Ring in the New Year Virtual Tour. January 1st at 7pm.

Happy new year card showing drunken wealthy young man slumped on the snow overlooked by a policeman

On, January 1st 2025, I will be giving my annual Ring in the New Year Walk for London Walks.

To book, click the link below

Wednesday Monday 1st January 2025 7.00pm
On this Virtual Walk we look at how London has celebrated the New Year over the past 2000 years.

The New Year has been a time of renewal and anticipation of the future from time immemorial. The Ancient Britons saw the Solstice as a symbol of a promise of renewal as the Sun was reborn. As the weather turns to bleak mid winter, a festival or reflection and renewal cheers everyone up. This idea of renewal was followed by the Romans, and presided over by a two headed God called Janus who looked both backwards and forwards. Dickens Christmas Carol was based on redemption and his second great Christmas Book ‘The Chimes’ on the renewal that the New Year encouraged.

We look at London’s past to see where and how the New Year was celebrated. We also explore the different New Years we use and their associated Calendars – the Pagan year, the Christian year, the Roman year, the Jewish year, the Financial year, the Academic year and we reveal how these began. We look at folk traditions, Medieval Christmas Festivals, Boy Bishops, Distaff Sunday and Plough Monday, and other Winter Festival and New Year London tradition and folklore.

At the end we use ancient methods to divine what is in store for us in 2023..

The virtual walk finds interesting and historic places in the City of London to link to our stories of Past New Year’s Days. We begin, virtually, at Barbican Underground and continue to the Museum of London, the Roman Fort; Noble Street, Goldsmiths Hall, Foster Lane, St Pauls, Doctors Commons, St. Nicholas Colechurch and on towards the River Thames.

To Book:

Reconstruction of Dark age London

For details of my next walk

Click here:

How to make a Dish of Snow & Ice Houses, November 29th

Photo Zdenek Machacek -unsplash

There is a 0% chance of snow, in London and 20% in Glen Shee, Scotland, according to the Snow Risk Forecast. And here is an appropriate medieval recipe:

To make a dish of Snowe

Take a potte of sweete thicke creme and the white of eight egges and beate them altogether with a spoone then putte them into your creame with a dish full of Rose Water and a dishfull of Sugar withall then take a sticke and make it cleane and then cutt it in the ende fowre square and therewith beate all the aforesayd thinges together and ever as it ariseth take it of and putte it into a Cullander thys done take a platter and set an aple in the middest of it and sticke a thicke bush of Rosemarye in the apple then cast your snowe upon the rosemarye and fill your platter therewith and if you have wafers cast some withall and thus serve them forth

From Medieval Manuscripts, British Library. Blog. https://blogs.bl.uk/digitisedmanuscripts/medieval-history/page/2/

BF – Before Fridges

Before fridges, snow gave the chance for ice cream and other cold desserts. The problem was keeping it for longer than the cold spell. So many Stately Homes had ice-houses. The V&A had an ice-house just outside their glorious, Henry Cole commissioned restaurant. There is an ice house preserved at the Canal Museum, in Kings Cross. It was set up by Carlo Gatti in 1857 to store ice shipped in from Norway. Another one, in Holland Park, dates from 1770 and served the infamous Fox family (PM Charles James Fox etc).

The first ice house was in Mesopotamian, but in the UK they were introduced by James 1 at his palaces in, first, Greenwich Park, and then Hampton Court. An ice house generally consists of a pit in the ground, brick lined, which tapered to a point. Above was a circular, often domed building. The ice was protected by insulation such as straw, and this structure would allow ice to be available all through the summer.

Ice House Dillington, Somerset
Ice House Dillington, Somerset

My great-grandmother hung a basket outside the window in winter to keep things cold. On my fridge-less narrow boat, I have been known to keep milk and butter outside the door, and to suspend and submerge wine in a plastic bag in the canal in high summer. Butteries and Pantry’s were typically cut into the ground to make them cooler. A Roman Warehouse in Southwark, of which the wooden floor still survived, had a ramp down to the floor which was cut into the ground surface. The ramp suggests it was used for storing barrels where they were kept cool.

Sketch of Roman Warehouse found in Southwark.

For more on Icehouses (and an Icehouse in York) and the history of ice cream, see my post from August.

