September – ‘Winter’s Forewarning and Summer’s Farewell’

Kalendar of Shepherds illustration of September showing harvesting grapes and the astrological signs for Virgo (August 23 – September 22) and Libra (September 23 – October 22)

It is that time of the year when you say ‘Where has the Summer gone? It can’t be September already?’ But, metrologically speaking, Autumn starts today. September 1st was chosen on a numerical basis for ease of measuring rather than any profound floral, agricultural or solar reason. So, there are three Gregorian Calendar months for each season, and each season starts on the first of the month. Autumn comes from Latin (autumnus) which went into French and then into English. The season was also called Harvest (which went into Dutch herfst, German Herbst, and Scots hairst -Wikipedia) or from the 16th Century the ‘fall of the year’ or ‘fall of the leaf’ which spread to America.

It still feels like summer this year, with flowers doing well in my garden and not looking too tired. In England, we often have a glorious September, and an ‘Indian’ Summer.

Of course, for the real Autumn, we have to wait for the Equinox, the beginning of Astronomical or Solar Autumn. This year (2024) on September 22nd.

The stars signs for astrological September are: Virgo which is linked to Aphrodite (Venus) the Goddess of Love and Libra is linked to Artemis (Diana), virgin goddess of many things, including hunting, wild animals, children, and birth.

Star signs for September

September gets its name from the Romans, for whom it was the 7th Month of the year (septem is Latin for seven). Later, they added two new months so it became our 9th Month. (For more on the Roman year, look at my post here).

It is called Halegmonath in the early English language, or the holy month, named because it is the month of offerings, because of the harvest, and the mellow fruitfulness of September? Medi in Welsh is the month of reaping, and An Sultuine in Gaelic which means the month of plenty.

Roman personification of Autumn from Lullingstone mosaic

Here is an early 17th Century look at September from the Kalendar of Shepherds – for more on the Kalendar, look at my post here.

From the Kalendar of Shepherds

The Kalendar has an additional shorter look at September and continues with its linking of the 12 months of the year with the lifespan of a man – 6 years for each month. So September is a metaphor for man at 56 years of age, in their prime and preparing for old age.

September from the Kalendar of Shepherds. The last sentence beginning ‘and then is man’ shows the link between September and the beginning of the autumn of life.

Keats (1795 – 1821) wrote a great poem about Autumn:

To Autumn

Season of mists and mellow fruitfulness,
  Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
  With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
  And fill all fruit with ripeness to the core;
    To swell the gourd, and plump the hazel shells
  With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
    For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
  Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
  Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
  Drowsed with the fume of poppies, while thy hook
    Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
  Steady thy laden head across a brook;
  Or by a cider-press, with patient look,
    Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
  Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
  And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
  Among the river sallows, borne aloft
    Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
  Hedge-crickets sing; and now with treble soft
  The redbreast whistles from a garden-croft,
    And gathering swallows twitter in the skies.

Written September 19, 1819; first published in 1820. This poem is in the public domain and available here:

Apples & if the frost be very extreame January 9th

Gervase Markham was born in 1568, in Nottinghamshire, and was a prolific writer. Today, prompted by the Perpetual Almanac by Charles Kightly, I am looking through Markham’s eyes at Apples. Apples were an important source of joy as well as nutrition through a cold winter, as fresh produce became unavailable.

Markham wrote detailed books for use by the householders, the Husbands and the Housewives. And with the coming of frost, you would be advised to look at Markham’s books to ensure the survival of food in your food store. When the frosts hit, as they are now doing in the UK, you had to look after your store of apples, which were an important sweet food source over the winter, and Markham is the source of extensive advice on keeping your food deep into winter.

For the women, he wrote the English Housewife, published in 1615. Here is his recipe for Apple Tart (more of an apple purée tart, I think).

How to Make Apple-tart

Take apples and peel them and slice them thin from the core into a pan with white wine, good store of sugar, cinnamon and rosewater, and so boil it all shall it be thick. Then cool it and strain it, and beat it very well together with a spoon, and then put it into your coffin or crust and bake it. It carrieth with the colour red.

