Shakespeare’s death date is given by the burial register at the Holy Trinity Church, Stratford on Avon where he was buried. His baptismal record also survives at the same church and is on April 26th 1564. So, we don’t actually know when he was born, but christening were held soon after birth for fear of the high infant mortality rates, so 23rd April, three days before, has been assigned to be Shakespeare’s birthday.
St George’s Day is normally on 23rd but not this year!
When St George’s Day falls between Palm Sunday and the Second Sunday after Easter it is transfered to the Monday after the Second Sunday of Easter. Soin 2025, It is on April 28th. Not many people know that including Keir Starmer, Theresa May, and London Mayor Sadiq Khan who all got it wrong the last time in happened in 2019. I got it wrong too! But I think the Church should stop such silly practices. Either it’s St George’s Day or it isn’t. Why does it matter?
Shakespeare’s Birthday, ‘taking to the chamber’
His mum, Anne Shakespeare would have ‘taken to her chamber’ about four weeks before the due date. The windows or shutters were fastened, as fresh air was thought to be bad for the birthing process. Female friends and relatives came to visit; the room was decorated with fine carpets, hangings, silver plates and fine ornaments. It was held that external events could influence the birth, any shocks or horrors might cause deformities and anomalies, so a calm lying-in room was clearly a good idea.
When labour began, female friends, relatives and the midwife were called to help out. A caudle of spiced wine or beer was given to the mother to strengthen her through the process. The maternal mortality rate for the 16th Century is estimated at 1500 per 100,000. Today, it’s 7 per 100,000. So most women would have heard of or attended the birth of a women who had died during or following children birth. There were also no forceps so if a baby were stuck and could not be manually manipulated out, then the only way forward was to get a surgeon to use hooks to dismember the baby to save the life of the mother. Doctors were not normally in attendance, but could be called in emergency,
Swaddling the Baby
Immediately after washing, the baby was swaddled. The swaddling was often very tight and could affect the baby’s growth, and might have affected the learning process, as movement of hands and feet are now considered significant in the early learning process. Swaddling lasted eight to nine months, and only went out of fashion after Jean Jacques Rousseau wrote against the practice.
Detail of tomb of Alexander Denton and his first wife Anne Willison, and her baby dressed in swaddling clothes Photo Wikipedia Hugh Llewelyn
Dangers of Childbirth
Puerperal fever killed many women even after successful childbirth, for example Queen Jane Seymour who died after 5 days. During these dangerous early days, the mother was kept in a dark room, and then, perhaps three days after birth, friends were invited to celebrate ‘upsitting’ when the mother was no longer confined to bed. This is when christening would take place. Edward VI was christened to a huge audience in the chapel at Hampton Court three days after his birth.
Licensed midwives could baptise newborn babies provided they used the correct wording and informed the Church so that the registration could be properly reported. Thomas Cromwell was responsible for the law in 1538 which insisted on a parish register to record weddings, christenings, and funerals. The law was reaffirmed by Queen Elizabeth in 1558 and registers had to be stored in a locked chest in the Church. (In 1597, the records had to be on parchment not paper, and in 1603 the chest had to have three locks!).
If the christening were in the church, the mother might not be there as she was expected to stay in her chamber for another week or so.
Churching and Breastfeeding
A week or a few weeks later, the mother would be ‘churched.’ This was a thanks-giving ceremony, although Puritans did not like the idea as it might be confused with a purification ceremony.
Breastfeeding would last a year or so but many high status women choose to use a wet-nurse. There was a real concern to find a suitable wet nurse as it was believed that the breast milk was important for the babies’ development both physically and temperamentally. Poor children who lost their mothers were very unlikely to survive as, without breast milk, the baby would be fed pap – bread soaked in cow’s milk.
Easter – Lullingstone Roman Mosaic representing Spring
Easter is a Germanic name, and, the only evidence for its derivation comes from the Venerable Bede. He was the first English Historian and a notable scholar. He says the pagan name for April was derived from the Goddess Eostra. The German name for Easter is Ostern probably with a similar derivation. But this is all the evidence there is for the Goddess, despite many claims for the deep history of Easter traditions.
Easter, Estry and Canterbury
Philip A. Shaw has proposed that the name of Eastry in Kent might derive from a local goddess, called Eostra. The influence of Canterbury in the early Church in England and Germany led to the adoption of this local cult name in these two countries. Otherwise, the name for Easter in Europe derives from Pascha which comes from the Hebrew Passover and Latin. In French it’s Pâques, in Italian Pasqua, Spanish Pascua; Dutch Pasen, Swedish Påsk; Norwegian Påske and so on.
Eleanor Parker in her lovely book ‘Winter in the World’ gives a lyrical insight into how the dates were chosen. They held the belief that God would only choose the perfect time for the Creation and the events of Easter. The Creation began with the birth of the Sun and the Moon. So it was fixed to the Equinox, when the days were of equal length, and the fruits of the earth were stirring into life. But Holy Week also needed to be in harmony with the Moon. Therefore it was tied, like Passover, to the first full moon after the Equinox, which is also when the events take place in the Gospels.
The quotations Parker uses from early English religious writing and poetry shows a profound interest in nature and the universe. It is a very appealing viewpoint. It seems to me that this is something the Church, lost in later times, and replaced with fixation with dogma and ‘worship’ of the Holy Trinity.