Written November 28th 2022, revised and republished 2023, 2024

Stir Up Sunday! November 26th

1803 Christmas Cartoon of Napoleon and Mr and Mrs John Bull
By William Holland, 1803

Stir-up Sunday is the last Sunday before advent and the day for stirring the Christmas Pudding. And I missed it! Last year it was on the 26th, but this year it was the 24th November. So, to make up for it here is a digression on the subject of nicknames, prompted by my ‘rediscovery’ of a History Today essay from March 2023 by PhD student Tristan Alphey. entitled ‘Toad Testicles, Foul-Beard and Broad-Arse’ Tristan is researching nicknames before 1000. It’s a tough gig but someone had to do it!

I have long had an interest in nicknames, since a school bully, when I was about 7, decided he was going to call me Acid. He explained his logic. Flude sounds like fluid and ccid is a fluid. It never caught on perhaps because chanting ‘Fludey is a rudey’ or a nudey, whichever was the fancy of the day, in the playground was more fun! In my dad’s day anyone called Clarke was nicknamed Nobby, and anyone small ‘Lofty’. But generally only a few people got themselves primarily identified by nicknames. This will, of course, be the meat of Tristan’s PhD. The social significance of the nicknames.

My interest was revived when reading a book about the Border Reivers, (by Allistair Moffet). These clans terrorised the borders between Northumberland and Scotland, particularly in the 13th – 17th Century. The people were controlled by a clan leader of ‘Heidsman’ and all his followers being in the same clan had the same surname. And the Names were many Armstrongs, Batesons, Bells, Croziers, Elliots, Glendinnings, Hendersons, Irvines, Johnstones, Scots, Moffets, Nixons, Routledges, Thomsons, Maxwells, Kers, And not to forget the Carletons, Fenwicks, Forsters, Robsons, Turnballs, Selbys, Storeys, Guthries.

The problem arose because there were so many with the same surname, and with the restricted use of a small number of first names (John being by far the most popular) a way of differentiating people was necessary. As I am short of time, I will cut and past from the Wikipedia page:

Some Border Reiver nicknames referred to physical injuries or impairments, such as “Fingerless,” “Gleyed” (blind in one eye), “Burnt Hand,” “Half-Lugs,” or “Lugless” (missing ears). Others followed a tradition similar to Highland naming customs, where the father’s (and occasionally the mother’s) name was added to the son. Many nicknames described physical appearance, such as “Black Heid,” “Hen-Heid,” “Sweet Milk” (meaning beautiful), or “Fergus the Plump.” Some appear to reference mental health or emotional states, including “Unhappy Anthone” and “Jock Unhappy.”‘

A number of nicknames seem metonymic or ironic, reflecting professions or roles, such as “The Sheriff,” “The Lawyer,” or “The Priest.” Intriguingly, certain names may hint at queer or LGBT identities, including “Buggerback,” “The Lady Elliot,” “The Lady Scott,” “The Lady Kerr,” “Bang-tail,”[108] and “Sym ‘the Lady’.” Other nicknames defy easy interpretation, such as “Hob-Wait-About-Him,” “Laird-Give-Me-Little,” “Bide Him Jock,” “the Pleg,” “Dog-Pyntle” (Dog Penis),[109] “Geordie Go Wi Him,” and “Cheesebelly,” illustrating the creative and often enigmatic nature of Border Reiver culture.’ Wikipedia entry

By the way ‘Buggerback’ Elliot was related to ‘the Lady Elliot’, and also, if I recall correctly, to Dog pyntle.

Tristan Alphey’s study takes the study back before 1100, wherewe can find King’s nicknames such as

Edward the Confessor, Alfred the Great, Edmund Ironsides, and Aethelred the Ill-advised (redeless). Further down the scale he presents: Alfred ‘Toad-Testicles from Winchester, where were also Alwin ‘Pebbles, Aelfstan ‘Broad-Arse’, Aelfstan ‘the Bald’, Thurstand ‘Buttock’ Aethelstan ‘The fat’ Osferth ‘Blackbeard’, Aelfstan ‘Limping’. Elsewhere we have Alvin ‘Sardine’, Wulfric ‘Large Pole’, Eadwig ‘the Wholly Drunk’, Wulfwiug ‘Wild’, Aelfric ‘Foul-Beard’.

