars
In various bogus-Tudor bars
And daren’t look up and see the stars
But belch instead.

In labour-saving homes, with care
Their wives frizz out peroxide hair
And dry it in synthetic air
And paint their nails.

Come, friendly bombs and fall on Slough
To get it ready for the plough.
The cabbages are coming now;
The earth exhales.

850 new factories were built in Slough before the outbreak of world war two, and the Trading Estate was first seen here. And yes, they are bleak, and Slough is even now, not the most exciting or architecturally sophisticated of towns. But to imagine bombing a town in a time when there was a real fear of mass destruction from the air?

I particularly object to the line about tinned food because I was brought up on tinned beans, peas, steak and kidney pudding, pineapple chunks, peaches, and rhubarb. And exactly what is wrong with a hair-dryer?

Before I read Slough, I recount an experience I had years ago with an American group who suddenly started laughing for no reason. I enquired, and they pointed to a huge advertising hoarding with a poster about the Electrolux Vacuum Cleaner. Its location near the Hoover building, I imagine might have been deliberate, but what made the Americans laugh was the slogan:

‘Nothing sucks like an Electrolux’

To a British person, the slogan works in a positive sense and we appreciate the wit. For the Americans, it made them all laugh with shock as to why anyone would pay to say their vacuum cleaner was complete pants.

Oh, and second best? Well, the best Modernist Building in London is the Daily Express Building, Fleet Street.

5th May 2024

May the Bees be with you! May 5th

Swarm of Bees, Hackney (Photo Kevin Flude 30th May 2018)

Tusser’s ‘Five Hundred Points of Good Husbandry’ published 1573 suggests we should:

‘take heed to thy Bees, that are ready to swarm, the loss thereof now, is a crown’s worth of harm.’ The loss was particularly hard in May or June as the country verse tells us:

A swarm in May
Is worth a load of hay
A swarm in June
Is worth a silver spoon
A swarm in July
Is not worth a fly.

In 2018, on 30th May, I was perturbed to find a swarm of Bees hanging outside my front door. Frightened of leaving my house, I rang a local Bee Keeper who came around to take possession of the Bees and take them to a new home.

Swarm of Bees having moved 20 yards to a new home, being 'rescued' by a bee keeper. — Swarm of Bees, having moved 20 yards to a second perch, being ‘rescued’ by a bee keeper. You can see the swarm above his head

According to Hillman’s ‘Tusser Redivus’ of 1710, swarming in May produces particularly good honey, and he advises following the bees to retrieve them. He says:

‘You are entitled by custom to follow them over anyone’s land and claim them … but only so long as you ‘ting-tang’ as you go, by beating some metal utensil – the sound whereof is also said to make your bees stop.’

Much of the above is from The Perpetual Almanac of Folklore by Charles Kightly.

Bees swarm when a new Queen Bee takes a proportion of the worker bees to form a new colony. They will latch unto a branch or a shrub, even a car’s wing mirror, while sending bees out searching for a suitable new home, such as a hollow tree. There may be hundreds or even thousands in the new colony, and this may be very alarming, as I found, as I could not go out without walking through a cloud of bees. But, at this point, they will not be aggressive as they do not have a hive to protect. Look here for more information on swarming.

An average hive will produce 25 lbs of honey, and the bees will fly 1,375,000 miles to produce it, which is flying 55 times around the world (according to the British beekeepers Association (and my maths)) https://www.bbka.org.uk/honey

Bees are still having a hard time as their habitats are diminishing and threats increasing. In July, DEFRA hosts ‘Bees Needs Week’ which aims to increase public awareness of the importance of pollinators.

They suggest we can help by these 5 simple actions

Grow more nectar rich flowers, shrubs and trees. Using window or balcony boxes are good options if you don’t have a garden.
Let patches of garden and land grow wild.
Cut grass less often.
Do not disturb insect nests and hibernation spots.
Think carefully about whether to use pesticides.

For more above Bees Needs Week look here:

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Archaeological Discoveries at Elverton St. Westminster

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