Gervais Markham, the English Housewife 1683 version (quoted by Charles Kightly).

For the men, he wrote the English Husbandsman, published in 1613 and ‘Printed by T. S. for Iohn Browne, and are to be sould at his shop in Saint Dunstanes Church-yard.’ This is the St Dunstan’s in Fleet Street, I think. The book is available on Project Gutenberg (Gervase Markham the English Husbandman. Project Gutenberg).

So to the frost – Markham ends his extensive piece on the best way to store apples as follows:

To keepe Fruit in frost. If the frost be very extreame, and you feare the indangering your fruit, it is good to couer them somewhat thicke with fine hay, or else to lay them couered all ouer either in Barley-chaffe, or dry Salte: as for the laying them in chests of Iuniper, or Cipresse, it is but a toy, and not worth the practise: if you hang Apples in nettes within the ayre of the fire it will kéepe them long, but they will be dry and withered, and will loose their best rellish.

I remember my Grandmother would store her excess apples from the tree, wrapped in paper and stored in cupboards in the pantry or outbuilding. I cannot remember which. They were often wrinkled but always delicious, and I think were Russets, which still remain my favourite apple.

At the bottom of the piece, I include the rest of his advice for storing apples. To summarise it, don’t store them near the ground, and put them on shelves ordered by variety based on which variety lasts longest. So at the back will be the long-lived species such as Russets and Pippins, to eat as spring approaches and at the front the ones you need to eat now such as the ‘Costard, Pome-water, Quéene-Apple‘ varieties.

Markham wrote many books, including one on the famous performing horse Marocco which starred in shows at the Bell Savage, just outside Ludgate in the City of London. Marocco would whinny in triumph with the naming of an English King, and snort with derision with the naming of a Pope, and could count and add up. He was rumoured to have been burnt at the stake as a witch in Edinburgh. But this does not appear to be true. Pocahontas also was shown at the Bell Savage, as was a Rhinoceros and other prodigies.

The Storage of Apples

If you want a more modern text on what to do with excess apples from your tree, have a look here, but do read on to get an insight into life in the 17th Century.

The place where you shall lay your fruit must neither be too open, nor too close, yet rather close then open, it must by no meanes be low vpon the ground, nor in any place of moistnesse: for moisture bréedes fustinesse, and such     naughty smells easily enter into the fruit, and taint the rellish thereof, yet if you haue no other place but some low cellar to lay your fruit in, then you shall raise shelues round about, the nearest not within two foote of the ground, and lay your Apples thereupon, hauing them first lyned, either with swéet Rye-straw, Wheate-straw, or dry ferne: as these vndermost roomes are not the best, so are the vppermost, if they be vnséeld, the worst of all other, because both the sunne, winde, and weather, peircing through the tiles, doth annoy and hurt the fruit: the best roome then is a well séeld chamber, whose windowes may be shut and made close at pleasure, euer obseruing with straw to defend the fruit from any moist stone wall, or dusty mudde wall, both which are dangerous annoyances.

The seperating of Fruit. Now for the seperating of your fruit, you shall lay those nearest hand, which are first to be spent, as those which will last but till Alhallontide, as the Cisling, Wibourne, and such like, by themselues: those which will last till Christmas, as the Costard, Pome-water, Quéene-Apple, and such like: those which will last till Candlemas, as the Pome-de-roy, Goose-Apple, and such like, and those which will last all the yéere, as the Pippin, Duzin, Russetting, Peare-maine, and such like, euery one in his seuerall place, & in such order that you may passe from bed to bed to clense or cast forth those which be rotten or putrefied at your pleasure, which with all diligence you must doe, because those which are tainted will soone poyson the other, and therefore it is necessary as soone as you sée any of them tainted, not onely to cull them out, but also to looke vpon all the rest, and deuide them into thrée parts, laying the soundest by themselues, those which are least tainted by themselues, and those which are most tainted by themselues, and so to vse them all to your best benefit.

