The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia
The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods. Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda. So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.
One is therefore immortal and the other isn’t. They had many adventures including sailing with Jason as Argonauts.
According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus. Thus, they are the epitome of brotherly love.
Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.
It happened like this. The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed. On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.
Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks. On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)
Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.
Cassandra prophesizes that she too will be a victim. She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.
I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.
In the 18th/19th Century rich people were into ‘attitudes’. For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats. She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of. She would assume an appropriate facial expression and posture for everyone’s pleasure.
Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’
Being Clytemnestra is difficult! I imagine Collier’s model being prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.
Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle.
Leighton’s model was Dorothy Dene. She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895. Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.
I have one of those half million prints on my bedroom wall.
Print of Flaming June by Lord Leighton
Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).
For more on Flaming June see my blog post of 12 July 2024
European Twin Gods
It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue people lost at sea. St Elmo’s fire was said to be the way they manifested their divinity to sailors. Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.
July is named for Julius Caesar. Originally, the Roman Month was called Quintilis, as it was the fifth month of the Roman calendar, which originally started in March. Caesar reformed the calendar in 44BC and the Senate renamed the month after him.
It is called Lúil in Irish and Gorffennaf in Welsh. In Anglo Saxon July was Æfteraliða, or “after-mild;”, Liða, means “mild” or “gentle,” or the period of warm weather around Midsummer. June is Arraliða, or “before-mild”.
It is on average the warmest month in most of the Northern Hemisphere, where it is the second month of summer. The star signs for July are: Cancer (until July 22) and Leo (July 23 onwards),
‘
July is the month of Haymaking, as you can see from the July image (above from in the Kalendar of Shepherds). To find out more, wait for the next post.From the Kalendar of Shepherds comes this description of July.
Ovid says about the 16th February, ‘Next day is vacant.’ This is surprisingly encouraging to me because I have found it hard work finding something to say about some days. You can fill in with generalities, but the specific feels so much better. But. if Ovid can just say nought happened, then that is good enough for me. If you want to read Ovid’s almanac of the year, the ‘Fasti’, for yourself, this is the translation I am using.
Fasti is sadly unfinished because Pūblius Ovidius Nāsō was exiled by the Emperor Augustus when he was halfway through the Fasti. So the last entry is for 30th June where he says: ‘put the last touches to my undertaking’ suggesting he knew he was ending it here.
He was exiled until his death ten years later in Tomis, on the Black Sea. It is not clear exactly why he was exiled, ostensibly it was for the immorality in his book ‘The Art of Love’, but as that was published almost a decade earlier, it seems strange.
Was he involved with a plot against Augustus that saw the Emperor’s own daughter exiled? Her lover was Lullus Antonius, son of Mark Antony. Unlike Julia’s other lovers, he was forced to commit suicide.
But this also happened years before Ovid’s exile, so neither does it make any great sense of the great man’s punishing exile. However, Julia’s daughter was herself exiled closer to the time of Ovid’s exile and her husband, Lucius Aemilius Paullus, was executed for treason. Ovid said the reason for his exile was a ‘poem and a mistake’. The nature of that mistake is not recorded but he said the crime was worse than murder and more harmful than poetry.
Here is one of my favourite Ovid quotations. I quote from my own book which you can buy at the link at the bottom of the page.
‘Ovid, writing in Augustus’ reign, provides our guide to the flesh-pots of a Roman town. Here he recommends how the aspiring male should dress for a night out on the town:
Don’t torture your hair, though, with curling-iron: don’t pumice Your legs into smoothness. Leave that To Mother Cybele’s votaries, ululating in chorus With their Phrygian modes. Real men Shouldn’t primp their good looks …
… Keep pleasantly clean, take exercise, work up an outdoor Tan; make quite sure that your toga fits And doesn’t show spots; don’t lace your shoes too tightly, Or ignore any rusty buckles, or slop Around in too large a fitting. Don’t let some incompetent barber Ruin you looks: both hair and beard demand Expert attention. Keep your nails pared, and dirt-free; Don’t let those long hairs sprout In your nostrils, make sure your breath is never offensive.