At the time, fixing the date of Easter was very controversial as the Celtic Church in Britain had a different calendar to the Roman Catholic Church. Easter fell on a different day. The King of Northumberland, for example, celebrated Easter on a different day to that of his wife. Oswiu was exiled to Ireland where he was influenced by Celtic Christianity. His wife, Eanflæd, from Northumberland, had been baptised by the Roman Catholic missionary, Paulinus.
Easter and the Synod of Whitby
Oswiu, became King of Northumberland and ‘Bretwalda’ (ruler of all Britain), and encouraged a reconciliation. This culminated at the Synod of Whitby (664AD), between the two churches. The Celtic Church finally agreed to follow the Catholic calendar and other controversial customs. The Abbess at Whitby during the Synod was Hilda of Whitby. The Celtic position was defended by Bishop Colmán and the Roman position by St Wilfred. Bishop Colmán resigned his position as Bishop of Lindisfarne, returned to Iona and then set up a monastery back in Ireland. Wilfrid studied at Lindisfarne, Canterbury, France and Roman. After her husband’s death, Queen Eanflaed became Abbess of Whitby,
The antagonism between the two churches went back to the time of St Augustine in the early 7th Century. In a meeting between St Augustine and Celtic churchmen, St Augustine was judged to have been arrogant, unwilling to listen. So agreement was not reached. Some time afterwards the Anglo-Saxons attacked the Celts at the Battle of Chester in which hundreds of monks from the Abbey at Bangor were slaughtered.
Days off at Easter & Rituals
King Alfred’s law code gave labourers the week before and after Easter off work, making it the main holiday of the year. Ælfric of Eynsham gives a powerful commentary on the rituals of the Church over Easter. They were full of drama and participation, including Palm leaf processions on Palm Sunday, feet washing and giving offerings to the poor on Maundy Thursday. Then followed three ‘silent days’ with no preaching but rituals and services aiming to encourage empathy for the ordeal of Jesus. This included the nighttime service of Tenebrae. All lights were extinguished in the Church while the choir sang ‘Lord Have Mercy’. The darkness represented the despair that covered the world after Jesus’ death. Good Friday was the day for the adoration of the Cross in which a Cross would be decorated with treasures and symbolised turning a disaster into a triumph.
It seemed to me that I saw a wondrous tree Lifted up into the air, wrapped in light, brightest of beams. All that beacon was covered with gold; gems stood beautiful at the surface of the earth,….
The Dream of the Rood quoted in Eleanor Parker’s ‘Winter in the World’
The Harrowing of Hell
The days before Easter Sunday are known as the ‘Harrowing of Hell’. This was a very popular theme in the medieval period (featuring in Piers Plowman for example). Jesus went down to hell to free those, like John the Baptist, who had been trapped because the world had no saviour until the first Easter. The name ‘Harrowing’ comes from ‘Old English word hergian ‘to harry, pillage, plunder’ which underpins the way the event is depicted as a military raid on Hell. The ‘Clerk of Oxford’ Blog provides more information on the Harrowing of Hell on this page,
The Clerk of Oxford Blog is written by Eleanor Parker. She started in 2008, whilst an undergraduate student at Oxford. The blog won the 2015 Longman-History Today award for Digital History‘.
The above is but a very poor précis of Eleanor Parker’s use of Anglo-saxon poetry and literature to bring Easter to life. So if you are interested to know more or would like to have a different viewpoint on the Anglo-Saxons please get a copy of her book.
Drawing of a Stained glass window depicting Saint Beuno. D A R C 12345 – Own work
Today is St Beuno’s Day. St Beuno is also known as St Bono. He was an 8th Century Welsh Abbot of some power. The grandson of a prince of Powys in Wales who was descended from Vortigern. (see my post on Vortigern here.) Vortigern was a predecessor to King Arthur. Beuno was educated in Bangor Monastery, one of the foremost Celtic monasteries in Wales. During his ministry he restored 7 dead people to life including St Winifred (or Winefred).
Winifred & St Beuno
St Winifred’s Holywell, from Facebook.
She was Beuno’s niece, a virgin who refused the advances of a certain Caradog. Furious at her taking vows, Caradog tried to seduce her, but she refused. So, he chopped her head off.
Where her head landed a spring sprung amd became a holy spring. The spot, in Flintshire is still called Holywell. It has been described as the Lourdes of Wales and one of my tours go past it that is how I heard about St Beuno.
Anyway the story goes that Beuno put his niece’s head back on her shoulders and restored her to life. How he did that, is a mystery.
From Facebook
She lived a full life with a brilliant Church career. Of course she is the patron of those who have suffered unwanted advances (but believe me there are many other candidates for that particular honour amongst the female Saints! Have a look at my post on St Agatha for another example of male sexual abuse.
More on St Winefride’s on her feast day on 3rd November.
Medieval Powys, & Neglected Parts of the Female Anatomy
I drafted this in January, when I came across a reference to St Beuno in a fabulous exhibition at the British Library. The show was called ‘Medieval Women – In their own Words’.