Now for the turning of your longest lasting fruit, you shall know that about the latter end of December is the best time to beginne, if you haue both got and kept them in such sort as is before sayd, and not mixt fruit of more     earely ripening amongst them: the second time you shall turne them, shall be about the end of February, and so consequently once euery month, till Penticost, for as the yéere time increaseth in heate so fruit growes more apt to rot: after Whitsontide you shall turne them once euery fortnight, alwayes in your turning making your heapes thinner and thinner; but if the weather be frosty then stirre not your fruit at all, neither when the thaw is, for then the fruit being moist may by no meanes be touched: also in wet weather fruit will be a little dankish, so that then it must be forborne also, and therefore when any such moistnesse hapneth, it is good to open your windowes and let the ayre dry your fruit before it be turned: you may open your windowe any time of the yéere in open weather, as long as the sunne is vpon the skye, but not after, except in March onely, at what time the ayre and winde is so sharpe that it tainteth and riuelleth all sorts of fruits whatsoeuer.

Gervase Markham the English Husbandman Project Gutenberg

Trotty Veck, the Chimes and Charles Dickens’ Christmas Books December 16th

Dickens character Trotty Veck waits to run a message
Trotty Veck 1889 Dickens The Chimes by Kyd (Joseph Clayton Clarke)

As Christmas looms, seasonal publications have a mixture of wonder and joy at the coming family reunions and festivities mingled with an awareness that, for some, Christmas will depend on the Food Bank or the Charity Shelter. The weather is now cold, living costs continue to rise at the very time extra spending is needed to unlock the joy of the Season, and to counter the dark, the cold and the spectre of death which, in fact, has always been central to the season of winter.

Charles Dickens’ Christmas Books epitomise this dichotomy and adding an element of the supernatural, provided a vehicle for joy and hope, but with a forceful political message that the authorities and the rich were not doing their Christian duty to alleviate poverty. Christmas Carol contrasts the wealth of a mean rich Stockbroker with the family of his poor employee Bob Cratchit, and provides a powerful tale of redemption.

But in this post I want to concentrate on his second Christmas Book, ‘The Chimes’. It tells the story of the stick-thin Trotty Veck who is an aged City messenger, nicknamed Trotty because of his habit of keeping himself warm by running on the spot. He is afraid to let his daughter, Meg, to marry as he has so little hope for the future. While he is worrying, he, Meg and her intended Richard are approached by Alderman Cute and Mr Filer.

Cute represents the financial industries in the City of London and the Law. Filer the new breed of political economists. These, working with the idea of Malthus and the new science of Statistics, had proved, that generous support for the poor would, inevitably, lead to a country full of poor people and no rich people. And thus, they justified the Poor Law Amendment Act of 1832 which Dickens observed as a Parliamentary reporter (1831-1834). This set up the cruel Workhouse system which provided the lowest possible level of support offering separation from family, meagre food, and sparse comforts to encourage them to stop being lazy and get back out there to earn their own living and allow taxes to fall. (brilliantly satirised by Dickens’ Oliver Twist, asking for ‘More’).

Meg, Richard, Mr Filer, Gentleman, Alderman Cute and Trotty Veck. Probably located by the door of St Nicholas, Colechurch, City of London.

Below, I enclose the scene from the Chimes, which satirises the attitude of the governing classes.

‘And you’re making love to her, are you?’ said Cute to the young smith.

‘Yes,’ returned Richard quickly, for he was nettled by the question.
‘And we are going to be married on New Year’s Day.’

‘What do you mean!’ cried Filer sharply?Enough  ‘Married!’

‘Why, yes, we’re thinking of it, Master,’ said Richard.  ‘We’re rather in a hurry, you see, in case it should be Put Down first.’

‘Ah!’ cried Filer, with a groan.  ‘Put that down indeed, Alderman, and you’ll do something.  Married!  Married!!  The ignorance of the first principles of political economy on the part of these people; their improvidence; their wickedness; is, by Heavens! enough to—Now look at that couple, will you!’