Women are less frequently given nicknames, but we have Athelgifu ‘the Good’ and King Harold’s first wife, the beautiful Edith ‘Swan-Neck’. She must have been, mustn’t she?

To finish my look at nicknames, we go to Viking York among whom are the peerless warriors: ‘Ivan the Boneless’, Sihtric ‘the Squinty-eyed’and Erik Bloodaxe. Other Vikings include Thorkell the Tall and Thorkell Thorfinn.

And now back to ‘Stir-up Sunday’! It gets its name from the Book of Common Prayer, which has a verse:

“Stir-up, we beseech thee, O Lord, the wills of thy faithful people;
that they, plenteously bringing forth the fruit of good works,
may of thee be plenteously rewarded, through Jesus Christ, our Lord. Amen.’

So, the Christmas pudding was made with dried fruit and had 13 ingredients for Jesus and the Disciples. It is stirred from west to east, in honour of the Three Wise Men, and stirred by every member of the household who get to make a secret wish.

Here is a recipe.

Normally, a coin in put in the pudding for the lucky one to get. My grandma, a Londoner, used to put in a couple of ‘silver joeys’, long out of legal tender when I was young. She would watch us like a hawk while we ate, and claim the coins back as soon as we found them! She would then put them in an old folded brown envelope and put them away for next year.

MJ Hughes Coins website gives the following excellent history of the Silver Joey:

Originally a Joey was the nickname given to a groat (4 pence) but when that went out of circulation in 1855 the silver 3 pence inherited the name. The name came about due to the reintroduction of 4 pence coins in the 1830s by the politician Joseph Hume, MP (1777-1855).

For some great, coin-based facts! Look no further.

First Published Nov 27th 2022. The Jimi Hendrix content transferred to its own page, and this post republished Nov 26th 2023, revised with a section on nicknames in 2024

Beginning of the Month of Frimaire November 21st

The frosty month of the French revolutionary calendar.

The rational calendar divided the year into 12 30-day months, plus 5 days for end of year festivities. And a leap year every 4 years.

Weeks were 10 days long, 3 per month. Days were named first day, second day, third day up to tenth day. There were ten hours in a day, 100 minutes per hour, and 100 seconds per minute. But this last part didn’t last very long, French people really objected to their day being mucked up.

Revolutionary period pocket watch

The Revolutionary Year was adopted in 1793 but began retrospectively from September 22nd, 1792 when the Republic was proclaimed.

My French correspondent tells me that; therefore, the First Republic started on: Le premier Vendémiaire de l’an 1.

Napoleon gave it up as a bad job in 1806.

For my fuller explanation of the French Revolutionary Calendar click here).

On this Day

1847 James Young Simpson published an account of the use of Chloroform as an anaesthetic in the medical Journal the Lancet. It was invented in 1831, used on animals successfully in 1842, but not on humans as it was feared too dangerous. Simpson and his two assistants were in the habit of meeting in his Edinburgh house, at 52 Queen Street, in the New Town, to test new chemicals. He obtained some Chloroform, the three of them tried it, found themselves merry, and woke up the next morning. Chloroform was more effective than Ether, but the margin of error was tighter, and he was very lucky he and his friends were not killed, or failed to be knocked out at all. They then tried it on his niece, Miss Petrie, and it was set to become the anaesthetic of choice, particularly for childbirth, for the next 100 years.

1877 Thomas Edison announced the invention of the phonograph and those ushered in a new age of inexpensive recordings of music. Wikipedia describes the process that led to the gramophone, and the record players as:

The sound vibration waveforms are recorded as corresponding physical deviations of a helical or spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a record.

First published on November 21st 2022, republished on November 21st 2023 and 2024

St Cecilia’s Day, Henry Wood and the BBC Proms, 17th November

St Sepulchre-without-Newgate, Musician’s Chapel, St Cecilia window. 17 August 2022, Andy Scott

November 17th is St Cecilia’s Day She is the patron saint of musicians and was martyred in Rome in the Second or Third Century AD. The story goes that she was married to a non-believer, and during her marriage ceremony she sang to God in her heart (hence her affiliation with musicians). She then told her husband, that she was a professed Virgin, and that if he violated her, he would be punished by God. Ceclia told him she was being protected by an Angel of the Lord who was watching over her. Valerian, her husband, asked to see the Angel. ‘Go to the Third Milestone along the Appian Way’ he was told where he would be baptised by Pope Urban 1. Only then would he see the Angel. He followed her advice, was converted and he and his wife were, later on, martyred.