On display amongst the many wonderful manuscripts and books of the 11th – 15th Century was a Welsh poem. The author was Gwerful Mechain (1460–1502), the only female medieval Welsh poet with a surviving and a substantial body of work. She is known for her erotic poetry, in which she praised the vulva among other things.
What is extraordinary is that I should, by complete chance, be publishing this the day after posting about the statue of the erect Minotaur! So, you can see how even-handed I am?
Here it is in full, in a modern translation:
To the Vagina by Gwerful Mechain
Every poet, drunken fool Thinks he’s just the king of cool, (Every one is such a boor, He makes me sick, I’m so demure), He always declaims fruitless praise Of all the girls in his male gaze. He’s at it all day long, by God, Omitting the best bit, silly sod: He praises the hair, gown of fine love, And all the girl’s bits up above, Even lower down he praises merrily The eyes which glance so sexily; Daring more, he extols the lovely shape Of the soft breasts which leave him all agape, And the beauty’s arms, bright drape, Even her perfect hands do not escape. Then with his finest magic Before night falls, it’s tragic, He pays homage to God’s might, An empty eulogy: it’s not quite right: For he’s left the girl’s middle unpraised, That place where children are upraised, The warm bright quim he does not sing, That tender, plump, pulsating broken ring, That’s the place I love, the place I bless, The hidden quim below the dress. You female body, you’re strong and fair, A faultless, fleshy court plumed with hair. I proclaim that the quim is fine, Circle of broad-edged lips divine, It’s a valley, longer than a spoon or hand, A cwm to hold a penis strong and grand; A vagina there by the swelling bum, Two lines of red to song must come. And the churchmen all, the radiant saints, When they get the chance, have no restraints, They never fail their chance to steal, By Saint Beuno, to give it a good feel. So I hope you feel well and truly told off, All you proud male poets, you dare not scoff, Let songs to the quim grow and thrive Find their due reward and survive. For it is silky soft, the sultan of an ode, A little seam, a curtain on a hole bestowed, Neat flaps in a place of meeting, The sour grove, circle of greeting, Superb forest, faultless gift to squeeze, Fur for a fine pair of balls, tender frieze, A girl’s thick glade, it is full of love, Lovely bush, blessed be it by God above.
St Alphage. Church Tower on right, City Wall to left. Photo K Flude
I first came across St Alphage when I was working at the Museum of London. The Museum was built on the High Walk at London Wall. The raised Courbusian Walkway looked down on a ruin of a Gothic Church Tower, almost destroyed during the Blitz. This was St Alphage, a Church dedicated to the Saxon Archbishop of Canterbury. (Alphage is also spelt Alphege or Alfege).
On the other side of the Walkway was the old graveyard of the Church. This preserved one of the very best sections of the old London Wall. Special because on one side its huge height was displayed. On the other, the only crenelated bit of the City Wall. And the only surviving part of the Wall dating to the War of the Roses.
St Alphage Roman and Medieval WallThe Crennelated Red Brick Section dates to 1477, during the War of the RosesSt Alphage Wall explained on an information plaque.
In the 1980’s fellow Museum of London Archaeologist, Paul Herbert and I set up a Guided Walks company (Citisights of London) . Our walks started from outside the Museum of London, and so St Alphage formed a big part of our success. It led to a life giving Guided Walks and tours. So, St Alphage, thank you!
A Citisights Day Tour of the 1980s
St Alphage Elsyng Spittle St Mary ?
The Church was previously a monastic settlement called Elsyng Spittle (aka St Mary within Cripplegate). The Augustinian Canons looked after 100 blind men. It was refounded by Williain Elsing, and dissolved by Henry VIII in 1536. The Church was kept for a Parish Church. But the Puritans were not keen on dedications to St Mary. So, they renamed it after a London based Christian Martyr.
It remained a Parish Church until damaged in an air raid in World War One. (possibly on 8th September 1916 in a Zeppelin Raid – but I am speculating). The Church was partly demolished in 1923, leaving the Tower. The lower part of the Medieval Tower survived bombing in the Blitz. At 12.15 am on 25th Aug 1940, the first bombs on the City of London fell nearby in Fore Street. But the tower was hit in 1940. It was listed Grade 1 in 1950. Kept by the rebuilding of London Wall, and the Barbican area. Then substantially benefitting from a remodelling of the area in an excellent scheme of 2022.
St Ælfheah of Canterbury and Greenwich
StAlfege Greewich – Doyle own work Wikipedia CC BY-SA 4.0
St Ælfheah was captured during a Viking attack on Canterbury. The Viking hoard relocated to Greenwich where they tried to negotiate a fat ransom for him. He was one of the richest men in the Kingdom. This is what the Anglo Saxon Chronicle says:
.. the raiding-army became much stirred up against the bishop, because he did not want to offer them any money, and forbade that anything might be granted in return for him. Also they were very drunk, because there was wine brought from the south. Then they seized the bishop, led him to their “hustings” on the Saturday in the octave of Easter, and then pelted him there with bones and the heads of cattle; and one of them struck him on the head with the butt of an axe, so that with the blow he sank down and his holy blood fell on the earth, and sent forth his holy soul to God’s kingdom.
St Alfege Greenwich, which is now a lovely Hawksmoor Church is said to be on the site of St Ælfheah‘s death.