...

‘A man may live to be as old as Methuselah,’ said Mr. Filer, ‘and may
labour all his life for the benefit of such people as those; and may heap up facts on figures, facts on figures, facts on figures, mountains high and dry; and he can no more hope to persuade ’em that they have no right or business to be married, than he can hope to persuade ’em that they have no earthly right or business to be born.  And that we know they haven’t.  We reduced it to a mathematical certainty long ago!’

Alderman Cute was mightily diverted, and laid his right forefinger on the side of his nose, as much as to say to both his friends, ‘Observe me, will you!  Keep your eye on the practical man!’—and called Meg to him. 

...

‘Now, I’m going to give you a word or two of good advice, my girl,’ said the Alderman, in his nice easy way.  ‘It’s my place to give advice, you know, because I’m a Justice. ...

‘You are going to be married, you say,’ pursued the Alderman.  ‘Very
unbecoming and indelicate in one of your sex!  But never mind that.
After you are married, you’ll quarrel with your husband and come to be a distressed wife.  You may think not; but you will, because I tell you so. Now, I give you fair warning, that I have made up my mind to Put distressed wives Down.  So, don’t be brought before me.  

You’ll have children—boys.  Those boys will grow up bad, of course, and run wild in the streets, without shoes and stockings.  Mind, my young friend!  I’ll convict ’em summarily, every one, for I am determined to Put boys without shoes and stockings, Down.  Perhaps your husband will die young (most likely) and leave you with a baby.  Then you’ll be turned out of doors, and wander up and down the streets.  Now, don’t wander near me, my dear, for I am resolved, to Put all wandering mothers Down.  All young mothers,of all sorts and kinds, it’s my determination to Put Down.  Don’t think
to plead illness as an excuse with me; or babies as an excuse with me;
for all sick persons and young children (I hope you know the
church-service, but I’m afraid not) I am determined to Put Down.  

And if you attempt, desperately, and ungratefully, and impiously, and
fraudulently attempt, to drown yourself, or hang yourself, I’ll have no pity for you, for I have made up my mind to Put all suicide Down!  If there is one thing,’ said the Alderman, with his self-satisfied smile, ‘on which I can be said to have made up my mind more than on another, it is to Put suicide Down.  So don’t try it on.  That’s the phrase, isn’t it?  Ha, ha! now we understand each other.’

Project Gutenberg - The Chimes by Charles Dickens

It is a savage burlesque of a satire but at its core. Filer provides the economic/statistical justification. Cute enforces it by legal harassment of the poor. Dickens was writing after a recent introduction of legislation making suicide a punishable offence.

This has a contemporary resonance. During my lifetime the first British Government to be cruel in its provision, in my opinion, for the poor was Teresa May’s Conservative Government. Her laws made getting help so difficult that people died as a result of the deliberately difficult system. ‘I, Daniel Blake’ a 2016 film by Ken Loach brilliantly captured the essence of this system. That government’s treatment of the Windrush generation was a similar example of bureaucratic cruelty. And the continuing decline of the benefit system over the 13 years of Conservative Government means that the poor have borne the brunt of austerity.

The piece above reminds us what a brilliant propagandist Dickens was. Every generation of children, since he wrote Christmas Carol, has read it or seen it in popular retellings such as The Muppet Movie. I think it could be argued that the ‘More’ scene in Oliver Twist and the Christmas Carol have made the case for compassionate care and redemption far beter than contemporary Christianity or political parties.

In the Chimes. those two men discourage Trotty from letting the young ones marry. He has a dream and sees the hopeless result of his decision: suicide, prostitution, crime. When he wakes up, he realises that what they do have is hope. Hope springs eternal and he lets them marry.

For more on this scene, have a look at the Victorian Web

Dickens was not a socialist. ‘Hard Times’ shows that Dickens was against strikes, despite leading a strike when he was a young newspaper man. He was a free trade Liberal; a reformer who believed that the rich needed to do their Christian duty and provide charitable support, pay decent wages and look after their dependents and servants. He thought society should care less about the dogma of Christianity but look to its essence, ‘love your neighbour like yourself’. This, alone, was sufficient to right the wrongs caused by the selfish.

