Tag: Gaelic

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St Columba (St Colmcille) Day June 9th

St Columba st margarets chapel by Graham van der Wielen Edinburgh Lead glass
St Columba Stained Glass window in St Margaret’s Chapel Edinburgh Castle Photo by Graham van der Wielen Wikipedia CC BY 2.0

St Columba, or Colmcille is one of the most important saints for the early transmission of Christianity. He was born in 521 and said to be a descendant of the possibly legendary Irish King Niall of the Nine Hostages. (The Hostages were a token of Niall’s power over Ireland as they came from the five provinces of Ireland. These are Ulster, Connacht, Leinster, Munster, and Meath. The other four hostages represented Scotland, the Saxons, the Britons, and the Franks.)

St. Columba was sent at an early age to be brought up as a Monk, and went on to set up Monasteries in Ireland at Derry and Durrow. In 563, he left Ireland, possibly because he got involved in a dispute that had a deadly outcome. He went into exile to Scotland and set up the famous Monastery on the island of Iona, Inner Hebrides. This is off the coast of what would one day be called Scotland. At the time, it was under the control of the Kingdom of Dál Riata, which was, Gaelic, nominally Christian, and controlled parts of Ulster and Western Scotland.

From Iona, Columba led the conversion of the Picts to Christianity. The Picts were Britons, speaking a different dialect of Celtic than the Gaels of Ireland and Dál Riata. Their name is said to have been given by the Romans and meant Painted Men. A shared religion, which St Columba brought from Ireland, helped towards the eventual union of the Gaels, the Picts and other British groups into the Kingdom of Alba. Alba is the Gaelic name for Scotland – meaning white, and from which we also get Albion. Alba became Scotland, which is derived from the Roman word for the area which in Latin was “Scotia”. Iona became the traditional burial place of early Scottish Kings such as Macbeth (Mac Bethad mac Findlaích). These Kings were crowned at Scone and buried in Iona. Alba was also able to take territory from the Anglian Kingdom of Northumbria, namely, the Scots-speaking areas South of the Firth of Forth. (Scots being a dialect of English). There were also Norse settlers in the Ireland so Scotland was made of a coalition of Gaelic, Brittonic, Norse and English speakers.

St Columba and the Loch Ness Monster

Much of the events of this part of Columba’s life are recorded by St. Adamnan in The Life of Saint Columba. This was written in the 7th Century, much of which is apocryphal. One notable story tells how he came across a group of pagan Picts who were mourning a child killed by a monster in the River Ness. St Columba revived the child. He then sent one of the Brothers to swim across the Loch to fetch a boat. The “water beast” pursued the Monk and was about to attack him when St Columba told the monster to stop. So it did, retreating to the depths of Loch Ness. Thus began the legend of the Loch Ness monster.

St Columba died in 597AD. Iona continued to prosper and in, 634 sent St Aidan from Iona to found the Monastery at Lindisfarne. The island is on the Eastern coast of Britain in the Anglo-Saxon Kingdom of Northumbria. This Kingdom of the North Angles, was one of the most powerful at the time and Lindisfarne was instrumental in its conversion. The tradition of evangelism took hold in the British Isles, and it was from here that much of the German-speaking world was converted to Christianity.

This is St Columba’s legacy.

Northumbria’s Contribution to the development of Christianity

There is a developing understanding among scholars that this Irish inspired form of Christianity, fused with the Anglo-Saxon Northumbria took a leading role in ritual, art, scholarship in the Roman Catholic world. Just stop and think about that sentence for a moment. The northern parts of an out of the way set of islands off the edge of Europe took a leading role in the development of Western Christianity. This was highlighted in a recent exhibition of Anglo-Saxon art at the British Library.

British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude
British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude

A look at the Lindisfarne Gospel and the Book of Kells showcases the amazing art of this period. For a real treat, look through this scrollable virtual copy of the Lindisfarne Gospel. (Currently this is unavailable, I suspect since the BL was hacked. So instead, here is a slightly breathless online introductory video of the Gospel.)

The Lindisfarne Gospels

The Book itself has been missing from the displays of the British Library for a couple of years, but was on display in Northumberland in 2022. I’m not sure whether it is yet back on display at the British Library. I think not. You can see the Book of Kells at Trinity College, Dublin or look at their online offering here: Not quite as joyous an experience as the online Lindisfarne but beautiful enough.