St Alphage’s body was taken to St Pauls Cathedral where it was venerated. His remains were removed in suspicious circumstances by soldiers of King Cnut who translated the Saint’s bones to Greenwich. It is suggested King Cnut was punishing London for their opposition to him.
The Minotaur by Michael Ayrton
Also, part of the experience of visiting St Alphage from the High Walk was the statue of the Minotaur. I first came across this phallic Bull in the Postman’s Park and am very fond of it. Then it disappeared and reappeared on the High Walk. Now it is on the ground level near in the garden of St Alphage.
I understand that Michael Ayrton wanted to make a point about the destruction of London. He felt that the developers were more destructive than the Luftwaffe. They were like a Bull in a China Shop! So he created this statue of a very vigorous Bull representing the Minotaur. It is a very unusual work of art in that it sports a fully erect penis. Art History is full of naked women, but the male organ is largely left to pornography. For more about Ayrton follow this link.
The Minotaur in its present positionThe Minotaur on the High Walk
Pilgrims leaving the Tabard for the Canterbury Pilgrimage
Canterbury Pilgrimage
Tonight, I am leading my annual Canterbury Tales Virtual Pilgrimage. This is the day Chaucer’s pilgrims leave London to ride to Canterbury. (For more details or to book look here.)
At the beginning of the prologue, Chaucer gives clues as to the date. They go when April showers and Zephyrus’s wind is causing sap to rise in plants, engendering flowers. It is also when Aries course across the sky is half run.
The pilgrims are accompanied by Harry Bailly who is the landlord of the Tabard Inn in Southwark. He was a real person and a fellow Member of Parliament of Chaucer.
He is jolly and quite knowledgeable. In the Man of Law’s prologue we get a glimpse of Harry time telling in the days before clocks.
A mass clock at Steventon Church. Hampshire
Telling the Time
Chaucer mentions ‘artificial day’ and this is a reference to the way days were divided into hours. There were twelve hours in the daylight part of the day, and twelve hours in the dark night. So in the winter daylight hours were short, and in the summer long.
Romans used water clocks. King Alfred used candles marked into hours. Harry Bailly knows how to tell the time by the height of the Sun. Harry tells the pilgrims it’s about time they got underway. Here is an extract:
Essentially, he is telling the time by the length of the shadows. The illustration of the mass clock at Jane Austen’s Church at Steventon shows how easy it was to tell the time by the sun.
The first mass clock I noticed was at St James’ Cooling in Kent. Dickens used this in Great Expectations, where Pip’s brothers and sisters were buried. Once you find one mass clock, you suddenly discover them everywhere!
Telling the time, before mechanical clocks, was not complicated. The basic unit is the day and the night, and we can all tell when the dawn has broken. The Moon provides another simple unit of time. The month’s orbit around the Earth is roughly every 29 days. The new, the crescents and full moons provide a quartering of the month. For longer units, the Earth orbits around the Sun on a yearly basic. But it is easily divided into four, the winter solstice; the spring equinox, the summer solstice and the autumn equinox.
Nature’s Way of Time Telling
But there were other ways of marking days in the calendar, with natural time markers marked by, for example, migrating birds, lambing, and any number of budding and flowering plants such as snowdrops, daffodils and elm leaves:
When the Elmen leaf is as big as a mouse’s ear, Then to sow barley never fear; When the Elmen leaf is as big as an ox’s eye, Then says I, ‘Hie, boys” Hie!’ When elm leaves are as big as a shilling, Plant, kidney beans, if to plant ’em you’re willing; When elm leaves are as big as a penny, You must plant kidney beans if you mean to have any.’
In my north-facing garden, I have my very own solar time marker. All through the winter, the sun never shines directly on my garden. Spring comes appreciably later than the front, which is a sun trap facing south. But in early April, just after 12 o’clock the sun peeks over the block of flats to the south of me. It finds a gap between my building and the converted warehouse next door. For a short window of time, a shaft of a sunbeam brings a belated and welcome spring.
New Light on Thomas Becket’s Window at Canterbury
Recent research has revealed the true story behind stained glass windows at Canterbury which had been reassembled wrongly.
Maundy Thursday Money Pouches. and cover of the Order of Service for Royal Maundy service 1974 Photo Wehwalt
Maundy Thursday Meaning
This is the last day of Lent, and the day before the Passion. It’s also called Holy Thursday when Christians remember the Washing of the Feet, and the Last Supper. And Maundy Thursday. Maundy is thought to be from the:
‘Latin word mandatum, or commandment, reflecting Jesus’ words “I give you a new commandment.’ (Wikipedia).
I much prefer the derivation of Maundy Thursday from the English Kings giving alms to poor people.
‘English name “Maundy Thursday” arose from “maundsor baskets” or “maundy purses” of alms which the king of England distributed to certain poor at Whitehall before attending Mass on that day. Thus, “maund” is connected to the Latin mendicare, and French mendier, to beg.‘
The monarch gives out money in special red and white pouches to old people. In modern times, the money is specially minted for the occasion. It is now more symbolic than a practical gesture. But It dates back to the 13th Century, when the money was a vital lifeline for its recipients.