First Published on December 16th 2022, republished and revised in December 2023.

The End of Hardy’s tree

From the Guardian Article

I published the following post about Hardy’s Tree on 28th December 2022. Here, follows the original post and an update which suggests the tree and the gravestones were not erected by Thomas Hardy.

This is the day that Herod ordered the slaughter of the Innocents, or Childermas, and I am glad to see that my Grandson is now older than Herod’s prescription.

Hardy’s Tree in St Pancras Church, Camden, London has fallen down. Hardy was an architect and worked in London for a while, where one of his jobs was to supervise the clearance of the graveyard. Several poems of Hardy refer to the removal of graves from their original positions and in this case, the gravestones were set around an Ash tree that inspires many, including my Central St Martin’s students who used it in a project recently. So, I was shocked to read a Guardian article (since deleted) which noted the sad demise of the Tree.

Extracts from one of several Hardy Poems about moving graves and gravestones follow, but I need to update the post about the connection to Hardy. The Guardian has now got an article which suggests the connection with Hardy is a more recent one than previously thought (Guardian article).

I (and I think the Guardian) were alerted to this by the work of Lester Hillman, who wrote a Churchyard Guide and a recent pamphlet about the Tree, which is reported in ‘Context ISSN 1462-7574’. This is the Journal of the City of London Archaeological Society. Evidence proves that the Ash Tree dates to the 1930s, and that the mound of gravestones is from burials relocated from St Giles in the Fields, and therefore unlikely to have been in St Pancras at the time Hardy was responsible for clearing it.

So it is not ‘the’ Hardy Tree, but then nor was the tree at Sycamore Gap anything to do with Robin Hood. What it was, was a beautiful piece of nature, in a poignant setting. May she rest in peace.

The Levelled Churchyard
Thomas Hardy

O Passenger, pray list and catch
Our sighs and piteous groans,
Half stifled in this jumbled patch
Of wrenched memorial stones!

We late-lamented, resting here,
Are mixed to human jam,
And each to each exclaimed in fear,
I know not which I am.

Where we are huddled none can trace,
And if our names remain,
They pave some path or porch or place
Where we have never lain!

Object of the Day – Shakespeare’s Signet Ring?

Signet Ring which mayu be Shakespeares
Signet Ring with Lover’s Knot and initials WS

I went to New Place in Stratford-upon-Avon to see the First Folio Exhibition on the anniversary of its publication in 1623. It was a very small exhibition, and, at first sight quite disappointing. Almost everything in it I had seen before. But, I came away quite excited, because it had a much better explanation of the Signet Ring than the one in its previous display.

In 1810 someone found this gold ring in field near the Holy Trinity Church where Shakespeare was baptised and buried. It has a lover’s knot and the initials WS. It could ofcourse be anyone’s with those initials. But it certainly excited comment at the time as the display makes clear:

Photo of display at New Place in Stratford-upon-Avon of a comment by BEnjamin Hayden to John Keats about the finding of signet ring which might be Shakespeares.

I did not know about the ring until New Place was refurbished a few years ago and the ring went on display. The new display gives more of an explanation as well as the delightful quotation above from Hayden to Keats.

Michael Wood suggested that Shakespeare might have lost the ring on the occassion of his daughter, Judith’s, marriage to Thomas Quiney in February 1616. Shakespeare made his Will a month later, and it is marked by three of his signatures. The Will says ‘whereof I have hereunto put my seale’. The word seale has been crossed out and the word ‘hand’ put in in its stead. So, he was intending to seale his approval of the Will, but changed his mind and put his signature instead? Why? Because he had recently lost his seal ring? Shakespeare died a month or so later.

