Whitsun

Today, June 8th, is Whitsun or Pentecost.  50 days after the Crucifixion. Celebrated on the 7th Sunday after Easter. The Day the Holy Ghost descends on the disciples.  According to one of my teachers, it gave the disciples the power of expression and turned them from bereft disciples to self-confident Apostles.   They could now begin to spread the Christian message.

Giotto’s painting shows the Apostles with their halos in the chamber. There are 12 of them, St Matthias having replaced the dead, Judas. The Holy Spirit is represented by the little dove in the centre of the Ceiling. The narrative is carried by the two men in the foreground leaning towards each other. We imagine them saying something like ‘What’s all this about! Galilean nonentities, lost their guru and yet, confident, speaking authoritatively to all and sundry and they can all understand them?‘

Giotto was a forerunner of the Renaissance. According to the great Giorgio Vasari (30 July 1511 – 27 June 1574) who wrote about the advances in painting achieved by Italian artists:

‘that very obligation which the craftsmen of painting owe to nature, who serves continually
as model to those who are ever wresting the good from her best and most beautiful features and striving to counterfeit and to imitate her, should be owed, in my belief, to Giotto, painter of Florence, for the reason that, after the methods of good paintings and their outlines had lain buried for so many years under the ruins of the wars, he alone, although born among inept craftsmen, by the gift of God revived that art, which had come to a grievous pass, and brought it to such a form as could be called good.‘

The miracle was that this boy, a poor shepherd with no training in art was able to show nature its true face.

‘One day [the artist] Cimabue, going on business from Florence to Vespignano, found Giotto, while his sheep were feeding, drawing a sheep from nature upon a smooth and solid rock with a pointed stone, having never learnt from anyone but nature.’

One of the points Vasari is making is that the Byzantine Art had lost the use of perspective, something the Romans knew. Paintings had become cartoon like spaces had no solidarity, groups of people stood on shoulders. If you look at the painting above you will the room the Apostles are in has the beginnings of a realistic space, the rafters slope down to a vanishing point. The Apostles are ranged convincingly around the space. Their faces are rounded and realistic. They are separated from the outside world by a dividing wall. And two dudes at the front are convincingly on the ground, rather than hovering in mid air (though I might have cropped the photo too closely!)

It would be over one hundred years before photo realistic portraits and realistic perspective paintings were rediscovered but Giotto showed the way.

For more on Giotto see my post here:

And on Italian art and perspective my post here

First published on June 8th 2025