Queen Elizabeth II and Prince Philip after the 2005 Royal Maundy Ceremony at Wakefield Cathedral. Photo Runner1928
In 1572 Queen Elizabeth 1 washed one foot of a group of poor women, then wiped, crossed and kissed them. In fact, the Queen was ‘protected as the women first had their feet washed by the laundress, then the sub-almoner, then the almoner. Only finally by the Queen. (The Perpetual Almanac of Folklore by Charles Kightley’)
When was the The Last Supper?
One scholar, Prof Humphreys author of ‘The Mystery Of The Last Supper’, (2011) has reconciled differences between John and the other evangelists. He believes two calendars were in use, one from before the exile and the other using a Babylonian Calendar. This confusion means that there is too much going on between the Last Supper and the Crucifixion. He suggests that the solution is that Last Supper was on the Wednesday not the Thursday. He also calculates a date for the Last Supper as:
Wednesday, 1 April AD33.
Maundy Thursday at Chester Cathedral
Today, I was in Chester Cathedral on Maundy Thursday where the Diocesan Eucharist was held. The Cathedral was awash with Clergy, (I counted at least 4 Bishops) and most of the priests in the area.
Palm Sunday Giotto. Entry into Jerusalem from the Cappella degli Scrovegni in Padova (sent to me by Lucia Granatella)
Yew Sunday (Domhnach an Iúir in Irish) is the medieval name for Palm Sunday – this is the day that Jesus entered Jerusalem in triumph on a donkey, with palm leaves being laid in front of him. It has always been very curious to me this so-short-lived triumph preceding such heavy and heart breaking tragedy. It is the Sunday before the Betrayal, which leads to the Crucifixion on Good Friday and the Resurrection on Sunday. A busy week for the Church.
Palm Sunday can be celebrated by making crosses out of palms, or with processions bearing palm branches or eating special cakes (there is always room in any ritual for cakes). But in the North where do you get your Palms from? So, it was often substituted by Box, or Olive or Willow and particularly, in Britain and Ireland, by Yew. Yew is evergreen and is so long lived as to be a symbol of everlasting life (I wrote more about the Yew here).
Giotto Bondone was a Florentine painter of the 14th Century of whom Giorgio Vasari, in his essential guide to the artists of the Renaissance, ‘The Lives of the Artists‘ said of the 10 year old:
One day Cimabue, going on business from Florence to Vespignano, found Giotto, while his sheep were feeding, drawing a sheep from nature upon a smooth and solid rock with a pointed stone, having never learnt from any one but nature. Cimabue, marvelling at him, stopped and asked him if he would go and be with him. And the boy answered that if his father were content he would gladly go. Then Cimabue asked Bondone for him, and he gave him up to him, and was content that he should take him to Florence.
There in a little time, by the aid of nature and the teaching of Cimabue, the boy not only equalled his master, but freed himself from the rude manner of the Greeks, and brought back to life the true art of painting, introducing the drawing from nature of living persons, which had not been practised for two hundred years; or at least if some had tried it, they had not succeeded very happily.
Written in 1550.
If you look at the painting, you will see, even more than his contemporary Duccio, the faces of the people are rounded and, and at least somewhat, individual. The crowd scene, particularly, to the right, has some depth and the people further away seem to recede from the viewer, rather than, as they often do in Byzantine style paintings, either float or seem to stand on or support themselves on each other’s shoulders. The Gate into Jerusalem has been rendered by someone who has seen something that he believes has the key to realistic scenes. One day it will be rediscovered, and named single-point perspective. Yes, Giotto doesn’t know the secret but he is working to find out what the trick is. The people in the trees are also in the distance. These are the giant strides that Vasari is referring to in the quotation above. Realistic people, in spaces with depth. The donkey is quite sweet too! Cimabue was particularly good at painting Crucifix scenes.
The Cappella degli Scrovegni in Padova is a World Heritage Site and Giotto and his team covered all the walls and ceiling with frescos, depicting the Life of Jesus, the Life of Mary, and the Last Judgement.
Giotto, The Last Judgement. Cappella degli Scrovegni, In Padova. Wikipedia
Here is a real Digital Heritage treat – a 360 Degree tour of the Chapel! Follow the link below. If it seems to be taking a long time to load there is an information button which, once pressed will allow the panorama to load immediately.
The Famous Spaghetti Tree April Fool’s Joke (from facebook)
April Fools Day and Spaghetti Growing on Trees
I nearly always forget to honour April Fool’s Day (or April Fish Day as the French call it). But in Britain, somewhere in our newspaper or TV station there is a April Fools Joke slipped in. The most remembered is the BBC piece showing film of Italian Farmers picking spaghetti from trees.
First Reference to April Fools Day
The first unambiguous British reference to April Fools Day is by diarist John Aubrey’s “Fooles holy day” in 1686 – although he might have been referring to Germany.
‘We observe it on ye first of April… And so it is kept in Germany everywhere.’
But there is a possible earlier reference in Chaucer in the Nun’s Priest’s Tale. This I find quite compelling but most Chaucer scholars don’t. This is the text:
When that the monthe in which the world bigan That highte March, whan God first maked man, Was complet, and passed were also Syn March bigan thritty dayes and two
So, if you have been keeping up with me, you will know that the first lines are referring to March 25th, (when the world began see my post here) when God made Adam and Eve, and when the Church started the New Year and the year number moved one on. This was a major Church festival, usually followed by a week of holiness. The Roman New Year, January 1st, ended with a light-hearted festival called Saturnalia, and it is suggested that April 1st was, similarly, a day of release after the festival of the official Church ceremony of the New Year.
