Pilgrims leaving the Tabard for the Canterbury Pilgrimage
Canterbury Pilgrimage
Tonight, I am leading my annual Canterbury Tales Virtual Pilgrimage. This is the day Chaucer’s pilgrims leave London to ride to Canterbury. (For more details or to book look here.)
At the beginning of the prologue, Chaucer gives clues as to the date. They go when April showers and Zephyrus’s wind is causing sap to rise in plants, engendering flowers. It is also when Aries course across the sky is half run.
The pilgrims are accompanied by Harry Bailly who is the landlord of the Tabard Inn in Southwark. He was a real person and a fellow Member of Parliament of Chaucer.
He is jolly and quite knowledgeable. In the Man of Law’s prologue we get a glimpse of Harry time telling in the days before clocks.
A mass clock at Steventon Church. Hampshire
Telling the Time
Chaucer mentions ‘artificial day’ and this is a reference to the way days were divided into hours. There were twelve hours in the daylight part of the day, and twelve hours in the dark night. So in the winter daylight hours were short, and in the summer long.
Romans used water clocks. King Alfred used candles marked into hours. Harry Bailly knows how to tell the time by the height of the Sun. Harry tells the pilgrims it’s about time they got underway. Here is an extract:
Essentially, he is telling the time by the length of the shadows. The illustration of the mass clock at Jane Austen’s Church at Steventon shows how easy it was to tell the time by the sun.
The first mass clock I noticed was at St James’ Cooling in Kent. Dickens used this in Great Expectations, where Pip’s brothers and sisters were buried. Once you find one mass clock, you suddenly discover them everywhere!
Telling the time, before mechanical clocks, was not complicated. The basic unit is the day and the night, and we can all tell when the dawn has broken. The Moon provides another simple unit of time. The month’s orbit around the Earth is roughly every 29 days. The new, the crescents and full moons provide a quartering of the month. For longer units, the Earth orbits around the Sun on a yearly basic. But it is easily divided into four, the winter solstice; the spring equinox, the summer solstice and the autumn equinox.
Nature’s Way of Time Telling
But there were other ways of marking days in the calendar, with natural time markers marked by, for example, migrating birds, lambing, and any number of budding and flowering plants such as snowdrops, daffodils and elm leaves:
When the Elmen leaf is as big as a mouse’s ear, Then to sow barley never fear; When the Elmen leaf is as big as an ox’s eye, Then says I, ‘Hie, boys” Hie!’ When elm leaves are as big as a shilling, Plant, kidney beans, if to plant ’em you’re willing; When elm leaves are as big as a penny, You must plant kidney beans if you mean to have any.’
In my north-facing garden, I have my very own solar time marker. All through the winter, the sun never shines directly on my garden. Spring comes appreciably later than the front, which is a sun trap facing south. But in early April, just after 12 o’clock the sun peeks over the block of flats to the south of me. It finds a gap between my building and the converted warehouse next door. For a short window of time, a shaft of a sunbeam brings a belated and welcome spring.
New Light on Thomas Becket’s Window at Canterbury
Recent research has revealed the true story behind stained glass windows at Canterbury which had been reassembled wrongly.
Photo from ebay sale of coin of Carausius, showing the reverse with image of the Roman Goddess Pax.
The Goddess Book of Days (Diane Stein) lists today as the birthday of Pax and her Greek equivalent Irene. She is the Goddess of Peace and the daughter of Jupiter and the Justitia, Goddess of Justice. This suggests that a lasting peace can only be assured by strength and justice. The usurping Emperor Carausius (whose coin you can see above) had good reason to use Pax on his coins. He took control of Britain and some of Gaul from the Roman Empire. But he seems hoped he might rule alongside the Tetrachy of Emperors set up by Diocletian.
This is what Eutropius wrote:
He was murdered by Allectus his financial minister in 296AD. Text above taken from my book In Their Own Words where you can read the rest of Carausius’ story.
Concordia
The Goddess book also says this is the day of the Concordia Peace Festival in Rome. Concordia is the Goddess of agreement, in war, marriage and in civic society. Harmonia is the Greek equivalent. Ovid has special days to Concordia on January 17th and January 30th. I’m led to the idea that much of January was dedicated to Concordia and Pax. For more on Concordia, look at my January 17th post here.
Pax in Ovid
Pax had her festival on the 30th January. Ovid in Fasti writes:
Book I: January 30 My song has led to the altar of Peace itself. This day is the second from the month’s end. Come, Peace, your graceful tresses wreathed With laurel of Actium: stay gently in this world. While we lack enemies, or cause for triumphs: You’ll be a greater glory to our leaders than war. May the soldier be armed to defend against arms, And the trumpet blare only for processions. May the world far and near fear the sons of Aeneas, And let any land that feared Rome too little, love her. Priests, add incense to the peaceful flames, Let a shining sacrifice fall, brow wet with wine, And ask the gods who favour pious prayer That the house that brings peace, may so endure. Now the first part of my labour is complete, And as its month ends, so does this book.