Avoid the rank male stench That wrinkles noses. Beyond this is for wanton women – Or any half-man who wants to attract men.
The translation is from Green, Peter (Trans) ‘Ovid The Erotic Poems’ Penguin Classics, London 1982‘
Mother Cybele’s votaries were castrati, hence their high pitched voices. Cybele fell in love with Attys, who made her jealous, so Cybele made him mad, whereupon he castrated himself and bled to death. The Mother Goddess had him resurrected body and soul and he enjoyed divine bliss ever after. A Cybelian castration device, dredged out of the Thames, can be seen in the Roman Gallery of the British Museum.’
British Museum Castration Device from the River Thames at London Bridge Photo: K Flude
It’s quoted in In Their Own Words – A Literary Companion To The Origins Of London‘ D A Horizons, 2009. Kevin Flude
To buy Kindle version click here. To buy paperback (for £5.99) email kpflude AT anddidthosefeet.org.uk
June is, probably, named after Juno, the leading lady of Olympus, sister and brother to the Great God Jupiter (Jove). In Welsh, it’s ‘Mehefin’ – Midsummer. In Gaelic, ‘An t’Og mhios’ – the Young Month. In Anglo-Saxon, ‘Litha’, the month of the Midsummer Moon.
The picture above is from the Kalendar of Shepherds, with its 15th Century French Illustration. It shows shearing as the main occupation for the month but set within a flowery summer scene. In the roundels are the Gemini twins and the Cancer Crab, the star signs of June.
The text of the Kalendar of Shepherds gives a lyrical view of the joys of June:
From Kalendar of Shepherds, 17th Century Text Wellcome Library
June might come, not from Juno’s name, but from an Indo-European word for youth or vital energy. Ovid in Fasti, his poem about the Roman Year, lets Juno make her own case:
‘O poet, singer of the Roman year, Who dares to tell great things in slender measures, You’ve won the right to view a celestial power, By choosing to celebrate the festivals in your verse. But so you’re not ignorant or led astray by error. June in fact takes its name from mine. It’s something to have wed Jove, and to be Jove’s sister: I’m not sure if I’m prouder of brother or husband. If you consider lineage, I was first to call Saturn Father, I was the first child fate granted to him. Rome was once named Saturnia, after my father: This was the first place he came to, exiled from heaven. If the marriage bed counts at all, I’m called the Thunderer’s Wife, and my shrine’s joined to that of Tarpeian Jove. If his mistress could give her name to the month of May, Shall a similar honour be begrudged to me? Or why am I called queen and chief of goddesses? Why did they place a golden sceptre in my hand?’
In the previous Book (on May), Ovid told another story that June was named for young men.
‘So I deduce that the elders gave their own title To the month of May: and looked after their own interests. Numitor too may have said: ‘Romulus, grant this month To the old men’ and his grandson may have yielded. The following month, June, named for young men’ Gives no slight proof of the honour intended.’
The Latin for ‘Young men’ comes from the Latin iuvenis, “youth”)
But let’s not go into Indo-European roots, and let’s simply accept the most wonderful month is named after Juno, the Queen of Goddesses, the deity of marriage and women. Probably most famous for hating the Trojans – she had a grudge against Paris, as he ruled against her in that famous divine beauty competition. And more seriously, what other reaction can the Deity of Marriage, have to the man who showed such disregard for the sanctity of marriage that he ran away with the already spoken for Helen.
The Judgment of Paris 1700 by Daniel Purcell. Houghton Museum (Paris, Venus, Juno, Minerva)
‘A sweet season, the senses perfume and the spirits comfort.’
First Written in June 2023 and revised June 2024
There were some spelling and image errors in the email for my past (re)post so have a look at the revised page here, and spare my blushes.
