January 31st Brexit Addendum

A point I wanted to make earlier about Brexit is on British/English exceptionalism.

When I was at school we were taught the history of ‘This Island Story’, something that is hardly mentioned in the 21st Century. But it was part of the Imperial story of the British Empire and distanced ourselves from Europe.

Britain first was at a distance from Europe when the landbridge that is now called Doggerland was swept away by rising meltwater in about 8,000 years BP and made us an Island.

As farming spread from Asia Minor it took an extra hundred years to bridge the Channel.

The most interesting difference is at the end of the Roman period. When the western part of the Roman Empire fell in the 5th Century, it was taken over by Germanic Kings. The Franks in France and Germany; the Anglo Saxons etc in England; the Lombards in Italy and Goths, Visigoths, Vandals in Spain (and N. Africa).

On the mainland the German Kings became native and the Latin language, and Christian religion maintained a strong tradition of Roman law and culture. French, Italian, Spanish,Roumanian are all romance languages based on Latin.

But cross the Channel to England and our German Kings didn’t adopt the Latin language and indeed the Celtic dialect of Brittonic (except of course in Wales), and changed the religion to pagan. So English culture is Germanic and not Roman.

So we do not have a foundation in Latin culture and Roman law.

In the 16th Century Britain further turned from Catholic Culture. But the next really significant difference was the changes instituted by Napoleon as he subdued and changed and to an extent rationalised and liberalised the continent with dreams of creating United Europe of Nations (in contrast to the Empires that held sway (such as the Holy Roman Empire, and the Austro-Hungarian Empire https://www.napoleon-series.org/research/napoleon/c_unification)

Most legal systems in Europe are based on Roman Law as amended by the Napoleonic code. England by contrast is based on the Common Law.

So these differences combined with our arrogance of Empire, the Industrial Revolution and belief we won World War 2 (not to mention our pride in Shakespeare, Newton and Darwin etc etc) probably lay behind ‘British Exceptionalism’ which led to the misguided belief that we are held back by Europe despite all the evidence to the contrary.

Here is a disillusioned Tory party donor who believes Brexit is a ‘complete disaster…. and total lies.’ And here an economic assessment.

And what is, in some ways, worse is that the government is planning a Bonfire of the EU Regulations. Rees-Moog is responsible to this obscene anti-democratic Bill presented to the House of Commons. He sees it as getting rid of a whole raft of EU regulations that have entered our legal system during our 40 years of membership of the EU.

He claims anyone who opposes his bill is reopening the Brexit debate. This is a natural autocrat’s lie. Brexit was presented as ‘bringing back control to the people and to Parliament’. What this Bill is, is bringing massive power back to Ministers in the Government. All these European regulations will be examined by Ministers and their departments, and THEY decide what to drop and what to not. European Regulations govern of lot of our laws on work, farming and industry and much more. If the Minister decides he does not like a regulation HE or SHE can get rid of it. It does not need parliament to approve it, nor an election. There is not enough time or resources put to this for proper scrutiny by the Department’s Civil Servants, nor the Government, and none for Parliament.

It is an outrage to my mind, and shows that people like Rees-Moog have really been trying to turn Britain into a de-regulated economy for the benefit of people like himself with very little thought for the health of our democracy.

300th Post & a London Almanack of the Past

The Illustrated London Almanack
The Illustrated London Almanack

This is the 300th Post on this my ‘new’ blog. I thought I would mark it by a reminder of what I am trying to do with it.

Over the years I have given a lot of walks on special occasions: Christmas, New Year, Halloween,Easter, May Day etc. as well as my regular ‘Myths, Legends of the Archaeological Origins of London Walk’. I have always had an interest in the Celtic Year, and when researching for my New Year’s Walks I came across Almanacks, and the more I found out about them the more I plundered them for content! I found that one third of books sold in London in the early modern period were Almanacks. That is how important they were.

So, I decided to create an ‘Almanack of the Year’ which changed title to an ‘Almanack of the Past’. In particular, what I am hoping to do is to create a London Almanack of the Past, where each day is remembered by an interesting and relevant post with a view to enlightening our understanding of London’s past.

Content is around these ideas and themes:

Folklore
Seasons & Nature
Measurement of Time
Calendars
Religion
Mythology
Legend
Anniversaries of Famous & Important events in the past
Historical & Archaeological news
News of my Walks

What I am aiming for is a really focussed London version of an Almanack of the Past. I need a good entry for every day of the year, and I’m hoping to do that over a three year period, and then get it published.