Translated by A. S. Kline 2004 (Tony has a lovely site here: where he makes his translations freely available.)
Concordia, Julia Aquilia Severa & Elagabalus
A patera is a sacrificial bowl, and a cornucopia is a horn of plenty (Image from Wikipedia)
The coin above is of Julia Aquilia Severa. She was a vestal virgin, who married the Emperor Elagabalus (c. 204 – 11/12 March 222). She was his 2nd and 4th wife. Normally, a vestal virgin was buried alive, if she lost her virginity.
But I probably should say ‘her 2nd and 4th wife’ as some sources suggest Elgabalus wanted to be known as a woman. The Wikipedia page of his wife has Elagabalus with the pronoun, ‘Her’. While the Emperor’s own web page uses him throughout. He or she married several women and was said by some to be married to several men. They were also accused of prostituting themself in Taverns and Brothels. Clear? Confusing pronouns? Sorry to hedge my bets, but we don’t know what Elagabalus would want us to use? Wikipedia says:
‘In November 2023, the North Hertfordshire Museum in Hitchin, United Kingdom, announced that Elagabalus would be considered as transgender and hence referred to with female pronouns in its exhibits due to claims that the emperor had said “call me not Lord, for I am a Lady”‘
Elagabalus was born Sextus Varius Avitus Bassianus. He adopted the name of Elagabalus as he was a supporter of Syrian Sun God Elagabal. He, a Syrian, wanted to promote the God to the top of the Roman Pantheon of Gods. Varius rose to power partly because of his strong Grandmother, Julia Maesa. She was the sister of Julia Domna, the wife of African Emperor Septimus Severus (who lived for some time in York). Their children are the Emperors depicted in Gladiator II starring Paul Mescal.
Elagabalus’s reign was fairly chaotic. He lost power, when his Grandmother transferred support to his cousin, Alexander, and Elagabalus and his mother were assassinated.
Posh boys in England, playing tagging games, used to shout ‘Pax’ to claim immunity or to call a temporary halt in the contest. I remember my childhood friends using the word ‘vainites’ as well as pax. But we were not by any means posh. There are many other ‘truce’ terms used in tagging games. They are listed in this fascinating. Wikipedia page. From which I discover that Vainites comes from the medieval period and means: ‘to make excuses, hang back or back out of battle’.
First Published in January 2024, and revised, expanded and retitled in January 2025
Sorry to send an additional post but coming up are a couple of fascinating Virtual Tours which I would like to remind you of!
Tonight is an exploration of early 19th Century London. It is based on the 1809 Picture of London Guide book. An original copy was given to me by someone grateful to have attended one of my lectures at the Old Operating Theatre Museum. It is a tour of what Jane Austen could have visited on her walks around London. There are Austen associations, but mainly we are looking at London in 1809.
Jane Austen’s ‘A Picture of London in 1809’ Virtual Walk Mon 7.30 27th Jan25 To book
Yesterday, I was asked to give a Cromwell’s London walk as a 75th Birthday present. I haven’t done one for at least 25 years. But I really enjoyed the research. So added a guided walk and a virtual tour to my programme. This is the first time I have done this VT and it is a cracking story.
The Civil War, Restoration and the Great Fire of London Virtual Tour 7:30pm Thurs 30th Jan25To book
Finally, April is the month we go on pilgrimages, as Chaucer said (in Old English). So, in addition to my Chaucer Walks, I have added a Virtual tour so we can go all the way to Canterbury.
Chaucer’s London To Canterbury Virtual Pilgrimage 7.30pm Friday 18th April 25 To book
I may add one or two more before the Sun comes back
Spinning—showing the distaff in the left hand and the spindle or rock in the right hand
I’m not sure what the Three Kings were doing on the day after Epiphany. But, the shepherds, if they were like medieval English farmworkers, would still be on holiday. They went back to work, traditionally, next Monday, which is Plough Monday. By contrast, the women, according to folk customs, went back to work St. Distaff’s Day, the day after Epiphany. In an ideal world, St Distaff’s Day is the Sunday after Epiphany (January 6th), and Plough Monday is the next day. Of course, it doesn’t always work out that way. I am not sure the woman going back to work on the 7th January, would be happy with the men lounging about until Plough Monday,. This year on the 13th January.