The Church in Rome, Santa Cecilia in Trastevere, is said to be built on the site of her house, and has 5th Century origins. My friend, Derek Gadd, recently visited and let me use these photographs:

St Cecilia in London

There is a window dedicated to her in the Holy Sepulchre Church-without-Newgate, In London, opposite the site of the infamous Newgate Prison.  Henry Wood, one of our most famous conductors and the founder of the Promenade Concerts, played organ here when he was 14. In 1944, his ashes were placed beneath the window dedicated to St Cecilia and, later, the Church became the National Musician’s Church.

This window is dedicated to the memory of
Sir Henry Wood, C.H.,
Founder and for fifty years Conductor of
THE PROMENADE CONCERTS
1895-1944.
He opened the door to a new world
Of sense and feeling to millions of
his fellows. He gave life to Music
and he brought Music to the People.
His ashes rest beneath.

The Concerts are now called the BBC Proms and continue an 18th and 19th Century tradition of, originally, outdoor concerts, and then indoor promenade concerts. At the end of the 19th Century, the inexpensive Promenade Concerts were put on to help broaden the interest in classical music. Henry Wood was the sole conductor.

Wikipedia reports :

Czech conductor Jiří BÄ›lohlávek described the Proms as “the world’s largest and most democratic musical festival”.

The Eight-week Festival is held at the Royal Albert Hall. It moved here during World War 2 after the original venue, the Queen’s Hall, was destroyed in the Blitz in May 1941.

First Published on November 17th 2023 and revised in November 2024

Hardy’s Henge Given Protected Status

Through the window of Hardy’s Max Gate house, you can see a Prehistoric Sarsen Stone, originally part of a neolithic stone circle or henge. (bottom right window pane, top left corner). Photo: Kevin Flude

Author of ‘Tess of the d’Urbervilles’ Thomas Hardy was an architect and designed his own house. During the work on Max Gate, the builders came across a large block of sandstone of the type called ‘Sarsen’ at Stonehenge. Hardy, who loved history, had it relocated into his garden and called it his ‘druid stone’. One of the most famous scenes in Tess is when she is sleeping on the Altar Stone at Stonehenge as the Police move in to arrest her for murder. Hardy loved history, and how glad he would have been to know his house was in the middle of an important Henge. The Altar Stone, by the way, has very recently been discovered to be from Scotland. A discovery that confirms that Stonehenge was an immensely important site in the Neolithic and Bronze Age.

Hardy’s Henge (aka Flagstones) turns out to be older than Stonehenge. In the 1982, a geophysical survey in advance of the Dorchester Bypass, found evidence of a circular enclosure outside Hardy’s house. But there was an excavation in 1987-8 which discovered a large circular bank, 100m in diameter, from the Neolithic period. The other half of Flagstones, is largely preserved beneath Max Gate, and has now been official listed and therefore protected. The excavations suggested a date of construction of 3,000 BC, about the time of Stonehenge’s first construction.

Max Gate, Hardy’s House on the outskirts of Dorchester, Dorset. Photo Kevin Flude

In 2022, targeted excavation designed to explore the other half of the circle revealed further dating evidence that proposes it was built 500 years before Stonehenge, earlier than 3,500BC, making it one of the earliest in the South West. It was giving listed protection on the August 19th, 2024.

The enclosure consists of a single ring of unevenly spaced pits, forming an interrupted ditch system roughly circular, but the dating evidence does not prove that this circuit was built before 3,500 BC, but shows there was a neolithic presence on the site at an early date. Burials were found in the bottom of the pits forming the enclosure and in four of the pits were found markings on the lower pit walls cut by flint forming pictograms of varying forms from curvilinear, to linear. There was little activity in the Late Neolithic and the site seems to have been reused for funerary and ‘other practices’ during the Bronze, Iron Ages and Roman period.

The site is built on a ridge parallel with the River Frome. Dorchester is another ‘ritual landscape’ like Stonehenge, where there are a cluster of important Neolithic and Bronze Age monuments. In the centre of the Town, a couple of miles from Max Gate, was found evidence of a massive wooden circle. The postholes are found marked on the floor of the town centre car-park as shown below. The Great Henge is 360m in diameter, covering much of the much later Town Centre and built in around 2100 BC.