New Year’s Eve, Old Style & Carmentalia January 11th

1375, French Caesarian Birth, (most likely to have killed the mother or be performed when she was already dead or dying.)

When Britain reluctantly joined the Gregorian Calendar, in 1752, we lost 11 days, so if you add 11 to 31st December you get to New Year Old Style. You can do this with any date, and when celebrating feel you are being really authentic.

So, anything you did on the New Year’s Eve New Style (31st Dec). you can do today – except, of course, you need to convince your boss of the illegitimacy of the Gregorian Calendar, when you call in sick because of a hangover! In case you have forgotten what you should be doing on New Year’s Eve you can look here to look back on for New Year’s Eve, New Style.

It’s a particularly ‘witchy’ evening because it is the traditional Eve, not the new-fangled one. Reginald Scot in his ‘Discovery of Witchcraft’ first published in 1584 reports

a charm to find who has bewitched your cattle’. Put a pair of breeches upon the cow’s head, and beat her out of the pasture with a good cudgel upon a Friday and she will run right to the witch’s door and strike it with her horns

Reginald Scott’s book is available on this web site and is a fascinating read. https://archive.org/details/discoverieofwitc00scot/page/n55/mode/2up

When I first posted this post 2023. I did not, to my shame, know the background to the book.  I assumed the author ‘believed’ this nonsense that a cow could lead you its bewitcher. On the contrary. Reginald Scot was debunking the absurd claims for witchcraft and magic. His book tries to prove that witchcraft and magic were rejected both by reason and religion.  Manifestations of either were ‘wilful impostures or illusions due to mental disturbance in the observers’ .

Given the number of people who were executed as witches in the 16th and 17th Century it makes you realise that it was a very divisive topic. With only part of the country that was convinced by the QAnon like conspiracy that there are people in this world with diabolical intentions. Have a good look at the cover of this 17th Century edition of Member of Parliament Reginald Scot’s book to get an idea of his standpoint.

Carmentalia

It is also Carmentalia, the festival for the Roman Goddess of prophecy and childbirth. She was a much loved Goddess in the Roman pantheon But little is known about her perhaps because she had no clear match in the Greek pantheon.

She has a long history in Roman history being said to be the mother of…. Well this may surprise you, she was the mother of Evander.  Evander is the founder of Pallantium, which was a City on the site of Rome that predated Rome!

Who knew that? (the people at Vindolanda Roman Fort know and they have a great page on Carmenta here. ) Carmenta had two sidekicks who were her sisters and attendants. Postvorta and Antevorta, They might be explained as Past and Future. Or after and before as part of her role in prophecy. Ot the two figures might represent babies that are either born head or legs first.

She was important enough to command one of the the fifteen flamen. These were priests of state sponsored religions. One of their jobs was to ensure no one came to the temple wearing anything of leather because leather was created from death, and not suitable for the Goddess of Childbirth.

Vindolanda make the point that 2% of births in the past are likely to have caused the death of the mother, and, because of a high mortality in the children, to keep a population stable a mother might have to have 5 children on average, giving her a 12% chance of death by giving birth.

Good reason to have a Goddess on the Mum’s side.

December 30th – 6th Day of Christmas

I’ve moved and improved this content and put in on New Year’s Day:

December 10 Time for your Beetle & Wedge

The Beetle and Wedge Boathouse Restaurant, Moulsford, Oxfordshire
Photo by Stephanie Musk (Wikipedia)

No season to hedge
get béetle and wedge
Cleaue logs now all
for kitchen and hall.

Five Hundred Pointes of Good Husbandrie by Thomas Tusser www.gutenberg.org

A beetle is a hammer and a wedge is used to split logs, so the first thing Tusser enjoins his readers to do for December is to stop digging and hedging and, instead, cut firewood.

He also suggests (if I read the Tudor writing correctly):

Sharpen dull working tooles

Leaue off tittle tattle and looke to thy cattle

and suggests:

Howse cow that is old, while winter doth hold.

But don’t forget:

Out once in a day, to drinke and to play.

He suggests covering strawberries with straw to protect them; Making sure your dried cod and ling don’t rot. Store the products of the Orchard in the attic. Bleed the horse and help the bees with ‘liquor and honie’.