Photo of display photo of the Ring that maybe Shakespeare's
Photo of the display photo of the Ring that maybe Shakespeare’s

Judith was the twin of Hamnet who died at age 11 and the Church has recently planted a couple of trees as a memorial to the twins, who are not buried, like their older sister, Suzanna, next to their mum and dad by the altar in the Church. Judith’s husband was a bit of a rogue, as he was called to the Bawdy Court and accused of debauchery with a local women who he made pregnant, and who died in childbirth. He is not mentioned in the Will.

But Shakespeare did leave money in his will to buy gold rings for his fellow actors, John Heminges and William Condell, who are buried in St Mary Aldermanbury in London. They outlived Shakespeare and collected his plays together in the First Folio. A Remembrance Ring is also in the display.

Handwritten notebook written in the 1620s full of quotations from the First Folio
Handwritten notebook written in the 1620s full of quotations from the First Folio

The other main item in the display is this tiny 7.8 cm high notebook in which its unknown owner copied out his favourite quotes from the First Folio. It contains material from all 38 plays, and internal evidence shows it must have been made from the First Folio. It is about the size of the minature books the Brontes made. The tiny writing of the book must have been written with a quill from a small bird.

The display shows that a lot can be made of a few objects, if they are well chosen and with an excellent explanation.

By the way the rings and the Folio are clear evidence that Shakespeare wrote the plays as his friends put together his plays in a volume with introductory information which makes it absolutely clear he wrote them. Also in the Church the memorial to Shakespeare compares him to King Nestor in judgement, Socrates in wisdom, and Virgil in art. Nothing can be clearer, and why people continue to say Shakespeare was simply an actor who copied out the plays is beyond me.

Pylium is a reference to King Nestor of Pylos. Maronem is Virgil. The last line means ‘The earth buries him’ the people mourns him, Olympus posesses him’.

The Art of Sickbed writing

Nutritious National Health food, called Fish Pie. By contrast the apple crumble and custard was delicious.

The Guardian has recently written a piece on this subject which I am following as I recover from the hernia operation. I found publishing from my phone from the hospital bed surprisingly easy as it was the first time I had used the phone for writing the Almanac of the Past

My typing on the computer is fast but very, very inaccurate and clumsy and full of revision and cutting and pasting and rewriting and typos. So its quite hard work bashing it into shape. But I found it much easier on the phone, with the fingers of one hand being less prone to error and, in some strange way, more directly attached to the part of my head that composes the text into something vaguely readable. But it is more difficult to add the images. I have now been at home for 4 days and my phone is dying (I am well!) so back to normal methods.

www.theguardian.com/books/2023/jan/31/hanif-kureishi-hospital-musings-sickbed-writing

Today, I have been completely revising the entry for February 3rd St Blaise’s day with a few thoughts as to why the stories of the Martyr Saints are so very gory.

300th Post & a London Almanack of the Past

The Illustrated London Almanack
The Illustrated London Almanack

This is the 300th Post on this my ‘new’ blog. I thought I would mark it by a reminder of what I am trying to do with it.

Over the years I have given a lot of walks on special occasions: Christmas, New Year, Halloween,Easter, May Day etc. as well as my regular ‘Myths, Legends of the Archaeological Origins of London Walk’. I have always had an interest in the Celtic Year, and when researching for my New Year’s Walks I came across Almanacks, and the more I found out about them the more I plundered them for content! I found that one third of books sold in London in the early modern period were Almanacks. That is how important they were.

So, I decided to create an ‘Almanack of the Year’ which changed title to an ‘Almanack of the Past’. In particular, what I am hoping to do is to create a London Almanack of the Past, where each day is remembered by an interesting and relevant post with a view to enlightening our understanding of London’s past.

Content is around these ideas and themes:

Folklore
Seasons & Nature
Measurement of Time
Calendars
Religion
Mythology
Legend
Anniversaries of Famous & Important events in the past
Historical & Archaeological news
News of my Walks

What I am aiming for is a really focussed London version of an Almanack of the Past. I need a good entry for every day of the year, and I’m hoping to do that over a three year period, and then get it published.