Rood screen in St. Helen’s church, Ranworth, Norfolk by Maria CC BY-SA 3.0
Roodmas is celebrated on May 3rd and September 14th, although the Church of England aligned itself with the Catholic Church’s main celebration on September 14th.
Rood is another word for the Cross. Parish Churches used to have a Rood Screen separating the holy Choir from the more secular Nave. This screen was topped with a statue of the Crucified Jesus nailed to a Rood.
The two dates of Roodmas reflects that it commemorates two events:
The Discovery of the Holy Cross in Jerusalem in 326 by Queen Helena, wife of Constantius Chlorus and mother of Constantine the Great. In Jerusalem, Queen Helena found the Cross with the nails, and the crown of thorns. She authenticated the Cross by placing it in contact with a deathly sick woman who was revived by the touch of Cross. She had most of the Cross sent back to the care of her son, Constantine the Great.
The part of the Holy Cross that was left behind in Jerusalem was taken by Persians but recovered by the Byzantine Emperor Heraclius in 628 in a peace treaty.
Over the years, the Cross was shivered into ever smaller pieces as Emperors, Kings, Queens, Dukes, Counts, Popes, Bishops, Abbots, and Abbesses swapped relics with each other. The fragments were cased in beautiful reliquaries and had enormous power for those of faith and those who could be helped by healing by faith.
The Duke of Buckingham had a piece in his collection, which he kept at York House in the early 17th Century. How he got it, I don’t know, but I think he must have acquired it from the aftermath of the destruction of the Reformation. John Tradescant, who looked after the Duke’s collection (before Buckingham was murdered), had a wonderful collection of curiosities which he kept in the UK’s first Museum in Lambeth. Tradescant’s Ark, as his museum was called, also had a piece of the True Cross. Again, I suspect (without any evidence) that he got it from Buckingham. Did he acquire it after the murder? Or shiver off a timber fragment hoping no one would notice?
The Chapel that Shakespeare’s Father controlled as Bailiff of Stratford on Avon, was dedicated to the Legend of the True Cross, to find out more click here:
Last year, I was just finishing this piece when I came across this astonishing story in the Shropshire News!
It seems two pieces of the True Cross were given to Charles III by the Pope! They have been put into a cross called the Welsh Cross which took part in the Coronation Procession, and then the King is giving the Cross (I assume with the pieces of the Holy Cross) to the Church in Wales. Let the Shropshire News tell the story:
Flora on a gold aureus of 43–39 BC Wikipedia photot by АНО Международный нумизматический клуб
On the 28th of April until the Kalends (15th) of May the Romans, according to Ovid in the ‘Fasti’ Book IV, celebrated the Florialia dedicated to Flora, the Goddess of Spring, flowering, blossoming, budding, planting and fertility. She was one of the 15 Roman Deities offered a state-financed Priest. Her home in Rome, was on the lower slopes of the Aventine Hill near the Circus Maximus.
The Circus Maximus is the large long arena in the middle of Rome. Model Musee Arte et Histoire, Brussels, photo Kevin Flude
Celebrations began with theatrical performances, at the end of which the audience were pelted with beans and lupins. Then there were competitive games, and spectacles. The latter, in the reign of Galba, including a tight-rope walking – wait for it – elephant!
Incidently, Galba only survived for 7 months as Emperor – a little longer than Liz Truss’s 44 days but then she was not murdered by a rampaging mob at the end of her reign. It was the year known to history as the year of the 4 Emperors. (great description by Tacitus here:)
Juvenal records that prostitutes were included in the celebration of Flora by dancing naked, and fighting in mock gladiatorial battles. (there is a raging debate about the existence of female gladiators: a burial in Southwark has been said to be one such and Natalie Haynes has her say on the subject here🙂
Hares and goats were released as part of the ceremonies, presumably because they are very fertile and have a ‘salacious’ reputation! (Satyrs were, famously, obsessed with sex and were half man half goat. A man can still be referred to, normally behind his back, as an ‘old goat’).