A distaff is ‘a stick or spindle on to which wool or flax is wound for spinning’. Because of its importance in the medieval and early modern economy, it became a synecdoche for women. St Distaff is a ‘canonisation’ of this use of the word. So, a day to celebrate working women.
We know that medieval and early modern women were a vital part of the work force, despite the demands of childcare. Many women took on apprenticeships, even more continued their husband’s work after he died. Some professions like silk became a female speciality. Plus, London was full of female servants and nurses. Many women had several jobs. The exhibition at the British Library on Medieval Women. In Their Own Words, indicated that most of the sex workers had two or more other jobs. In the house, the wife was the mistress of a formidable range of technologies. Baking, Brewing, Cooking, Laundry, Gardening, Dairy, Medicine (including distillation), horticulture, spinning, sewing and embroidery. Even, aristocratic women did embroidery of the finest quality, and it often made an important financial contribution to the household.
St Distaff’s Day and Plough Monday
Robert Herrick (1591–1674), born in Cheapside, London, a Goldsmith, priest, Royalist and Poet wrote in ‘Hesperides’.
Partly work and partly play You must on St. Distaff’s Day: From the plough, soon free your team; Then come home and fother them; If the maids a-spinning go, Burn the flax and fire the tow. Bring in pails of water then, Let the maids bewash the men. Give St. Distaff all the right; Then bid Christmas sport good night, And next morrow every one To his own vocation.
Here he links the plough team with St Distaff’s Day. This implies that the ploughs would be out on the next day. So as St Distaff’s Day is not always on a Sunday, perhaps Plough Monday is not always on a Monday? He certainly suggests everyone goes back to work on the day after St Distaff’s Day.
Saints & Goddesses of the Distaff Side
In London, the Fraternity of St Anne and St Agnes met at the Church dedicated to the saints. It is by a corner of the Roman Wall on the junction of Gresham Street and Noble Street. St Agnes is the patron saint of young girls, abused women and Girl Scouts. St Anne is the mother of the mother of the Son of God. So, she represents the three generations of women: maidens, mothers, and grandmothers.
The Three Mother Goddesses (and someone else) “Limestone relief depicting four female figures sitting on a bench holding bread and fruit, a suckling baby, a dog and a basket of fruit’ the Museum of London
This trinity of women were worshipped by the Celts. Archaeologists discovered the sculpture above while investigating the Roman Wall a few hundred yards away at Blackfriars. Scholars believe it depicts the Celtic Three Mother Goddesses. The fourth person is a mystery, maybe the patron of a nearby temple. The relief sculpture was removed perhaps from a temple, or the temple was trashed at some point. Then the sculpture was used as rubble and became part of the defences of London.
The idea of triple goddesses is a common one. In Folklore and History they have been referred to as Maiden, Mother, and Crone, or even Maiden, Mother and Hag. They come in Roman, Greek, Celtic, Irish, and Germanic forms. Their names include the Norns, the Three Fates, the Weird Sisters, the Mórrígan and many more. The Three Fates, the Goddess Book of Days says, were celebrated during the Gamelia. This is the Greco/Roman January Festival to the marriage of Zeus and Juno. The Festival also gives its name to the Athenian month of January.
The use of the terms Hag and Crone for the third Goddess is rare now, but was common. It does a great disservice to the importance of the Grandmother figure. (Although the original meaning of the words were less pejorative. For example, Hag may have meant diviner, soothsayer.) The three phases of womanhood are equally as important to the continuation of the species. They provide love, support, and experience through the generations. Compare these three generations of supportive deities with Ouranos (Uranus), Cronus (Saturn) and Zeus (Jupiter). Saturn castrated and deposed his father, Uranus. Later, he tried to eat his son, Jupiter. But then, Jupiter is nobody’s idea of an ideal father. As one example, he eats his lover, Metis, to avoid her giving birth. (See my post on the birth of Athena.)
Recent work on human evolution has suggested that the role of the Grandmother is crucial to our species’ ability to live beyond the age of fertility. Because, in evolutionary terms, once an individual cannot procreate, their usefulness for the survival of the genes is finished. So what’s the point of putting resources into grandma’s survival? The theory is the Grandmother has such an impact on the survival of the next generation, that longevity. for the female, beyond fertility makes evolutionary sense.
There was a theory widely held that the original Deities, dating before the spread of farming, were mother goddesses. The idea is that the hunter-gather goddesses (perhaps like the Venus of Willendorf) were overthrown by the coming of farmers. These patriarchal societies worshipped the male gods, which destroyed the ancient Matriarchy. Jane Ellen Harrison proposed an ancient matriarchal civilization. Robert Graves wrote some interesting, but no longer thought to be very scientific studies, on the idea. Neopaganism has taken these ideas forward.