Neolithic Circle in Dorcester (photo Kevin Flude)

Just outside of Dorchester is a Roman Amphitheatre which began life as another Neolithic circular enclosure with an external bank, and an inner Ditch in which were dug 44 tapering pits, up to 10m in depth. Antler picks, chalk objects, including chalk phalluses, were found.

Maumbury Rings – Neolithic Enclosure, Roman Amphitheatre, place of execution, Civil War defense, and fictional meeting place of the Mayor of Casterbridge and his estranged wife, Susan Newson (or Henchard!)

A few miles away, at the Iron Age Hill Fort of Maiden Castle, is a Neolithic Causewayed Enclosure.

Maiden Castle. Iron Age Hillfort. the East End was originally a Neolithic Causewayed Enclosure

Together, with evidence from Stonehenge, Avebury, Heathrow and elsewhere shows a clustering of ritual places in important landscapes, which suggests, possible evidence of regional organisation. Stonehenge, however, continues to lead the way for evidence of an importance that drew people, or objects from not only England, Scotland and Wales, but also from the continent.

For further details of the Flagstones listing and excavation, here is the official listing document:

https://historicengland.org.uk/listing/the-list/list-entry/1489792?section=official-list-entry

First & Last Coal-fired Power Stations September 30th 2024

Holborn Edison Electric Light Station

Today, Britain’s last coal-powered power station generated its final watt of electricity.  Ratcliffe-on-Stour’s closure means Britain is the first country to meet its target of phasing out coal.

The Nottingham power station opened in 1968, and once employed over 3000 people.

For more details follow this link https://www.theguardian.com/business/2024/sep/30/end-of-an-era-as-britains-last-coal-fired-power-plant-shuts-down

The first coal-fired power station in Britain was at Holborn Viaduct in London, opened as the Edison Electric Light Station on 12th January 1882.

The power was generated by a steam engine powered by coal.  The electricity powered incandescent electric carbon-filament lights which lit up 986 lights to illuminate the road from Holborn Viaduct to St Martin’s-le-Grande.  The light bulb was invented 3 years previously. 

The number of lights was soon increased to 3,000. But the Station made a loss and was closed down 2 years later. The lights converted to gas.  The building was destroyed in the Blitz.

A couple of miles to the East, in 1895, the Shoreditch Electric Light Station was established.   It used waste to produce electricity and steam for the local public baths.  The generating and combustion chambers, now houses a Circus School which my children attended.

It was officially opened by Lord Kelvin, the famous physicist in 1897. The Consulting Engineer was Edward Manville who came up with a scheme for a ‘dust destructor’; an electricity generating station; a public bath heated by the waste heat from the generator; a library and museum.  It cost 200,000 pounds.  In 1899, in nearby Nile Street, the Shoreditch Vestry Council set up the first municipal housing scheme powered by electricity.

This level of enterprise by a local council seems like a fantasy of a distant past but also, given the sustainability of the project unbelievably modern.

The motto on the side of the Power Station was ‘Light and Power from Dust’. The scheme was run by the local vestry council which adopted the motto ‘More Light, More Power’. This was also adopted by the new municipal Borough of Shoreditch when it was formed as part of the new London County Council.  The Power Station was renamed as the rather wonderful: Shoreditch Borough Refuse Destructor and Generating Station and adorned with the motto: PULVERE LUX ET VIS ‘Out of the dust, light and power’.

The story of the dust destructor and the generating station is told in some detail here and well worth a read.

I will add a few more pictures once off the train.

September – ‘Winter’s Forewarning and Summer’s Farewell’

Kalendar of Shepherds illustration of September showing harvesting grapes and the astrological signs for Virgo (August 23 – September 22) and Libra (September 23 – October 22)

It is that time of the year when you say ‘Where has the Summer gone? It can’t be September already?’ But, metrologically speaking, Autumn starts today. September 1st was chosen on a numerical basis for ease of measuring rather than any profound floral, agricultural or solar reason. So, there are three Gregorian Calendar months for each season, and each season starts on the first of the month. Autumn comes from Latin (autumnus) which went into French and then into English. The season was also called Harvest (which went into Dutch herfst, German Herbst, and Scots hairst -Wikipedia) or from the 16th Century the ‘fall of the year’ or ‘fall of the leaf’ which spread to America.