The Moon rules the months: this month’s span ends With the worship of the Moon on the Aventine Hill.
Fasti by Ovid
The Aventine Hill is one of the seven hills of Rome, named after a mythical King Aventinus. It is the hill upon which Hercules pastured his cattle. According to Virgil in his Aeneid, the monstrous Cacus lived in a cave on a rocky slope near the River Tiber, and stole Hercules cattle. So, Hercules killed him. The worship of Minerva also took place on the Hill. You can take a Google Earth fly past if you follow this link – also some nice photos, and a link to Wikipedia.
Aventine Hill, Rome Google Earth
The Hill is famous in the mythology of Rome because it is associated with Romulus. He and his twin Brother Remus, were born to the vestal virgin, Rhea Silvia, in the pre-Roman City of Alba Longa, not far away. Rhea was the daughter of former King Numitor, and in her sacred grove she was seduced by the God Mars, and gave birth to the twin boys. They had to be hidden from the wrath of their Granduncle, who had usurped the throne from their Grandfather. The boys were saved by the River God Tiberinus and then by being suckled by a Wolf in a cave called the Lupercal, which is/was at the foot of the Palatine Hill in Rome.
When they grew up, they helped their Grandfather reclaim the throne (being the children of the War God they were obviously excellent at the art of war). They decided to found their own City, but they could not decide upon which hill to build it or who to name it after (accounts vary!). Remus favoured the Palatine, Romulus the Aventine (some accounts say vice versa). They decided to let the Gods decide. Remus claimed to have won when he saw a flight of 6 auspicious birds but Romulus saw 12 and declared himself the winner. So, the City was named Rome in his honour, and it was founded on the Palatine Hill, with the Aventine originally outside the circuit.
The two fell out and Remus was killed. The story was first written down in the Third Century BC, and it was claimed that Rome was founded in 753BC. The stories continue to be told and celebrated in a way that we have forgotten in Britain as we ignore our creation myths of King Brutus, relative of Romulus and Remus, merely because they are unlikely to be true!
Old Photograph of the Stone of Destiny beneath the Coronation Chair.
The Stone of Destiny is, today, on display again at the reopening of the redeveloped Perth Museum, in Scotland. This is near to its ‘original’ home at the Palace of Scone.
The Museums Association reports that it is a ‘£27m development project ….funded by £10m UK government investment from the £700m Tay Cities Deal and by Perth & Kinross Council, the museum is a transformation of Perth’s former city hall by architects Mecanoo.’
As well as the Stone of Destiny, the Museum has Bonnie Prince Charlie’s sword and a rare Jacobite wine glass, which are on public display for the first time. This is the first time the sword has been in Scotland since it was made in Perth in 1739. https://perthmuseum.co.uk/the-stone-of-destiny/
Webpage of the Perth Museum show a photo of the Stone of Destiny
Before Perth, the Stone was in London under the Coronation Chair for the Coronation of King Charles III (6 May 2023) . Before that, it was on display at Edinburgh Castle after being sent back to Scotland by Blair’s Labour Government as a symbol of the devolution of power from Westminster to the restored Scottish Parliament in Edinburgh in November 1996. Before that, it was under the Coronation Chair from the time Edward I stole it (1296) from Scone as part of his attempted subjection of Scotland in the late 13th Century. So, virtual every English and British King has been crowned upon the Stone of Scone.
However, the Stone had a brief holiday in Scotland in 1950/51 after four Scottish students removed it from Westminster Abbey on Christmas Day 1950. After thee months, it turned up at the high altar of Arbroath Abbey. It was briefly in a Prison Cell, then returned to Westminster for the Coronation of Elizabeth II.
I’m guessing the-would-be liberators of the Stone, thought Arbroath was suitable, as the Declaration of Arbroath is the supreme declaration of Scottish Independence from England. Following the Battle of Bannockburn, and Robert Bruce’s leadership, the Scots wrote to the Pope of their commitment to Scotland as an independent nation. They said:
“As long as a hundred of us remain alive, never will we on any conditions be subjected to the lordship of the English. It is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom alone, which no honest man gives up but with life itself”
The Pope agreed and Scotland remained independent until voluntarily joining England in the United Kingdom in 1714.