1845. Today is the anniversary of the breaking of the fabulous Portland Vase by a drunken visitor to the British Museum. It looks immaculate despite being smashed into myriad pieces, a wonder of the conservator’s art. To see the vase and read its story, go to the BM web site here:
In the orthodox church, дед Мороз (Ded Moroz= father of frost), accompanied by Cнегурочка (Snieguroshka= fairy of the snow) brings gifts on New year’s eve, (which is on January 7th). He travels with a horse drawn troika.
Here are listed the public guided walks and tours I have currently got in my diary. I will be adding others all the time.
Roman London – Literary & Archaeology Walk 11.30am Sun 27th Apr 25 To book Tudor London – The City of Wolf Hall 3:00pm Sun 27th Apr 25 To book A Boy From Haggerston before the War. 6pm 1st May 2025 Shoreditch Library. Free To book: Myths, Legends, Archaeology and the Origins of London 11.30am Sun 25th May 25 To book The Decline And Fall Of Roman London Walk 3pm Sun May 25 To book The Rebirth Of Saxon London Archaeology Walk 11.30am Sat 11th June 2025 The Peasants Revolt Anniversary Guided Walk 6.30pm Wed 11th June 25 To book The Archaeology of London Walk 6.30pm Fri 11th July 2025 To Book Tudor London – The City of Wolf Hall 11.30am 13th July 2025 To Book Jane Austen’s London Anniversary Walk 3pm Sunday 13th July 25 To book Roman London – Literary & Archaeology Walk 11.30 am Sat 2nd Aug 2025 To Book Chaucer’s Medieval London Guided Walk 2:30pm Sat 2nd Aug 2025 To Book Charles I and the Civil War. Martyrdom Anniversary Walk Jan 30th 2026 To book For a complete list of my guided walks for London Walks in 2025 look here
Monday 1st January 2025 7.00 pm On this Virtual Walk we look at how London has celebrated the New Year over the past 2000 years.
The New Year has been a time of review, renewal, and anticipation of the future from time immemorial. The Ancient Britons saw the Solstice as a symbol of a promise of renewal as the Sun was reborn. As the weather turns to bleak mid winter, a festival or reflection and renewal cheers everyone up. This idea of renewal was followed by the Romans, and presided over by a two headed God called Janus who looked both backwards and forwards. Dickens Christmas Carol was based on redemption and his second great Christmas Book ‘The Chimes’ on the renewal that the New Year encouraged.
We look at London’s past to see where and how the New Year was celebrated. We also explore the different New Years we use and their associated Calendars – the Pagan year, the Christian year, the Roman year, the Jewish year, the Financial year, the Academic year and we reveal how these began. We look at folk traditions, Medieval Christmas Festivals, Boy Bishops, Distaff Sunday and Plough Monday, and other Winter Festival and New Year London traditions and folklore.
At the end, we use ancient methods to divine what is in store for us in 2023.
The virtual walk finds interesting and historic places in the City of London to link to our stories of Past New Year’s Days. We begin, virtually, at the Barbican Underground and continue to the Museum of London, the Roman Fort; Noble Street, Goldsmiths Hall, Foster Lane, St Pauls, Doctors Commons, St. Nicholas Colechurch and on towards the River Thames.
The Civil War, Restoration and the Great Fire of London Virtual Tour
The Great Fire of London looking towards StPauls Cathedral from an old print
7:30pm Fri 30th January 2025
January 30th is the Anniversary of the execution of Charles I and to commemorate it we explore the events and the aftermath of the Civil War in London.
Along with the Norman Conquest of 1066 and winning the World Cup in 1966 the Great Fire in 1666 are the only dates the British can remember!
And we remember the Great Fire because it destroyed one of the great medieval Cities in an epic conflagration that shocked the world.
But it wasn’t just the Great Fire that made the 17th Century an epic period in English History. There was a Civil War, beheading of the King, a Republic, a peaceful Restoration of the Monarch, the last great plague outbreak in the UK, the Glorious Revolution and the Great Wind.
The Virtual Walk puts the Great Fire in the context of the time – Civil War, anti-catholicism, plague, and the commercial development of London. The walk brings to life 17th Century London. It starts with the events that lead up to the Civil War concentrating on Westminster and ends with a vivid recreation of the drama of the Fire as experienced by eye-witnesses. Route includes: Westminster, Fish Street Hill, Pudding Lane, Monument, Royal Exchange, Guildhall, Cheapside, St Pauls, Amen Corner, Newgate Street, Smithfield.