Googling yourself to find your book is no 4 in a list of ‘Top Ten History Books’ of 2015!

Now here is the sort of thing you find out about yourself only if you

a. google yourself
b. go down to page 8

And there I find that thebookbag had my book as no 4 in its top ten history books of 2015, with Mary Beard at no 2.

And this is their review:

‘Divorced, Beheaded, Died…: The History of Britain’s Kings and Queens in Bite-Sized Chunks by Kevin Flude

4.5star.jpg

History lives. Proof of that sweeping statement can be had in this book, and in the fact that while it only reached the grand old age of six, it has had the dust brushed off it and has been reprinted – and while the present royal incumbent it ends its main narrative with has not changed, other things have. This has quietly been updated to include the reburial of Richard III in Leicester, and seems to have been re-released at a perfectly apposite time, as only the week before I write these words the Queen has surpassed all those who came before her as our longest serving ruler. Such details may be trivia to some – especially those of us of a more royalist bent – and important facts to others. The perfect balance of that coupling – trivia and detail – is what makes this book so worthwhile.’

135,000 copies to date in 7 editions and formats. I did suggest a new updated edition to add a section on King Charles III but they said ‘they had no plans.’

http://www.thebookbag.co.uk/reviews/Top_Ten_History_Books_2015

VIRTUAL GUIDED WALKS COMING UP

THE REBIRTH OF SAXON LONDON ARCHAEOLOGY VIRTUAL WALK

Reconstruction of Dark Age London Bridge
London in the 5th Century Reconstruction painting.

Sunday 4th July 2021 6.30pm

An exploration of what happened following the Roman Period. How did a Celtic speaking Latin educated Roman City become, first deserted, then recovered to become the leading City in a Germanic speaking Kingdom?

To book

THE GREAT FIRE OF LONDON ANNIVERSARY VIRTUAL WALK

Virtual Zoom Walk on Sunday Sept 5th 6.30pm

On the Anniversary of the Great Fire of London we retrace the route of the fire of 1666 from Pudding Lane to Smithfield.

To book

RING IN THE EQUINOX VIRTUAL WALK

Tuesday 21st September 2021 7.30pm

On this walk we look at London at the Equinox, its calendars, folklore and events associated with the beginning of Autumn

To book

MYTHS, LEGENDS, & HALLOWEEN VIRTUAL WALK

SUNDAY 31st October 2021 6.30pm

The walk tells the story of London’s myths and legends and the celtic origins of Halloween. .

To book

ZEPPELIN NIGHTS – A VIRTUAL WALK FOR REMEMBRANCE SUNDAY

Sunday 14 November 2021 6.30pm

We follow the route of a Zeppelin Raid through London. On the way we discover London in World War 1

To book

The London of Thomas More and Thomas Cromwell. The City of Wolf Hall Virtual Walk

Sunday 29th February 2021

The Walk creates a portrait of London in the early 16th Century. It has a particular emphasis on the life and times of Thomas Cromwell and Thomas More who feature in Wolf Hall, the novel by Hilary Mantel.

Listen to the Tour Podcast (6 min 55)

The Virtual Tour will start with a boat tour from Hampton Court, via Chelsea to the City, and then a Walk around the City.

More and Cromwell had much in common, both lawyers, commoners, who rose to be Lord Chancellor to Henry VIII and they both ended their career on the block at Tower Hill. But they found themselves on the other side of the gulf that suddenly opened with the religious ferment that accompanied Henry’s obsession with Anne Bolyen.

The Walk will include visits to the sites of More’s and Cromwell’s town houses and then walk through the market streets of Tudor London, to Cheapside and the Guildhall, St Pauls and outside the Walls to Smithfield where most of the religious executions took place. We visit Charter House where More took a break from the stress of public office, and whose Prior, Cromwell had hanged, drawn and quartered. We exit via the plaque pits, and finish off with a walk around the City Walls until we come to Tower Hill where both men ended their lives on the scaffold.

Saint or Sinner? What better place to ponder that question that the streets of Wolf Hall London?

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