It still feels like summer this year, with flowers doing well in my garden and not looking too tired. In England, we often have a glorious September, and an ‘Indian’ Summer.

Of course, for the real Autumn, we have to wait for the Equinox, the beginning of Astronomical or Solar Autumn. This year (2024) on September 22nd.

The stars signs for astrological September are: Virgo which is linked to Aphrodite (Venus) the Goddess of Love and Libra is linked to Artemis (Diana), virgin goddess of many things, including hunting, wild animals, children, and birth.

Star signs for September

September gets its name from the Romans, for whom it was the 7th Month of the year (septem is Latin for seven). Later, they added two new months so it became our 9th Month. (For more on the Roman year, look at my post here).

It is called Halegmonath in the early English language, or the holy month, named because it is the month of offerings, because of the harvest, and the mellow fruitfulness of September? Medi in Welsh is the month of reaping, and An Sultuine in Gaelic which means the month of plenty.

Roman personification of Autumn from Lullingstone mosaic

Here is an early 17th Century look at September from the Kalendar of Shepherds – for more on the Kalendar, look at my post here.

From the Kalendar of Shepherds

The Kalendar has an additional shorter look at September and continues with its linking of the 12 months of the year with the lifespan of a man – 6 years for each month. So September is a metaphor for man at 56 years of age, in their prime and preparing for old age.

September from the Kalendar of Shepherds. The last sentence beginning ‘and then is man’ shows the link between September and the beginning of the autumn of life.

Keats (1795 – 1821) wrote a great poem about Autumn:

To Autumn

Season of mists and mellow fruitfulness,
  Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
  With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
  And fill all fruit with ripeness to the core;
    To swell the gourd, and plump the hazel shells
  With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
    For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
  Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
  Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
  Drowsed with the fume of poppies, while thy hook
    Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
  Steady thy laden head across a brook;
  Or by a cider-press, with patient look,
    Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
  Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
  And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
  Among the river sallows, borne aloft
    Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
  Hedge-crickets sing; and now with treble soft
  The redbreast whistles from a garden-croft,
    And gathering swallows twitter in the skies.

Written September 19, 1819; first published in 1820. This poem is in the public domain and available here:

Twin, Twins – Festival of Castor and Pollux July 15th

The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia

The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods.   Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda.  So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.

One is therefore immortal and the other isn’t.   They had many adventures including sailing with Jason as Argonauts.

According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend  eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus.  Thus, they are the epitome of brotherly love.

Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.

It happened like this.  The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed.  On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.

Leda and the Swan, 16th-century copy after the lost painting by Michelangelo

Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks.  On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)

painting of Clytemnestra after she has slaughtered her husband Agamemnon _by_John_Collier,_1882 (Wikipedia Guildhall Museum)
Clytemnestra_by_John_Collier,_1882 (Wikipedia Guildhall Museum)

Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.

Cassandra prophesizes that she too will be a victim.  She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.

I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.

In the 18th/19th Century rich people were into ‘attitudes’.  For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats.  She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of.  She would assume an appropriate facial expression and posture for everyone’s pleasure. 

Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’

Being Clytemnestra is difficult! I imagine Collier’s model being  prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.

Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle. 

Leighton’s model was Dorothy Dene.  She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895.  Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.

I have one of those half million prints on my bedroom wall.

Print of Flaming June by Lord Leighton

Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).

For more on Flaming June see my blog post of 12 July 2024

European Twin Gods

It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue  people lost at sea.   St Elmo’s fire was said to be the way they manifested their divinity to sailors.   Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.

First written in 2023 updated in July 24.

The Beginning of the Universe as We Know It; Birthdays of Adam, Lilith, & Eve; Conception of Jesus, Start of the Year March 25th

Lilith is shown coming her hair and looking in a mirror
Study for Lady Lilith, by Rossetti. 1866, in red chalk. Now in the Tel Aviv Museum of Art (Wikipedia
Study for Lady Lilith, by Rossetti. 1866, in red chalk. Now in the Tel Aviv Museum of Art (Wikipedia)

March 25th is the Annunciation—the day that the Archangel Gabriel tells Mary she is pregnant. (to see some very fine paintings of this meeting, look at my other March 25th post here)

March 25th is also the anniversary of the birth of Adam and Eve (and presumably Lilith); the death of Jesus Christ; the anniversary of the Immolation of Isaac; the Parting of the Red Sea; the Fall of Lucifer; and, (until 1752 in the UK) the beginning of the Year.