Roman London – Literary & Archaeology Walk
11.30 am Sun 9th Feb 2025 Monument Underground Station
London Roman Riverside Wall o
This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.
This is a walking tour that features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.
Our Guides will be Publius Ovidius Naso and Marcus Valerius Martialis who will be helped by Kevin Flude, former Museum of London Archaeologist, Museum Curator and Lecturer.
We disembark at the Roman Waterfront by the Roman Bridge, and then explore the lives of the citizens as we walk up to the site of the Roman Town Hall, and discuss Roman politics. We proceed through the streets of Roman London, with its vivid and cosmopolitan street life via the Temple of Mithras to finish with Bread and Circus at the Roman Amphitheatre.
Zinger Read: Talk about a high-quality one-two punch. This walk investigates the groundbreaking archaeological discoveries of Roman London. And then it reconstructs life in a provincial Roman capital using archaeological and literary sources. Discoveries – insights – like flashes of lightning in a cloud. We begin at the site of the Roman bridge. We might be decent young Roman citizens in togas, having this and that bit of explained to us as we make our way towards the Roman Town Hall. From there we head to the site of the excavation called ‘the Pompeii of the North.’ Followed by the Temple of Mithras. We finish with a walk along the Roman High Street in order to end at the site of the Roman Amphitheatre. So, yes, welcome to London as it was 2,000, 1,900, 1,800, 1,700 and 1,600 years ago. And, yes, the walk’s guided by a real expert, the distinguished emeritus Museum of London archaeologist Kevin Flude. That means you’ll see things other people don’t get to see, delve into London via fissures that aren’t visible, let alone accessible, to non-specialists.
REVIEWS “Kevin, I just wanted to drop you a quick email to thank you ever so much for your archaeological tours of London! I am so thrilled to have stumbled upon your tours! I look forward to them more than you can imagine! They’re the best 2 hours of my week! 🙂 Best, Sue
Jane Austen’s London Anniversary Guided Walk
2.30 pm Sunday 9th Feb 2025
Green Park underground station, Green Park exit, by the fountain To book
Also
9 February 2025
Sunday
2.30 pm
4.30 pm
8 March 2025
Saturday
2.30 pm
4.30 pm
6 April 2025
Sunday
11.30 am
1.30 pm
2025 is the 250th Anniversary of Jane Austen’s Birth in Steventon, Hampshire. We celebrate her fictional and real life visits to Mayfair, the centre of the London section of Sense & Sensibility and where Jane came to visit her brother
“It is a truth universally acknowledged, that a Jane Austen devotee in possession of the good fortune of a couple of free hours today must be in want of this walk.”
People associate Jane Austen and her characters with a rural setting. But London is central to both Jane Austen’s real life and her literary life. So, this tour will explore Jane’s connections with London and give the background to Sense and Sensibility, a good part of which is based in this very area. We begin with the place Jane’s coach would arrive from Hampshire, and then walk the streets haunted by Willougby; past shops visited by the Palmers, the Ferrars; visit the location of Jane Austen’s brother’s bank and see the publisher of Jane’s Books. The area around Old Bond Street was the home of the Regency elite and many buildings and a surprising number of the shops remain as they were in Jane Austen’s day.
Jane Austen’s ‘A Picture of London’ in 1809 Virtual Walk
With the help of a contemporary Guide Book, Jane Austen’s letters, and works we explore London in 1809.
‘The Picture of London for 1809 Being a CORRECT GUIDE to all the Curiosities, Amusements, Exhibitions, Public Establishments, and Remarkable Objects in and near London.’
This Guide Book to London might have been on Henry Austen’s shelf when his sister, Jane, came to visit him in London. But it enables us to tour the London that Jane Austen knew in some detail. We will look at the Curiosities as well as the shopping, residential, theatres areas as well as the Port, the Parks and the Palaces.
The guided walk is a thank you to Alix Gronau, who, having been to one of my lectures in 1994, wanted the book to come to me. I have had the book restored and am using it to explore London in 1809.
Jane Austen’s London Anniversary Walk
Jane Austen’s London Anniversary Walk 2.30 pm Sunday 9th February 25 To book
A Virtual Tour of Jane Austen’s Bath
7.30pm 10th February 2025
Tudor London – The City of Wolf Hall 11.30am Sat 22nd Feb 25
Myths, Legends, Archaeology and the Origins of London
Druids at All Hallows, by the Tower
2.30pm Sat 22nd February 2025 Tower Hill Underground
The walk tells the stories of our changing ideas about the origins of London during the Prehistoric, Roman and Saxon periods.
The walk is led by Kevin Flude, a former archaeologist at the Museum of London, who has an interest both in myths, legends and London’s Archaeology.