Chaucer’s last line says ‘Since March began thirty-two days have passed.’ A foolish person would not realise this is a reference to April 1st. Hence, this suggests a Fool’s Day already existed. Some scholars think that Chaucer was referring to May 2nd, counting the 32 days not from the beginning of March but from the end of March. I think they look at the second and third lines which read ‘That high March…. was complete’ and so add the 32 days to the end of March. Foolish in my opinion and not reading what actually Chaucer wrote which is ‘Since March began….
April Fools Day in Recent Years
I have had a quick look at the Guardian for their 2025 April Fools Day Story and I think it is this one:
Guardian April Fools Day Joke article or the world gone mad?
£4,440 for a Coffee cup shaped handbag?
In 2023, Harry and Megan proved irresistible and the Guardian reported that:
‘The Sun published a piece announcing the launch of Prince Harry and Meghan’s new video game “Megxit: Call of Duke-y” in which the royal couple try to reach California while dodging obstacles, including rival royals and the media, along the way.‘
‘Meghan Markle was criticised after it was revealed that when you put her lifestyle brand name – American Riviera Orchard – into the What3words location service, it points to a statue of Oliver Cromwell, who famously had a King Charles executed‘
Hunting the Gowk
Generally, in Britain, we play a prank and say ‘April Fool’ with great delight. But we are not allowed to continue beyond midday. The Scots used to call it ‘Hunting the Gowk’ and the main prank was to give someone a letter to deliver, and the person who opened the letter would read:
“Dinna laugh, dinna smile. Hunt the gowk another mile” and send the fool onto another leg of his or her’s fool’s errand. In Ireland the letter would read ‘send the fool further’.
First published March 25th 4004 BC and republished yearly on every April Fool’s Day.
Section on the meaning of April moved to my post April on April 7th
Duccio’s The Annunciation. Egg Tempera on Wood c 1307-11
Today, is the anniversary of the conception of Jesus Christ. 9 Months before Christmas. I told some of this story yesterday which was St Gabriel’s Day, there is a little bit of repetition but hopefully the extra detail makes it worthwhile!
The picture above is by Duccio, from Sienna in Italy. It shows the Archangel Gabriel bringing Mary the news that she is to give birth to the Son of God. It is in the Sainsbury Wing of the National Gallery. I chose it to represent March 25th as it has a special meaning to me. When I started taking groups to the National Gallery this was the second painting on my tour with its narrative thread on the development of perspective. I had been reading a book on the subject by David Hockney.
The painting shows that Duccio does not understand single-point perspective. But then, no one could do perspective at that time in Europe. This skill was lost following the Roman Period. But at the beginning of the 14th Century, painters like Duccio from Sienna, and Giotto from Florence, were groping towards more realistic representation.
You might say they wanted a more human depiction, in which events are shown in spaces that are trying to look real. Filled with more realistic looking people and beginning to show on their faces real emotions. Previously, the Byzantine style produced iconic, storytelling images, that were somewhat cartoon-like rather than realistic. Here, is a detail from one such. There is little attempt to make the encounter seem real, in a real space between real people. But it does tell the story effectively.
The Annunciation, St Catherine’s Monastery, 12th Century.
Now, look at the Duccio, he uses the arcading at the top of the painting to give an impression of this being an encounter in a real space. The Archangel Gabriel is moving through that space decisively. This is not just a picture with a story, it shows Duccio’s interest in capturing a fleeting but incredibly emotional moment. It happens to be the most important moment in the history of the world (from a Christian view point), the moment that the son of God is conceived as a human.
Gabriel is striding purposefully towards Mary, who has come out of her house to see him. He is just telling her ‘Hey, you are going to give birth to the Son of God.’
She looks overwhelmed, holding her arm protectively towards her. ‘What me?’ she might be saying. But she is also pointing at the Bible where this moment in time is predicted by Isaiah. Their faces are quite realistic, Mary is clearly emotional.
Also, if you look at Gabriel’s feet he is quite well grounded unlike many other medieval paintings, where people often seem to be floating above the ground. Mary, too is firmly, anchored, although you cannot see her feet.
It is by no means ‘perfect’ because they don’t yet know the rules of perspective. Neither have they discovered they could use lenses to create ‘photorealistic’ portraits. But they are searching for methods that can bring spaces and people towards realistic life. It mirrors a humanistic trend to see Mary not as a sort of Goddess, but as a real mother.
Above the arcading can be seen a small sphere of blue sky from which emanates several ‘rays’ and a tiny Holy Dove. As I told the story, the rays are showing the moment of conception coming from Heaven to her womb which is hinted at by the red of her dress. The National Gallery commentary, which you can read here, suggests ‘The conception takes place at the moment she hears the words, which is why a tiny white dove, representing the Holy Ghost, flies towards her ear‘.
This made me stop and think – the tiny dove is heading to her ear is it? Really? Why? Gabriel is the messenger saying the words, the words head to the ear. The Holy Dove is a symbol of the Holy Spirit, part of the Trinity of Father, Son and Holy Ghost. Its role, in the painting, is to show that God is the Father. So why, would the Holy Spirit enter by the ear?