Of course, it isn’t or to put it another way, no one can, or ever could, prove any of these dates except the last one. So what they speak to is the way the Church saw the world as logically structured by God. Christian thinking about the year, the world, the universe, creation, developed over many years and took influences from many cultures. It is also very complicated to work out the sequence, so I’m going to summarise from what I know (or at least what I think I know).

Christians chose Christmas Day as the Birthdate of Jesus probably because it was a prominent birthday already shared with several Gods, but particularly Mithras and Saturn. It was approximately at Solstice, the beginning of the Solar Year, and close to one of the main festivals of the Roman World, the Saturnalia. December 25th might have been chosen by the pagan religions because it is the time when the Sun begins to rise, to the naked eye, further north each day, lengthening the day, increasing light and the promise of warmer weather.

So, Jesus was born on/or around the Solstice, so he must have been conceived approx. 9 months earlier, which would be around the Spring Equinox. I have always thought that the 4 or 5 days difference between the Solstice, the Equinox and the Christian festivals was down to the fact that the Calendars were not well coordinated with the actual movements of the Sun (because the Sun does not circle the earth in 365 days, or in 365 and a quarter days, but 365 days, 6 hours, 9 minutes which makes Calendars hard to align with the Sun). But I have just realised the importance of something I discovered yesterday when preparing my two posts on March 25th. And since writing that sentence I have had another revelation. But be patient.

So, God sends his Son to save the human race. God is a logical being, so she would send the Son at an appropriate time. If the Child is born at or near the Solstice, which is an appropriate time for the Son of the Creator, then 9 months earlier, March 25th, is near the Equinox, which is the beginning of Spring. For many people, Spring is a new beginning, for example, the Anglo-Saxons saw Winter as the death of the year, and Spring as the young Year.

So to the Creation. God, having a free choice, would have created the world at the beginning of Spring. In fact, if you think about it, God creates everything necessary for life at the creation in 6 days, and it is going to immediately spring into new life, and the first season must, therefore, be Spring? Right? So March 25th.

This gives a nice symmetry with Jesus’s Life. Conceived on March 25th, born December 25th, and died 30-40 years later, according to the Church, on March 25th. (the only other famous person I know born and died on the same day is William Shakespeare).

Easter, when Jesus is martyred, isn’t March 25th I hear you saying. But remember, Easter is a lunar festival, so its date varies each year. Births and deaths, on the other hand, are fixed to the Solar Calendar and the Church chooses March 25th as the most appropriate day to pin the death of Jesus, on the anniversary of his conception and the anniversary of the creation of the Earth, and I am guessing that this is also the preferred date for the Day of Judgement.

It is also the Birthday of Adam, and his first wife Lilith (or so some say), and Eve. More about Lilith below. I thought this date was just one of the parallels that the Church liked, Jesus and Adam born on the same day but, I have just worked out why Adam is born on March 25th, and why these dates are not the Equinox, March 20th but March 25th, which has been bugging me.

Let’s go back to the Beginning of Creation. According to the Anno Munda‘s arrangement of the Year, the world was created 5500 years plus 2023 years ago so 7523 Before the Present. And it was supposed to have ended in 600AD, 6000 years after the Creation. So, they got that wrong.

The Creation, as described in Genesis, has the following sequence of Seven Days. As the Creation began at the Equinox March 20th. I have added dates to the 6/7 day sequence of Creation:

  • Day 1: Light – March 20th
  • Day 2: Atmosphere / Firmament – March 21st
  • Day 3: Dry ground & plants – March 22nd
  • Day 4: Sun, moon & stars – March 23rd
  • Day 5: Birds & sea creatures – March 24th
  • Day 6: Land animals & humans – March 25th
  • Day 7: The Sabbath of rest – March 26th
  • For more information www.bibleinfo.com

So there you have it! Adam, Lilith, and Eve were created on Day 6 with the Land Animals – March 25th. Jesus conceived, also on this date, and so 9 months later is born on December 25th. It all makes sense, and aligns the Christian year fully with the Solar Year.