The walk will tell the story of the legendary origins of London which record that it was founded in the Bronze Age by an exiled Trojan and was called New Troy, which became corrupted to Trinovantum. This name was recorded in the words of Julius Caesar; and, then, according to Legend, the town was renamed after King Ludd and called Lud’s Dun. Antiquarians and Archaeologists have taken centuries to demolish this idea, and became convinced London was founded by the Romans. Recently, dramatic evidence of a Bronze Age presence in London was found.
When the Roman system broke down in 410 AD, historical records were almost non-existent, until the Venerable Bede recorded the building of St Pauls Cathedral in 604 AD. The two hundred year gap, has another rich selection of legends. which the paucity of archaeological remains struggles to debunk.
The walk will explore these stories and compare the myths and legends with Archaeological discoveries.
The route starts at Tower Hill, then down to the River at Billingsgate, London Bridge, and into the centre of Roman London.
Roman London – Literary & Archaeology Walk 11.30am Sat Mar 8th 25 Jane Austen’s London Anniversary Walk 2.30pm Sat 8th Mar 25
The Decline And Fall Of Roman London Walk 11.30 Sat 22nd March 2025 London. 1066 and All That Walk Sat 2.30pm 22nd March 2025
Jane Austen’s London Anniversary Walk 11.30am Sun 6th Apr 25
Chaucer’s Medieval London Guided Walk 2:30pm Sun 6th Apr 25
and
Chaucer’s London To Canterbury Virtual Pilgrimage 7.30pm Friday 18th April 25 To book
George Inn,Southwark
A Walk around Medieval London following in the footsteps of its resident medieval poet – Geoffrey Chaucer
One of the spectators at the Peasants Revolt was Geoffrey Chaucer, born in the Vintry area of London, who rose to be a diplomat, a Courtier and London’s Customs Officer. He lived with his wife in the Chamber above the Gate in the City Wall at Aldgate. His poetry shows a rugged, joyous medieval England including many scenes reflecting life in London. His stories document the ending of the feudal system, growing dissatisfaction with the corruption in the Church, and shows the robust independence with which the English led their lives.
His work helped change the fashion from poetry in French or Latin to acceptance of the English language as suitable literary language. This was helped by the growth of literacy in London as its Merchants and Guildsmen became increasingly successful. In 1422, for example, the Brewers decided to keep their records in English ‘as there are many of our craft who have the knowledge of reading and writing in the English idiom.’
Chaucer and other poets such as Langland give a vivid portrait of Medieval London which was dynamic, successful but also torn by crisis such as the Lollard challenge to Catholic hegemony, and the Peasants who revolted against oppression as the ruling classes struggled to resist the increased independence of the working people following the Black Death.
A walk which explores London in the Middle Ages, We begin at Aldgate, and follow Chaucer from his home to his place of work at the Customs House, and then to St Thomas Chapel on London Bridge, and across the River to where the Canterbury Tales start – at the Tabard Inn.
This is a London Walks event by Kevin Flude
Here are previous archive of guided walks and events
On the seventh day of Christmas My true love sent to me: 7 Swans a Swimming; 6 Geese a Laying; 5 Golden Rings; 4 Calling Birds; 3 French Hens; 2 Turtle Doves and a Partridge in a Pear Tree
When is Twelfth Night?
First an admission, there is a lot of confusion out there as to which is the First day of Christmas. According to my muse, Charles Kightly, the first day of Christmas is Boxing Day, the 26th of December. This makes Twelfth Night January 6th, which is Epiphany – when the three wise men rocked up with their fabulous presents.
But Epiphany is a Christian day of importance, while Twelfth Night is a bit of a knees up. So many authorities begin the counting on Christmas Day. So, Twelfth Night is, in that case, Epiphany Eve, i.e. January 5th. Have a look at Notes&Queries for different viewpoints.
One suggestion was that the Church had to accept that the Twelve Days of Christmas were taken up with pagan activities and allowed it to go on until the night before Epiphany. I think you will have to make your own mind up as to when is Twelfth Night.
This is a day of preparation, and perhaps of anxiety. Have we got an invitation from anyone tonight? Is anyone going to come to our party? Can I take another blow out feast, a belly full of alcohol and a very late night? I’ve just lost my Christmas weight and you want me to come for a big feast?
For years in my life, New Year’s Eve was spent with the parents watching some inexplicable variety show hosted in Scotland. Google has helped me remember that it was the ‘White Heather Club’ hosted by Andy Stewart. Up to 10 million people watched this between 1960 and 1968. I never understood the pleasure of it, and it seemed a symbol of an old-fashioned world that was passing and irrelevant.