‘Thus endeth Decembers abstract, agréeing with Decembers husbandrie.’

Five Hundred Pointes of Good Husbandrie by Thomas Tusser www.gutenbe

Upcoming December 2022 Virtual Tours

I have began to prepare my next set of tours both virtual and real. But here are the first two virtual tours, both with a seasonal theme.

The London Winter Solstice Virtual Tour

Wed, 21 Dec 2022 19:30

The Sun & the Solar System


We explore London’s History through its celebrations, festivals, calendars and almanacs of the Winter Solstice


Winter Solstice festivals have been a time of review, renewal and anticipation of the future from time immemorial. The Ancient Britons saw the Solstice as a symbol of a promise of renewal as the world entered bleak mid winter. The Roman season was presided over by Janus, a two headed God who looked both backwards and forwards, and Dickens based his second great Christmas Book on the renewal that the New Year encouraged.

We look at London’s past to see where and how the Solstice might be celebrated. We also explore the different Calendars – the Pagan year, the Christian year, the Roman year, the Jewish year, the Financial year, the Academic year and we reveal how these began. We look at folk traditions, Medieval Christmas Festivals, Boy Bishops, Distaff Sunday and Plough Monday, and other London winter traditions and folklore.

At the end we use ancient methods to divine what is in store for us in 2022.

To Book:

CHRISTMAS WITH JANE AUSTEN VIRTUAL LONDON TOUR

Friday 23 December 2022 7.30pm

We look at how Jane Austen spent Christmas and at Georgian Christmas traditions and amusements.

“It is a truth universally acknowledged, that a Jane Austen devotee in possession of the good fortune of a couple of free hours must be in want of this virtual walk.”

This is a special walk, which looks at the traditions of Christmas during the Regency period and how Jane Austen might have celebrated it. It will give some background to Jane Austen’s life and her knowledge of London. We used her novels and her letters to find out what she might have done at Christmas, but also at how Christmas was kept in this period, and the range of ‘Curiosities, Amusements, Exhibitions, Public Establishments, and Remarkable Objects in and near London available to enjoy.

This is a London Walks Guided Walk by Kevin Flude, Museum Curator and Lecturer.

Review: ‘Thanks, again, Kevin. These talks are magnificent!’

To Book:

Why do you think Cutty Sark has been popular as a name for whiskey and sailing ships?

Is the question that Terry Cook asked me, and this is my answer.

Image of the Cutty Sark (from Facebook)

So the Cutty Sark is twice famous.

Her name comes from Tam O’Shanter, one of Robert Burns’ greatest poems. written in 1791. And everyone knows of Robert Burns, Scotland’s national poet. Burns night has become world famous for anyone interested in Scotland.

Figureheads on the prow of ships are very often  of a semi naked women with her torso breasting the water.  The sexy young witch, Nannie Dee, in Tam O’Shanter is identified as the one who is very ‘Vauntie’ and with a short shift that she wore as a child and so is now short and revealing. The poem names this garment as her ‘Cutty Sark. Sark is her shift. Cutty is dialect for short. The Cutty Sark’s figurehead shows Nannie in her shift holding the tail of Tam’s horse.

Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.—
Ah! little kend thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots, (’twas a’ her riches),
Wad ever grac’d a dance of witches!

The story is that the drunken Tam on his steady horse Maggie is travelling home when he seems a devilish dance taking place in a graveyard, presided over by the devil himself. Tam is so excited when he sees the young beautiful witch that he bellows his approval and all of a sudden the merriment ends, and in deadly silence the witches turn on Tam and race to catch him.

Tam tint his reason a’ thegither,
And roars out, ‘Weel done, Cutty-sark!’
And in an instant all was dark:
And scarcely had he Maggie rallied.
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When ‘Catch the thief!’ resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch skreech and hollow.

They have to get across a brook before the witches because the witches cannot cross the water. The witches must get him before the brook or face burning at the stake. All depends on Maggie (Meg). The young witch in the Cutty Sark is catching up as they approach the brook. Maggie makes a magnificent leap, the witch makes a despairing grab and only can reach Maggie’s tail but Tam and his horse make it to safety leaving the witch the tail.

Cutty Sark Figurehead

Ah, Tam! Ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain gray tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump.