Poor photograph of a press cutting on display at the Palace of Scone (Photo by me!)
Before Edward 1 stole the Stone, it was at Scone Palace, upon which the Kings of Scotland were crowned, including Macbeth (August 14, 1040).
Moot or Boot Hill where Scottish Kings were crowned. Palace of Scone Photo Kevin Flude)
Those who attended the coronation traditionally shook their feet of all the earth they had brought from their homelands, and this over the centuries grew into Boot Hill, aka Moot Hill. So the mound represents the sacred land of Scotland. 42 Kings were crowned upon its soil on its Stone.
Before Scone, it was, possibly, in Argyllshire where the Gaelic Kings were crowned, Their most famous King was Kenneth MacAlpine and he united the Scots, Gaelic people originally from Ireland, the Picts, and the British into a new Kingdom which was called Alba, which became Scotland.
MacAlpine was the first king to be crowned on the Stone at Scone in 841 or so. He made Scone the capital of his new Kingdom because it was a famous Monastery associated with the Culdees who followed St Columba to Scotland. MacAlpine brought sacred relics from Iona to sanctify the new capital. And Scottish Kings were by tradition crowned at Scone and buried on the holy Island of Iona.
Before that, legend has it that the Scots bought the Stone from Ireland when they began to settle in Western Scotland (c500AD). The Scots, it is said, got the Stone from the Holy Land where Jacob lay his head on it and had a dream of Angels ascending and descending a ladder to Heaven. Jacob used the stone as a memorial, which was called Jacob’s Pillow (c1652 years BC).
But, questions about the Stone remain. Firstly, an angry Edward 1 failing to conquer the Scots makes a spiteful raid on Scone, but would the Monks meekly hand over the stone, or do they hide it and give him a fake?
Secondly, was the Stone brought to Scone from Western Scotland in the 9th Century?
These questions of doubt are based on the assumption that the Stone is made of the local Scone sandstone. If it were brought to Scone from somewhere else, it would be in a different type of stone, surely? So, either it was made in Scone, possibly for MacAlpine’s Coronation or the Monks fooled the English into taking a copy. So the English would then have been crowning their Monarchs on a forgery.
Ha! Silly English but then the Scots have spent £27m on the same forgery.
Historic Environment Scotland have recently undertaken a new analysis of the stone, which confirms: ‘the Stone as being indistinguishable from sandstones of the Scone Sandstone Formation, which outcrop in the area around Scone Palace, near Perth‘. It also found that different stone workers had worked on the stone in the past; that it bore traces of a plaster cast being made; that it had markings which have not yet been deciphered and had copper staining suggesting something copper or bronze was put on the top of it at some point in its history.
So it seems the Stone of Destiny was made in Scone.
Study for Lady Lilith, by Rossetti. 1866, in red chalk. Now in the Tel Aviv Museum of Art (Wikipedia)
March 25th is the Annunciation—the day that the Archangel Gabriel tells Mary she is pregnant. (to see some very fine paintings of this meeting, look at my other March 25th post here)
March 25th is also the anniversary of the birth of Adam and Eve (and presumably Lilith); the death of Jesus Christ; the anniversary of the Immolation of Isaac; the Parting of the Red Sea; the Fall of Lucifer; and, (until 1752 in the UK) the beginning of the Year.
Of course, it isn’t or to put it another way, no one can, or ever could, prove any of these dates except the last one. So what they speak to is the way the Church saw the world as logically structured by God. Christian thinking about the year, the world, the universe, creation, developed over many years and took influences from many cultures. It is also very complicated to work out the sequence, so I’m going to summarise from what I know (or at least what I think I know).