More recently, if not spent at a party, New Year’s Eve is spent with Jools’ Annual Hootenanny, which is a music show masquerading as a live New Year’s Eve party. It features really excellent bands and singers. It is, however, recorded earlier in December (15th, 20th are dates I have seen) and hence a New Year’s fake. Here is a 2007 excerpt staring Madness’s ‘House of Fun’. The fun of this is to spot the stars grooving along to the music.
New Year’s Day needs a lot of preparation. Folklore suggests that this should include finishing off any unfinished work or projects, as a task carried forward is ill-omened. Your accounts for the year should be reconciled. As Charles Dickens suggests in the Chimes, your moral account with the world should also be addressed so that you can come into the New Year with a clean slate, good conscience and plans for a better new year. And don’t we all need that for 2024!
To post mentioned above about the customs of New Years is below: k:
The drink of choice was port. Then brandy, claret, punch, rum, porter. So says my source Henry Jeffreys in his book ‘Empire of Booze’ and in this Guardian article:
Claret, probably, originally outsold port. But the wars against France and the difficulty of importing French wine, saw a transfer to wines from our ‘oldest ally’ Portugal. But the travel distance was longer, so the wine was fortified to help preserve it better. Hence, the British addiction to port. Sherry was also popular for similar reasons, being a fortified white wine. Shakespeare calls it ‘sack’ and sometimes ‘Canary’. (Toby Belch ‘says thou lack’st a cup of canary ‘ in ‘Twelfth Night’, which is a Christmas play.) See below for more on Sack and Shakespeare.
Louis Philippe Boitard‘s satirical engraving ‘Imports from France’ Looking east towards the Tower of London. Barrels at the front right are marked Claret, Burgundy and Champagne.
Consumption was prodigious. Samuel Johnson said, ‘All the decent people in Lichfield (where Johnson came from) got drunk every night and were not the worst thought of’. The Prime Minister. William Pitt the Younger said, ‘I have drunk three bottles of port without being the worst for it. University College has witnessed this.’ He is referring to his college at the Oxford University, and so he might be considered to be another of our Prime Ministers who have first disgraced themselves at Oxbridge only to rise to rule the unfortunate British. However, in those days, Port was sold in pint measures (45cl) and was 16%, while now it is 20% and sold in 75cl bottles. So, not quite that bad?
Even so, three bottles is still a lot and a drunken population would have not only increased the death rate but also increased violence and abuse. Gout was one result of too much drinking and a rich diet.
Gout. 18th Century Bath
However, this is Christmas so let’s end on a high note, so here are a couple of recipes!
To make ye best punch
“Put 1½ a pound of sugar in a quart of water, stir it well yn put in a pint of Brandy, a quarter of a pint of Lime Juice, & a nutmeg grated, yn put in yr tosts or Biskets well toasted.”
And Gin? The cheap gin panic had calmed down by the 1770s after no less than eight Gin Acts of Parliament. Booths and Gordon’s Gins were established in London during this period and Gin almost a respectable drink.
There appears to have been a shortage of Gin punch recipes in the 18th Century, but by the end of that century this recipe survives from London’s Garrick Club
– half a pint of gin, lemon peel, lemon juice, sugar, maraschino, a pint and a quarter of water and two bottles of iced soda water.
You would not need many of these to become quite relaxed quite quickly!
Sack and Falstaff.
Sir John Falstaff in Henry IV eulogies on sack saying it not only makes for excellent wit but also the best soldiers:
“A good sherris sack hath a two-fold operation in it. It ascends me into the brain, dries me there all the dull and crudy vapors which environ it, makes it apprehensive, quick, forgetive, full of nimble, fiery, and delectable shapes, which, delivered o’er to the voice, the tongue, which is the birth, becomes excellent wit“.
The second your excellent sherris is the warming of the blood; which cold and settled, left the liver white and pale, which is the badge of pusillanimity and cowardice; but the sherris warms and makes it course from the inwards to the parts extremes. illumineth the face, which, as a beacon, gives warning to all rest of this little kingdom, man, to arm; and then the vital commoners and inland petty spirits muster me all to their captain, the heart, who, great and puff’d up with this doth any deed of courage—and this valour comes of sherris. that skill in the weapon is nothing without sack, for that it a-work; and learning, a mere hoard of gold kept by a devil till sack commences it and sets it in act and use. Hereof it that Prince Harry is valiant; for the cold blood he did naturally inherit of his father, he hath, like lean, sterile, bare land, manured, husbanded, and till’d, with excellent endeavour of drinking good and good store of fertile sherris, that he is become very hot and valiant. If I had a thousand the first humane principle I would teach them should be to forswear thin potations and to addict themselves to sack.
in the Merry wives of Windsor Falstaff is still always drinking sack. He asks Bardolph ‘Go fetch me a quart of sack; put a toast in’t.‘ Toast is thought to freshen up stale sack. Also, it could be drunk hot as suggested by Falstaff asking for:
‘Go brew me a pottle of sack finely.’