Now, follow the link below and read the whole poem but read it out loud, standing up and with gusto. Don’t worry about the pronunciation just enjoy it.

Making my own Cog Almanac for my Halloween Walk

Making a Cog Almanac

So, my Halloween walks depend heavily on almanacs for at least some of their content. I explain almanacs on another page, but they were a way of helping people keep track of the year, both reviewing past events, and looking forward to future ones.

One third of books published in London in the Stuart period were almanacs, but if you could not read or did not have the money you could buy or make a cog almanac.

So, I was printing out some images to show my walkers and thought why not make one? So I did.

Home made Clog Almanac (not yet finished!)

Bit of wood, saw off 35cms. Each edge needs to represent a quarter of the year, so each centimetre mark represents 3 days, and one day extra 30 * 3 +! = 91 days per quarter. Use bread knife or hacksaw to mark the days off. Buy wooden drawer knob and double ended screw, fit to end of the piece of wood, stain or vanish the wood.

Then I need to find out what all the symbols mean, but they represent notable days like Saint’s Days (Michaelmas, Martinmas, Candlemas etc. , equinoxes, solstices, Christmas, Easter etc. etc..

You count the days off as the year passes.

Simple.

Walks coming up this Weekend!

ROMAN LONDON – A LITERARY & ARCHAEOLOGICAL WALK

Reconstruction View of Roman Riverside Wall being built
Reconstruction View of Roman Riverside Wall being built

Saturday 30 October 20/22 11.30 am Monument Underground Station

This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.

To book

Myths, Legends & Halloween Walk

Druids at All Hallows, by the Tower
Druids at All Hallows, by the Tower

Sunday 30th October 2022 2.30pm Tower Hill Tube

The walk tells the story of London’s myths and legends and the celtic origins of Halloween

To book

Myths, Legends & Halloween Virtual Tour

MONDAY 31st October 2022 7.30pm

The tour tells the story of London’s myths and legends and the celtic origins of Halloween

To book

The Skimmity Ride

Skimmity Ride. Montecute House . Early 17th Century Plaster decoration

I wrote about the custom of Wife-Selling which appears as the main plot driver in Thomas Hardy’s 1886 masterpiece ‘the Mayor of Casterbridge’. Later in the book another folk custom brings the erstwhile Mayor to the brink of suicide. This was the Skimmity Ride, or Skimmington Ride.

The ride, which has deep roots in history, was designed to humiliate a member of the community and it consisted of a procession through the streets of the community with music or at least percussion instruments. Those being mocked, or an effigy of them or a local dressed up to look like them rode a horse or donkey or sat on a pole.

The illustration above is from the early 17th Century. It is in Montecute House, in Somerset above one end of the Great Hall of Sir Edward Phelips, who rose to the top of the legal profession becoming Master of the Rolls. And yet he choose to have a representation of popular justice in this prestigious part of his house. ( more information here)

The ‘offence’ is seen on the left – a neighbour sees the wife hit her husband over his head with a clog while he is trying to get a drink of beer at the same time as holding the swaddled baby. They live in a simple thatched cottage.

The normal interpretation is that she is ruling the roost and taking over the man’s role. It is he who is being punished for losing control to his wife and he is seen ‘riding the stang’, or pole either in person, or in effigy, or played by a stand-in. It would be nicer to think he is being punished for being drunk in charge of a child. The Skimmity Ride is heading from the couple’s home to the Church, and thus shown as involving the entire community.

Detail of the Skimmity Ride

In the fictional ‘Mayor of Casterbridge’ skimmity ride effigies of the ex-Mayor and his lover, Lucetta Le Sueur, are tied back to back on a donkey and paraded through Casterbridge. She has just married the Mayor’s rival and on seeing the skimmity ride has a seizure which kills her. Henchard, full of remorse, decides to kill himself in the local river, but as he looks down into Ten Hatches Hole he sees an image of himself which stops him jumping in. It turns out to be his Skimmity effigy but he, none-the-less, sees it as divine intervention.

William Hogarth also portrays a Skimmington Ride in his illustration for Samuel Butler’s ‘Hudibras’. It illustrates the cacophonous nature of the Skimmington with horns and percussion the main forms of ‘music’.

William Hogarth. ‘Hudibras_Encounters the Skimmington’

You might also like Cunning Men in Thomas Hardy’s fiction.