Carpet Page from the Lindisfarne Gospel
Carpet Page from the Lindisfarne Gospel Photo Wikiepedia Eadfrith –
Lindisfarne evangeliarium, tapijtbladzijde op f26v, Matteüsevangelie

Click here to read my post on Scone and the emergence of Alba.

Here is a virtual tour of Iona

Here is a 360-degree panoramic photo tour of Lindisfarne Abbey

First Published in 2023, revised, 2024 and improved 2025

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June & Juno, Queen of Goddesses

Palazzo Scifanoia, Ferrara Showing Fresco of June

June is, probably, named after Juno, the leading lady of Olympus, sister and brother to the Great God Jupiter (Jove). In Welsh, it’s ‘Mehefin’ – Midsummer. In Gaelic, ‘An t’Og mhios’ – the Young Month. In Anglo-Saxon, ‘Litha’, the month of the Midsummer Moon.

I am in Ferrara where I worked on a joint UK/Italian excavation in the 1980’s. We are currently at a reunion, in the beautiful UNESCO World Heritage City. The weather is beautiful, and so are the people and the City! One of its gems is the Palazzo Schifanioa, which was the home of the Este Family, Dukes of Ferrara. Borso D’Este in the 15th Century initiated the frescos on the wall of the Hall of the Months. There is one for each month although not all survive in recognisable form. But above is June. The top panels show the Gods of the Month with their chariots or waggons. Below are the star signs for the month, and at the bottom a scene from 15th Century seen from an aristocratic perspective. June has a delightful agricultural scene. You will see more of these in future months. Although I won’t say much today as its difficult to do anything serious without a desk and a decent internet connection.

Black and white engraving for June from Kalendar of Shepherds.
Kalendar of Shepherds. Title page for June

The picture above is from the Kalendar of Shepherds, with its 15th Century French Illustration. It shows shearing as the main occupation for the month but set within a flowery summer scene. In the roundels are the Gemini twins and the Cancer Crab, the star signs of June.

The text of the Kalendar of Shepherds gives a lyrical view of the joys of June:

From Kalendar of Shepherds, 17th Century Text Wellcome Library
From Kalendar of Shepherds, 17th Century Text Wellcome Library

June might come, not from Juno’s name, but from an Indo-European word for youth or vital energy. Ovid in Fasti, his poem about the Roman Year, lets Juno make her own case:

‘O poet, singer of the Roman year,
Who dares to tell great things in slender measures,
You’ve won the right to view a celestial power,
By choosing to celebrate the festivals in your verse.
But so you’re not ignorant or led astray by error.
June in fact takes its name from mine.
It’s something to have wed Jove, and to be Jove’s sister:
I’m not sure if I’m prouder of brother or husband.
If you consider lineage, I was first to call Saturn
Father, I was the first child fate granted to him.
Rome was once named Saturnia, after my father:
This was the first place he came to, exiled from heaven.
If the marriage bed counts at all, I’m called the
Thunderer’s Wife, and my shrine’s joined to that of Tarpeian Jove.
If his mistress could give her name to the month of May,
Shall a similar honour be begrudged to me?
Or why am I called queen and chief of goddesses?
Why did they place a golden sceptre in my hand?’

Translated by A. S. Kline © Copyright 2004 All Rights Reserved

In the previous Book (on May), Ovid told another story that June was named for young men.

‘So I deduce that the elders gave their own title
To the month of May: and looked after their own interests.
Numitor too may have said: ‘Romulus, grant this month
To the old men’ and his grandson may have yielded.
The following month, June, named for young men’
Gives no slight proof of the honour intended.’

The Latin for ‘Young men’ comes from the Latin iuvenis, “youth”)

But let’s not go into Indo-European roots, and let’s simply accept the most wonderful month is named after Juno, the Queen of Goddesses, the deity of marriage and women. Probably most famous for hating the Trojans – she had a grudge against Paris, as he ruled against her in that famous divine beauty competition. And more seriously, what other reaction can the Deity of Marriage, have to the man who showed such disregard for the sanctity of marriage that he ran away with the already spoken for Helen?

The Judgment of Paris 1700 by Daniel Purcell. Houghton Museum (Paris, Venus, Juno, Minerva)

‘A sweet season, the senses perfume and the spirits comfort.’

First Written in June 2023 and revised June 2024, 2025