Bardolph asks if he wants the sack with eggs but Falstaff refuses asking for his sack to be a
‘Simple of itself; I’ll have no pullet-sperm in my brewage.’
A simple is the opposite of a compound, so pure with no additions (apart from the toast!). Pullet sperm is, in think, a dismissive reference to eggs. Sack posset was original a medicine but later a popular treat made with eggs, cream, spices and sack. Once concocted, the top would be a foamy or crusty cap, the middle a custard and the bottom a spicy hot alcohol.
First Published in 2022 and revised December 2023 and 2024
The Solstice and the East Pediment of the Parthenon
British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles
At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.
At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.
Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.
Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.
Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head
So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.
Hestia, Dione, Aphrodite, Horse of Selene’s chariot
To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.
The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.
Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.
So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.
Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.
Sculptures from the east pediment of the Parthenon
I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.
Fanny Austen Knight was the daughter of Jane Austen’s rich older brother Edward. He, rather strangely to our modern minds, was adopted by distant relatives who were childless. ‘Hey! We have enough boys to be going on with – happy for you to take one, particularly as you own two stately homes!’ as Mr and Mrs George Austen probably never said.
One of those homes was Godmersham Park in Kent, the other was in Chawton, a lovely Hampshire Village where Jane, Cassandra and Mum Cassandra lived, and is now a Museum dedicated to Jane Austen.
Fanny also rather cruelly remembers Jane and Cassandra as being unfashionably dressed and not up with upper-class etiquette. She wrote this when she was an old woman. When she was a teenager and being well brought up she wrote letters to friends of the family and relatyives, and here are extracts from her Christmas letters.
1811 to 1812 Fanny writing to a friend, Miss Dorothy Chapman
‘I don’t know whether I told you that Ms Morris’s are at home for the Christmas holidays. They are very nice girls and have contributed a good deal to our entertainment. None of us caught the whooping cough and have been very well the whole time. We have, in general, had cards, snapdragons, bullet pudding etc on any particular evening and Whist, Commerce and others and tickets were the favourite games. I think when cards fail the boys played every evening at draughts, chess, and backgammon.‘
Commerce is a three card poker type game played with counters. Tickets was Lydia Bennett’s favourite game, which is a gambling game based on luck, and in Pride and Prejudice called ‘Lottery Tickets.’
Bullet Pudding is explained by Fanny in another letter
‘You must have a large pewter dish filled with flour which you must pile up into a sort of pudding with a peak at the top, you must then lay a Bullet at the top & everybody cuts a slice of it & the person who is cutting it when the Bullet falls must poke about with their noise & chins until they find it & then take it out with their mouths which makes them strange figures all covered with flour, but the worst is that you must not laugh for fear of the flour getting up your nose & mouth & choking you. You must not use your hands in taking the bullet out.’
I used to play this as a child at Christmas. We used a coin not a bullet. The contestants walk around the table with the flour pudding on which has a knife ready for cutting the pudding. The Music plays and when it stops the one the knife is pointing at cuts a slice of the flour hoping not to make the flour collapse and the coin fall. Snapdragons is a lively game, you put some brandy in a tray or flat dish, add a few raisins, light the brandy and the game is to pick up and eat the raisins without getting burnt!
Other games mentioned by Fanny
Hunt the Slipper, Oranges and Lemons, Wind the Jack; Lighting a Candle in Haste; Spare Old Noll.
Eventually, the coin will collapse, and the hapless winner, according to Jane’s niece, Fanny.
‘must poke about with their noise & chins until they find it & then take it out with their mouths, which makes them strange figures all covered with flour, but the worst is that you must not laugh for fear of the flour getting up your nose & mouth & choking you. You must not use your hands in taking the bullet out.’
In my family, we pushed the winner’s head into the flour to maximise the fun.
Another niece Anna received Jane Austen’s advice on writing a novel:
‘You are now collecting your people delightfully, getting them exactly into such a spot as is the delight of my life. Three or four families in a country village is the very thing to work on, and I hope you will do a great deal more, and make full use of them while they are so very favourably arranged.’
Jane Austen Virtual Tours Coming up!
Jane Austen’s ‘A Picture of London in 1809’ Virtual Walk
7.30 27th January 2025
With the help of a contemporary Guide Book, Jane Austen’s letters, and works we explore London in 1809