I have been using a ruler to try to see if the National Gallery are right! It’s difficult to be sure with a reproduction. but my ruler says the rays from Heaven are neither heading to the ear nor directly to the womb but in the general direction of her body. If they are right that the rays from heaven are heading for her ear, then is this rather the moment she is being told she will conceive rather than the moment of conception?
But the National Gallery text accepts that it is the moment of conception that is shown. So, I’ve looked at Luke 1:26-38:
‘Do not be afraid, Mary, for you have found favour with God. And now, you will conceive in your womb and bear a son, and you will name him Jesus.‘
On first reading he is telling her she will conceive, but reading it more carefully he is saying ‘now, you will conceive’. So Duccio is paying very careful attention to the Gospel. By the time Gabriel finishes his sentence she will have been impregnated by the Holy Dove. Looking at other paintings of the Annunciation the rays from heaven/Holy Ghost head generally towards the virgin, sometimes to her head, nothing suggesting the ear.
I’ve included a 19th Century Rossetti painting because it is so beautiful. It shows a lilly representing purity, instead of the rays, pointing to Mary’s womb.
By the way look at the feet in Rossetti’s painting. This is an early Rossetti painting, who was a poet and I don’t think he yet had the skills to ground feet. But he takes advantage of it in this case and disguises his ineptitude by giving Gabriel fiery feet. Subsequently, Rossetti concentrated on paintings of women from the waist up. Since, first writing this, I have visited an exhibition of Rosetti’s drawings, and they show a very capable draughtsman.
For more on March 25th. My post shows that, in fact, from a Christian perspective, March 25th is the most important day in history.
Veronese ‘The Annunciation’The Annunciation by Rossetti originally known as Ecce Ancilla Domini! 1849 – 1850
Study for Lady Lilith, by Rossetti. 1866, in red chalk. Now in the Tel Aviv Museum of Art (Wikipedia)
This is my second most popular post. March 25th is the Annunciation—the day that the Archangel Gabriel tells Mary she is pregnant. (to see some very fine paintings of this meeting, look at my other March 25th post march-25th-feast-of-the-annunciation/
March 25th is also the anniversary of the birth of Adam and Eve (and Lilith); the death of Jesus Christ; the anniversary of the Immolation of Isaac; the Parting of the Red Sea; the Fall of Lucifer; and, (until 1752 in the UK) the beginning of the Year.
Of course, it isn’t. Or to put it another way, no one can, or ever could, prove any of these dates except the last one. So what they speak to is the way the Church saw the world as logically structured by God. Christian thinking about the year, the world, the universe, creation, developed over many years and took influences from many cultures. It is also very complicated to work out the sequence, so I’m going to summarise what I know (or at least what I think I know).
Christians chose Christmas Day as the Birthdate of Jesus probably because it was a prominent birthday already shared with several Gods. Particularly, Mithras and Saturn. It was approximately at Solstice, the beginning of the Solar Year, and close to one of the main festivals of the Roman World, the Saturnalia. So it made it easier for new converts who could retain elements of their festivals after conversion.
December 25th might have been chosen by the pagan religions because it is the time when the Sun begins to rise further north each day. The days stop shortening and start lengthening, light increases with the promise of warmer weather and budding plants.
So, Jesus was born on/or around the Solstice, so he must have been conceived approx. 9 months earlier. This is approximately at the Spring Equinox.
Ah, you are thinking! But today isn’t the equinox. Surely God doesn’t do approximately?
I have always thought that the 4 or 5 days difference between the Solstice, the Equinox and the Christian festivals was down to the fact that the Calendars were not well coordinated with the actual movements of the Sun (because the Sun does not circle the earth in 365 days, or in 365 and a quarter days, but 365 days, 6 hours, 9 minutes which makes lunar Calendars hard to align with the Sun).
But when I first wrote this a sudden revelation dawned upon me which will be revealed in the next few paragraphs.
So, God sends his Son to save the human race. God is a logical being, so she would send her Son at an appropriate time. If the Child is born at or near the Solstice, which is an appropriate time for the Son of the Creator, then conception 9 months earlier, March 25th, is near the Equinox. This is the beginning of Spring. For many people, Spring is a new beginning, for example, the Anglo-Saxons saw Winter as the death of the year, and Spring as the young Year. It all makes sense.
So to the Creation. God, having a free choice, would have created the world at the beginning of Spring. In fact, if you think about it, God creates everything necessary for life at the creation in 6 days. So as soon as it has all been created and put together it is bound to immediately spring into new life. The first season must, therefore, be Spring? Right? So March 25th.
This gives a nice symmetry with Jesus’s Life. Conceived on March 25th, born December 25th, and died 30-40 years later, according to the Church, on March 25th. (the only other famous person I know born and died on the same day is William Shakespeare).
Easter, when Jesus is martyred, isn’t March 25th I hear you saying. But remember, Easter is a lunar festival, so its date varies each year. Births and deaths, on the other hand, are fixed to the Solar Calendar. Therefore the Church chooses March 25th as the most appropriate day to pin the death of Jesus, on the anniversary of his conception and the anniversary of the creation of the Earth. I am guessing that this is also the preferred date for the Day of Judgement.