Christians chose Christmas Day as the Birthdate of Jesus probably because it was a prominent birthday already shared with several Gods, but particularly Mithras and Saturn. It was approximately at Solstice, the beginning of the Solar Year, and close to one of the main festivals of the Roman World, the Saturnalia. December 25th might have been chosen by the pagan religions because it is the time when the Sun begins to rise, to the naked eye, further north each day, lengthening the day, increasing light and the promise of warmer weather.
So, Jesus was born on/or around the Solstice, so he must have been conceived approx. 9 months earlier, which would be around the Spring Equinox. I have always thought that the 4 or 5 days difference between the Solstice, the Equinox and the Christian festivals was down to the fact that the Calendars were not well coordinated with the actual movements of the Sun (because the Sun does not circle the earth in 365 days, or in 365 and a quarter days, but 365 days, 6 hours, 9 minutes which makes Calendars hard to align with the Sun). But I have just realised the importance of something I discovered yesterday when preparing my two posts on March 25th. And since writing that sentence I have had another revelation. But be patient.
So, God sends his Son to save the human race. God is a logical being, so she would send the Son at an appropriate time. If the Child is born at or near the Solstice, which is an appropriate time for the Son of the Creator, then 9 months earlier, March 25th, is near the Equinox, which is the beginning of Spring. For many people, Spring is a new beginning, for example, the Anglo-Saxons saw Winter as the death of the year, and Spring as the young Year.
So to the Creation. God, having a free choice, would have created the world at the beginning of Spring. In fact, if you think about it, God creates everything necessary for life at the creation in 6 days, and it is going to immediately spring into new life, and the first season must, therefore, be Spring? Right? So March 25th.
This gives a nice symmetry with Jesus’s Life. Conceived on March 25th, born December 25th, and died 30-40 years later, according to the Church, on March 25th. (the only other famous person I know born and died on the same day is William Shakespeare).
Easter, when Jesus is martyred, isn’t March 25th I hear you saying. But remember, Easter is a lunar festival, so its date varies each year. Births and deaths, on the other hand, are fixed to the Solar Calendar and the Church chooses March 25th as the most appropriate day to pin the death of Jesus, on the anniversary of his conception and the anniversary of the creation of the Earth, and I am guessing that this is also the preferred date for the Day of Judgement.
It is also the Birthday of Adam, and his first wife Lilith (or so some say), and Eve. More about Lilith below. I thought this date was just one of the parallels that the Church liked, Jesus and Adam born on the same day but, I have just worked out why Adam is born on March 25th, and why these dates are not the Equinox, March 20th but March 25th, which has been bugging me.
Let’s go back to the Beginning of Creation. According to the Anno Munda‘s arrangement of the Year, the world was created 5500 years plus 2023 years ago so 7523 Before the Present. And it was supposed to have ended in 600AD, 6000 years after the Creation. So, they got that wrong.
The Creation, as described in Genesis, has the following sequence of Seven Days. As the Creation began at the Equinox March 20th. I have added dates to the 6/7 day sequence of Creation:
So there you have it! Adam, Lilith, and Eve were created on Day 6 with the Land Animals – March 25th. Jesus conceived, also on this date, and so 9 months later is born on December 25th. It all makes sense, and aligns the Christian year fully with the Solar Year.
And that, dear Reader, is the very first time anyone has been able to explain to me why Christmas is not at the Solstice, and why the Annunciation was not at the Equinox. Maybe you all know this, but it is very exciting to work this out for myself. And believe me, I have done a lot of reading about calendars and not spotted an explanation.
So that was yesterday’s revelation. What about the revelation I had about 45 minutes ago? (now about 5 hours). When writing items like this, there are numerous things that are interconnected, and I begin writing them before realising I am interrupting the story I am trying to tell. This is often to the detriment of the story arc, or to understanding (although often, I think, adds to the joy of this blog – after all ChatGBT couldn’t write this stuff – could it?).
So I began to write about Dionysius Exiguus and his invention of the AD/BC system and about eras, cycles, and ages. (He replaced the Anno Mundo year with the AD/BC system in the 6th Century AD).