And that, dear Reader, is the very first time anyone has been able to explain to me why Christmas is not at the Solstice, and why the Annunciation was not at the Equinox. Maybe you all know this, but it is very exciting to work this out for myself. And believe me, I have done a lot of reading about calendars and not spotted an explanation.

So that was yesterday’s revelation. What about the revelation I had about 45 minutes ago? (now about 5 hours). When writing items like this, there are numerous things that are interconnected, and I begin writing them before realising I am interrupting the story I am trying to tell. This is often to the detriment of the story arc, or to understanding (although often, I think, adds to the joy of this blog – after all ChatGBT couldn’t write this stuff – could it?).

So I began to write about Dionysius Exiguus and his invention of the AD/BC system and about eras, cycles, and ages. (He replaced the Anno Mundo year with the AD/BC system in the 6th Century AD).

I was thinking about the beginning of the year. The Celts chose October 31st, Julius Caesar chose January 1st, other cultures have other dates, and the Spring Equinox is another choice sometimes made. The Church and Dionysius Exiguus choose March 25th, although secular society also recognised the claims of January 1st. Britain kept to March 25th until 1752 when we adopted the Gregorian Calendar. But people like Samuel Pepys celebrated New Year’s Eve on 31st December. So January 1st was the New Year, but the year number did not change until March 25th. So King Charles I thought his head was being cut off on January 30th 1648; while history books will tell you it was cut off on January 30th 1649. Same day, different reckonings.

December 31st/January 1st is essentially a Solstice New Year Festival. And I have, previously, used the difficulty of keeping calendars as to why these days has slipped out of alignment with the Solstice. But, today I realised that it is as likely that the reason is the Solar/Lunar nature of our time keeping. The year, and its festivals, is largely arranged around the Solar Cycle. But our weekly and monthly cycles are derived from the Moon. So, I think that January 1st (or the Kalends of January as the Romans would have called it) would originally have been the First New Moon after the Winter Solstice. Keeping the Moon months and the Sun years in sync is very, very difficult, and so Roman and Christian cultures gave up and fixed the moon months, completely abandoning any attempt to keep the months to the actual lunar cycle. This is our current system, in which only Easter remains a true to the moon festival, much to our perennial confusion.

Maybe you all know this, but I’ve learnt a lot in writing these two posts.

Lilith

The April 2023 Issue of ‘History Today’ has a short piece called ‘The Liberation of Lilith’ which suggests that the story of Lilith, a figure from Jewish Folklore, is first attested in a Medieval satirical text called ‘The Alphabet of Ben Sira’. The story goes that Lilith is created using the same clay as Adam. Adam then demands she lies below him during sex. She refuses, saying that they are both made from the same stuff and, therefore, equal. Adam refuses to accept this, and so Lilith leaves the Garden of Eden. So the story goes.

The story of Lilith, Sarah Clegg suggests, is one of a series of similar stories found around Europe and Asia. And Clegg assumes that it is gradually modified to make Lilith a demon who will kill babies unless the names of three angels are spoken out loud. So, the story survives as a charm to keep babies safe, and perhaps to remind people of equality among the sexes. But this causes problems for, OK, let’s call them out, the Patriarchy. Lilith cannot be equal to Adam so she becomes a monster, not made from the same clay as Adam but from the scum and waste left over from Adam’s creation. I imagine the story then went on to propose that God creates Eve from Adam’s rib, and so she is created from Adam, and is, therefore nor equal, but subservient to him. Lilith is now a significant figure in feminist folklore circles.

I wrote about more about eras and ages in my post which you can see her: Greater Cycles and the Six or Seven Ages

Attached to the watercolour of Lilith by Rossetti (at the top of the page), was a label with a verse from Goethe‘s Faust as translated by Shelley. (Wikipedia)

“Beware of her fair hair, for she excells
All women in the magic of her locks,
And when she twines them round a young man’s neck
she will not ever set him free again.”

The model is Fanny Cornforth, Rossetti’s mistress. He painted another version a few years later, but the model in that is Alexa Wilding. His models are arguably more interesting than the man himself and include: Elizabeth Siddall, Jane Morris and Fanny Cornforth. Christina Rossetti, his poet sister, modelled for Rossetti’s painting, Ecce Ancilla Domini which you can see here.

I think I might have enough material to begin my own Cult.

For more on the Annunciation, look at my other March 25th post here.