It is also the Birthday of Adam, and his first wife Lilith (or so some say), and Eve. More about Lilith below. I had thought this date was just one of the parallels that the Church liked, Jesus and Adam born on the same day. But, I have just worked out why Adam is born on March 25th, and why these dates are not the Equinox, March 20th but March 25th, which has been bugging me.
Let’s go back to the Beginning of Creation.
The Creation, as described in Genesis, has the following sequence of Seven Days, beginning with the Equinox March 20th. I have added dates to the 6/7 day sequence of Creation:
Day 1: Light – March 20th
Day 2: Atmosphere / Firmament – March 21st
Day 3: Dry ground & plants – March 22nd
Day 4: Sun, moon & stars – March 23rd
Day 5: Birds & sea creatures – March 24th
Day 6: Land animals & Adam, Lilith and Eve – March 25th
So there you have it! Adam, Lilith, and Eve were created on Day 6 with the Land Animals – March 25th. Jesus conceived, also on this date, and so 9 months later is born on December 25th. It all makes sense, and aligns the Christian year fully with the Solar Year.
And that, dear Reader, is the very first time anyone has been able to explain to me why Christmas is not at the Solstice, and why the Annunciation was not at the Equinox. Maybe you all know this, but it is very exciting to work this out for myself. And believe me, I have done a lot of reading about calendars and not spotted an explanation.
When was the Creation?
According to the Anno Munda‘s arrangement of the Year, the world was created 5500 years plus 2023 years ago so 7523 Before the Present. And it was supposed to have ended in 600AD, 6000 years after the Creation. So, they got that wrong.
Dionysius Exiguus replaced the Anno Mundo year with the AD/BC system in the 6th Century AD).
Beginnings of the year
I was thinking about the beginning of the year. The Celts chose October 31st, Julius Caesar chose January 1st, other cultures have other dates, and the Spring Equinox is another choice sometimes made. The Church and Dionysius Exiguus choose March 25th, although secular society also recognised the claims of January 1st. Britain kept to March 25th until 1752 when we adopted the Gregorian Calendar. But people like Samuel Pepys celebrated New Year’s Eve on 31st December. So January 1st was the New Year, but the year number did not change until March 25th. So King Charles I thought his head was being cut off on January 30th 1648; while history books will tell you it was cut off on January 30th 1649. Same day, different reckonings.
December 31st/January 1st is essentially a Solstice New Year Festival. And I have, previously, used the difficulty of keeping calendars as to why these days has slipped out of alignment with the Solstice. But, today I realised that it is as likely that the reason is the Solar/Lunar nature of our time keeping. The year, and its festivals, is largely arranged around the Solar Cycle. But our weekly and monthly cycles are derived from the Moon.
January 1st is the Kalends of January as the Romans would have called it. This day the First New Moon after the Winter Solstice. So, January 1st is a slightly misdated Solstice Festival it is a Festival celebrating the first New Moon of the New Year!
Over time societies give up trying to sync the lunar and solar calendars. Roman and Christian cultures gave up and fixed the moon months, completely abandoning any attempt to keep the months to the actual lunar cycle. This is our current system, in which only Easter remains a true to the moon festival, much to our perennial confusion.
Maybe you all know this, but I’ve learnt a lot in writing these two posts.
Lilith
The April 2023 Issue of ‘History Today’ has a short piece called ‘The Liberation of Lilith’ which suggests that the story of Lilith, a figure from Jewish Folklore, is first attested in a Medieval satirical text called ‘The Alphabet of Ben Sira’. The story goes that Lilith is created using the same clay as Adam. Adam then demands she lies below him during sex. She refuses, saying that they are both made from the same stuff and, therefore, equal. Adam refuses to accept this, and so Lilith leaves the Garden of Eden. So the story goes.
The story of Lilith, Sarah Clegg suggests, is one of a series of similar stories found around Europe and Asia. And Clegg assumes that it is gradually modified to make Lilith a demon who will kill babies unless the names of three angels are spoken out loud.
The story survives as a charm to keep babies safe, and perhaps to remind people of equality among the sexes. But this causes problems for, OK, let’s call them out, the Patriarchy. Lilith cannot be equal to Adam so she becomes a monster, not made from the same clay as Adam but from the scum and waste left over from Adam’s creation. I imagine the story then went on to propose that God creates Eve from Adam’s rib, and so she is created from Adam, and is, therefore not equal, but subservient to him. Lilith is now a significant figure in feminist folklore circles.
Attached to the watercolour of Lilith by Rossetti (at the top of the page), was a label with a verse from Goethe‘s Faust as translated by Shelley. (Wikipedia)
“Beware of her fair hair, for she excells All women in the magic of her locks, And when she twines them round a young man’s neck she will not ever set him free again.”
The model is Fanny Cornforth, Rossetti’s mistress. He painted another version a few years later, but the model in that is Alexa Wilding. His models are arguably more interesting than the man himself and include: Elizabeth Siddall, Jane Morris and Fanny Cornforth. Christina Rossetti, his poet sister, modelled for Rossetti’s painting, Ecce Ancilla Domini which you can see here.
For more on the Annunciation, look at my other March 25th post here.
I think I might have enough material to begin my own Cult.