I was thinking about the beginning of the year. The Celts chose October 31st, Julius Caesar chose January 1st, other cultures have other dates, and the Spring Equinox is another choice sometimes made. The Church and Dionysius Exiguus choose March 25th, although secular society also recognised the claims of January 1st. Britain kept to March 25th until 1752 when we adopted the Gregorian Calendar. But people like Samuel Pepys celebrated New Year’s Eve on 31st December. So January 1st was the New Year, but the year number did not change until March 25th. So King Charles I thought his head was being cut off on January 30th 1648; while history books will tell you it was cut off on January 30th 1649. Same day, different reckonings.
December 31st/January 1st is essentially a Solstice New Year Festival. And I have, previously, used the difficulty of keeping calendars as to why these days has slipped out of alignment with the Solstice. But, today I realised that it is as likely that the reason is the Solar/Lunar nature of our time keeping. The year, and its festivals, is largely arranged around the Solar Cycle. But our weekly and monthly cycles are derived from the Moon. So, I think that January 1st (or the Kalends of January as the Romans would have called it) would originally have been the First New Moon after the Winter Solstice. Keeping the Moon months and the Sun years in sync is very, very difficult, and so Roman and Christian cultures gave up and fixed the moon months, completely abandoning any attempt to keep the months to the actual lunar cycle. This is our current system, in which only Easter remains a true to the moon festival, much to our perennial confusion.
Maybe you all know this, but I’ve learnt a lot in writing these two posts.
Lilith
The April 2023 Issue of ‘History Today’ has a short piece called ‘The Liberation of Lilith’ which suggests that the story of Lilith, a figure from Jewish Folklore, is first attested in a Medieval satirical text called ‘The Alphabet of Ben Sira’. The story goes that Lilith is created using the same clay as Adam. Adam then demands she lies below him during sex. She refuses, saying that they are both made from the same stuff and, therefore, equal. Adam refuses to accept this, and so Lilith leaves the Garden of Eden. So the story goes.
The story of Lilith, Sarah Clegg suggests, is one of a series of similar stories found around Europe and Asia. And Clegg assumes that it is gradually modified to make Lilith a demon who will kill babies unless the names of three angels are spoken out loud. So, the story survives as a charm to keep babies safe, and perhaps to remind people of equality among the sexes. But this causes problems for, OK, let’s call them out, the Patriarchy. Lilith cannot be equal to Adam so she becomes a monster, not made from the same clay as Adam but from the scum and waste left over from Adam’s creation. I imagine the story then went on to propose that God creates Eve from Adam’s rib, and so she is created from Adam, and is, therefore nor equal, but subservient to him. Lilith is now a significant figure in feminist folklore circles.
Attached to the watercolour of Lilith by Rossetti (at the top of the page), was a label with a verse from Goethe‘s Faust as translated by Shelley. (Wikipedia)
“Beware of her fair hair, for she excells All women in the magic of her locks, And when she twines them round a young man’s neck she will not ever set him free again.”
The model is Fanny Cornforth, Rossetti’s mistress. He painted another version a few years later, but the model in that is Alexa Wilding. His models are arguably more interesting than the man himself and include: Elizabeth Siddall, Jane Morris and Fanny Cornforth. Christina Rossetti, his poet sister, modelled for Rossetti’s painting, Ecce Ancilla Domini which you can see here.
I think I might have enough material to begin my own Cult.
For more on the Annunciation, look at my other March 25th post here.
SOOTHSAYER: Caesar! CAESAR: Ha! Who calls? CASCA: Bid every noise be still; peace yet again! CAESAR: Who is it in the press that calls on me? I hear a tongue shriller than all the music Cry ‘ Caesar!’ Speak. Caesar is turned to hear. SOOTHSAYER: Beware the ides of March. CAESAR: What man is that? BRUTUS: A soothsayer bids you beware the ides of March. CAESAR: Set him before me; let me see his face. CASSIUS: Fellow, come from the throng; look upon Caesar. CAESAR: What sayst thou to me now? Speak once again. SOOTHSAYER: Beware the ides of March. CAESAR: He is a dreamer. Let us leave him. Pass.
