St Distaff’s Day & the Triple Goddesses, January 7th

Spinning
Spinning—showing the distaff in the left hand and the spindle or rock in the right hand

I’m not sure what the Three Kings were doing on the day after Epiphany, but, the shepherds, if they were like English farmworkers, would still be on holiday until next Monday, which is Plough Monday. By contrast, the women, according to folk customs, went back to work on the 7th, St. Distaff’s Day, the day after Epiphany.

A distaff is ‘a stick or spindle on to which wool or flax is wound for spinning’ and because of its importance in the medieval and early modern economy it became a synecdoche for women. St Distaff is a ‘canonisation’ of this use of the word. So, a day to celebrate women.

Robert Herrick (1591–1674), born in Cheapside, a Goldsmith, priest, Royalist and Poet wrote in ‘Hesperides’

Partly work and partly play
You must on St. Distaff’s Day:
From the plough, soon free your team;
Then come home and fother them;
If the maids a-spinning go,
Burn the flax and fire the tow.
Bring in pails of water then,
Let the maids bewash the men.
Give St. Distaff all the right;
Then bid Christmas sport good night,
And next morrow every one
To his own vocation.

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In London, the Fraternity of St Anne and St Agnes used to meet at the Church in London with that name. It is near to the (now closed) Museum of London on the junction of Gresham Street and Noble Street, by a corner of the Roman Wall. St Agnes is the patron saint of young girls, abused women and Girl Scouts. St Anne is the mother of the mother of the Son of God, and, thereby, the three generations of women are represented: maidens, mothers, and grandmothers.

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The Three Mother Goddesses (and someone else) “Limestone relief depicting four female figures sitting on a bench holding bread and fruit, a suckling baby, a dog and a basket of fruit’ the Museum of London

Archaeologists discovered the sculpture while investigating the Roman Wall at Blackfriars, City of London. Scholars believe it depicts the Celtic Three Mother Goddesses, worshipped in Roman London. The fourth person is a mystery, maybe the patron of the temple(?) where the relief sculpture was displayed before it was used as rubble and became part of the defences of London.

The idea of triple goddesses is a common one. In Folklore and History they have been referred to as Maiden, Mother, and Crone, or even Maiden, Mother and Hag. They come in Roman, Greek, Celtic, Irish, and Germanic forms with names like the Norns, the Three Fates, the Weird Sisters, the Mórrígan and many more. The Three Fates, the Goddess Book of Days says, were celebrated during the Gamelia, the Greco/Roman January Festival to the marriage of Zeus and Juno. The Festival also gives its name to the Athenian month of January.

Natural History Museum, Oxford, K Flude photo.

There was a theory widely held that the original Deities, dating before the spread of farming, were mother goddesses (perhaps as depicted by the Venus of Willendorf) who were overthrown by the coming of farmers who worshipped the male gods which destroyed the ancient Matriarchy and replaced it with the current Patriarchy. Jane Ellen Harrison proposed an ancient matriarchal civilization. Robert Graves wrote some interesting, but no longer thought to be very scientific studies, on the idea. Neopaganism has taken these ideas forward.

Whatever the truth of the origins of the Three Mother Goddesses, the use of the terms Hag and Crone for the third is a great disservice to the Grandmother figure. These Goddesses represent the importance of the female for human society. The three phases of womanhood are equally as important in the continuation of the species, providing love, support, and experience through the generations. Compare these three generations of supportive deities with Ouranos (Uranus), Cronus (Saturn) and Zeus (Jupiter). Saturn castrated and deposed his father, Uranus. Later, he tried to eat his son, Jupiter. And then Jupiter is nobody’s idea of an ideal father.

Recent work on human evolution has suggested that the role of the Grandmother might be crucial to our species’ ability to live beyond the age of fertility. Because, in evolutionary terms, once an individual cannot procreate their usefulness for the survival of the genes is finished. So what’s the point of putting resources into their survival? The theory is that, particularly with women, the Grandmother has such an impact on the survival of the next generation, that longevity beyond fertility makes evolutionary sense, and is selected for.

Have a look at this site for more information.

More information on St Agnes in this post below:

Yesterday was dedicated to Joan of Arc, and today is the anniversary of the breaking of the fabulous Portland Vase in 1845 by a drunken visitor to the British Museum. It looks immaculate despite being smashed into myriad pieces, a wonder of the conservator’s art. To see the vase and read its story, go to the BM web site here:

wedgwood catalogue of its copy of the portland vase

In the orthodox church, дед Мороз  (Ded Moroz= father of frost), accompanied by Cнегурочка (Snieguroshka= fairy of the snow) brings gifts on New year’s eve, (which is on January 7th). He travels with a horse drawn troika.

First Published in 2022, and revised in January 2024

HERITAGE WITH MY GRANDSON 2 – BRITISH LIBRARY & MUSEUM

Arlo at the Beethoven Exhibition, British Library, March 2022

For our next outing we went to the British Library but Arlo didn’t like the Beethoven exhibition. It was too dark and nothing to surreptitiously climb on. He definitely does not like dark exhibitions which is a shame because it seems to be the design idea of the moment. The Nero and the Stonehenge exhibitions were also dark spaces working on creating atmospheric views using bright colours, spot lighting and spectacular objects. But it doesn’t work for a 20 month old.

Nor did the largely text based Paul McCartney’s Lyrics exhibition attract a second of his attention. ‘Paul who?’ he seemed to be saying as we stumped past to the very quiet sound of ‘Hey Jude’.

What he did like was the escalators. We went up and down, and up and down, and then onto the second set where we repeated the repeat.

British Library – note the escalator to the right

And down and back again, and no time to see the enigma machine. We ate in the upstairs Restaurant which is a really pleasant place to spend a lunch time.

Enigma Machine, British Library

Time for him to have a sleep so we walked to the British Museum through Bloomsbury without much sign that he he would nod off. But we found a couple of interesting revolutionaries of the 19th Century en-route.

Plaque to Robert Owen ‘father of the Cooperative Movement’, Burton Street

Then to Cartwright Gardens named after John Cartwright, called ‘the Father of Reform’. He had quite an amazing life. He refused to serve in the Navy as he would not fight against the American Colonists in the War of Independence. He supported reform of Parliament, universal suffrage, annual Parliaments and secret ballots.

John Cartwright Statue Cartwright Gardens.

The milk soon did its job and Arlo was asleep, so I took him to the Member’s Room for a cup of tea while he slept. I could keep an eye on the book trolley selling my book! (just behind Arlo’s head).

Sleep in the Member’s Room overlooking the Great Court

When he woke we whizzed around the third Floor but Arlo was reluctant to leave his buggy because it was much more crowded than our last visit when he was able to run free around the galleries which he loved. So, I could look at some old favourites like the Portland Vase. This by the way was smashed into hundreds of pieces and very beautifully restored. In 1848 a drunken visitor threw a sculpture into the case and smashed the vase. It was restored but 37 pieces were separated and, by luck, survived until 1988 when the vase was reunited with the pieces and expertly restored.

The Portland Vase – 15BC = 25AD Cameo Glass
Plate Cameo Glass 15BC – 25AD