Julius Caesar by William Shakespeare
This year there are many vital elections around the world; often involving populists like Julius Caesar. I rank Caesar with Napoleon as one of the Dictators who was, personally, an intelligent, reasonable man, who, in some ways, ruled ‘wisely’ but who was nonetheless willing to sacrifice millions of people for his personal ambition. Today, the world is faced with the more run-of-the-mill populists who are geniuses only in their own, often, deranged minds. I know, we as humans, might think, if only X would drop dead, how much better it would be? Brutus, being an honourable man, took action upon his thought. But, as often is the case, what seemed the ‘right thing’ to do, turned out to be a disaster for the Roman Republic which the plotters were trying to save. So, perhaps, still those assassinary thoughts, read this article in ‘History Today’ about the impact of Julius Caesar’s murder and do everything you can do to use democratic means to defeat egotists to whom truth means nothing.
Now, what the heck are or indeed is the Ides of March?
A Roman month was divided into three, first the Kalends, then the Nones and finally the Ides. These three days were the important days of the year. The Kalends is the 1st of the Month, the Nones the 7th of the Month and the Ides the Fifteenth of the Month. It is said to go back to the early days of Rome and a lunar calendar, The Kalends being the first tiny sliver of a crescent moon a couple of days after the New Moon; the Nones the first quarter of the Moon and the Ides was the full moon. But of course, it doesn’t really make that much sense as the full moon is 28 days after the new Moon not 15, and the three divisions, divide up the first half of the month, and leave the second half undivided.
How did you use it? When talking about a day in the future month you might say I’ll meet you on the 5th day before the Kalends. Debts were supposed to be paid on the Kalends and that is where we get our word calendar from. These public calendars were called Fasti, and this is the name of Ovid’s great Almanac Poem, the Fasti, which I often quote from.
This is a very bad photograph of a drawing by Herbert E Duncan Jr of a 1st Century Calendar
I’ve never really understood this system, despite a few attempts, until I saw this drawing of a Roman Calendar. The first column, on the left, with the letters from D downwards represent the letters A – H which is a recurring cycle of 8 market days, running in tandem with Kalends, Nones etc. The second column begins with the Letter K for Kalends, (reading across then MART for March, then NP which means the Kalends is a day for public festivals). Back to the second column, below the K for Kalends, the days are counted down to the upcoming Nones, so the next one after Kalends is VI, meaning the 6th day before the March Nones. Then V, IIII, III, and PR means the day before Nones. Below and to the right of the PR are the letters NON which is, as you might hope, short for Nones.
In the second column below this is the number VIII which means the next day is the 8th day before the Ides of March. The fragment of stone from which this drawing comes does not continue down to the Ides, unfortunately.
Complicated, huh? It gets worse. The third column has a series of letters in it: F C C C NP NON F C C. We already know that the NON is short for Nones, The F means it’s a fastus, a permissible day when legal action can be taken. The C means Ccomitialis which on fasti days the Roman people could hold assemblies. We have already seen that NP marks days for public festivals. An N would mean days when political and judicial actions were prohibited, although there is not one here. The small unreadable text to the right is information, I believe, about holidays and historic events to be marked in the calendar. This is, in fact, a Roman Stone Almanac.
This confusing system survived Caesar’s major calendrical reforms when he transformed the Roman system, which was rotten at the core, to align it with an almost accurate calculation of the time the Sun takes to circle the earth (or the other way around!) to create the almost correct Julian Calendar.
But the Kalends, Nones, and Ides did not survive because, in the Imperial period, this strange division of time was replaced by the familiar 4 fold division of the month into our 7 days of a week. So, for the first time, you could work 24/7.
I will deal with Julius Caesar’s reforms in great depth on another occasion.
