It’s bad luck to buy, make or use a new broom in May because:
Sweep with a broom that is cut in May You’ll sweep the head of the house away.
But you can give good luck to a friend by leaving a branch of hawthorn flowers on the doorstep. But other woody messages were not so friendly according to traditional verses:
Alder for a scrowler; pear for the fair Nut for a Slut; plum for the glum Bramble if she ramble; gorse for the whores
It is basically rhyming slang, so no great wisdom involved, also I’m not sure quite how some of the rhymes work, and it does seem rather at the expense of women.
Pilgrims leaving the Tabard for the Canterbury Pilgrimage
Last year on the 18th April I led a Chaucer’s London Walk in the morning and a Canterbury Tales Virtual Pilgrimage in the evening. I chose the day is it was the closest to the 18th April which is when Chaucer’s pilgrims leave London to ride to Canterbury.
At the beginning of the prologue, he gives clues as to the date. They go when April showers and Zephyrus’s wind is causing sap to rise in plants, engendering flowers, and when Aries course across the sky is half run.
The pilgrims are accompanied by Harry Bailly who is the landlord of the Tabard Inn in Southwark and was a real person and a fellow Member of Parliament of Chaucer.
He is jolly and quite knowledgeable and in the Man of Laws prologue we get a glimpse of Harry time telling in the days before clocks.
A mass clock at Steventon Church. Hampshire
Chaucer mentions ‘artificial day’ and this is a reference to the way days were divided into hours. There were twelve hours in the daylight part of the day, and twelve hours in the dark night. So in the winter daylight hours were short, and in the summer long.
Romans used water clocks, King Alfred used candles marked into hours and Harry Bailly knows how to tell the time by the height of the Sun. Harry tells the pilgrims it’s about time they got underway. Here is an extract:
Essentially, he is telling the time by the length of the shadows. The illustration of the mass clock at Jane Austen’s Church at Steventon is another example of how the sun can be used easily to tell time.
The first mass clock I noticed was at the church in Kent which Dickens used for Great Expectations, where Pip’s brothers and sisters were buried. Once you find one mass clock, you suddenly discover them everywhere!
Telling the time, before mechanical clocks, was not complicated. The basic unit is the day and the night, and we can all tell when the dawn has broken. The Moon provides another simple unit of time. The month’s orbit around the Earth is roughly every 29 days and the new, the crescents and full moons provide a quartering of the month. For longer units, the Earth orbits around the Sun on a yearly basic, but divided into four, the winter solstice; the spring equinox, the summer solstice and the autumn equinox.
But there were other ways of marking days in the calendar, with natural time markers marked by, for example, migrating birds, lambing, and any number of budding and flowering plants such as daffodils and elm leaves:
When the Elmen leaf is as big as a mouse’s ear, Then to sow barley never fear; When the Elmen leaf is as big as an ox’s eye, Then says I, ‘Hie, boys” Hie!’ When elm leaves are as big as a shilling, Plant, kidney beans, if to plant ’em you’re willing; When elm leaves are as big as a penny, You must plant kidney beans if you mean to have any.’
In my north-facing garden, I have my very own solar time marker. All through the winter, the sun never shines directly on my garden. Spring comes appreciably later than the front car park which is a sun trap. But in early April, just after 12 o’clock the sun peeks over the block of flats to the south of me, finds a gap between my building and the converted warehouse next door and for a short window of time a shaft of a sunbeam brings a belated and welcome spring.
Spring is time for a tansy, so I thought I would bring out again, for an outing, the many stories behind this awesome plant, not least in that the flowers display a classical Fibonacci spiral, which is two counter-rotating logarithmic spirals. But Mrs Grieve in her Modern Herbal repeats the belief that their name derives from the Greek word for immortality ‘Athanaton’, and this might be because they grow so well that in some areas they are proscribed they are so prolific. But Tansy was supposed to have been given to Ganymede by Zeus to make him immortal, and according to Ambrosius, through their use for preserving dead bodies from corruption. Tansy was placed in coffins and winding sheets and tansy wreaths placed with the dead.
Its toxicity means that it repels many insects, particularly, flies and ants, and so it was used as a medieval and early modern strewing herb. And yet there are other insects that love Tansy – it seems to have a dark side and a light side.
It was collected in August (along with meadowsweet or elder leaves) and strewn on the floors of houses (and the ‘thresh’ was held in by the threshold). But it was also placed between mattresses to keep away bugs. People rubbed meat with Tansy to keep flies off. It is now used as a natural protection for crops from insects to reduce the amount of artificial pesticides.
It was an important medical and culinary herb, said to be a substitute for nutmeg and cinnamon, and the leaves, shredded, as a flavouring for puddings and omelettes. At Easter ball games a Tansy Cake was the reward for the winners. It was symbolic of the bitter herbs eaten by the Israelites at Passover. Tansy was thought to be a very wholesome ingredient to eat after the sparsity of Lent and Winter, and voiding the body of the worms caused by eating too many fish. It was used for expelling worms from the stomachs of children. Interestingly it contains thujone, which is also in Wormwood, the other main herb for expelling intestinal worms. Thujone can cause convulsions, liver and brain damage if too much is taken.
In the 14th Century it was used for treating wounds. It was thought to be useful both to induce abortions but also to help women conceive and to prevent miscarriages. Culpepper and Gerard suggests the root was a cure for gout.
Take three pints of Cream, fourteen New-laid-eggs (seven whites put away) one pint of juyce of Spinage, six or seven spoonfuls of juyce of Tansy, a Nutmeg (or two) sliced small, half a pound of Sugar, and a little Salt. Beat all these well together, then fryit in a pan with no more Butter then is necessary. When it is enough, serve it up with juyce of Orange or slices of Limon upon it.
Sir Kenelm Digby was a Catholic and a natural philosopher of some reputation. After his death an employee published his cookery book. His father was executed after the Gunpowder Plot, and he supported Charles 1st but found a way to work with Oliver Cromwell. He made a great success of his idea of the ‘powder of sympathy’ – 29 editions of his book on the subject were sold. He found the powder in France and it was made with precise ‘astrological’ techniques. The most famous example of a suggested application for the powder was to win the competition for a method of working out longitude (in the 18th Century). Basically, a working method meant knowing the time, normally noon, in two different places. This allowed a triangle to be created between the two points and the Sun which allowed the distance between the two places to be discovered by triangulation. Clocks were not accurate enough (yet) to help so Digby’s famous powder of sympathy was suggested.
A wounded dog would be taken on board a ship, and a bandage from the wound would be left in London. At noon in London it would be sprinkled with the powder of sympathy. The dog on the ship would, perforce, yelp when the powder was administered on the bandage in London and so the Captain would know when it was noon in London! Digby was long dead when the application for the prize money was made and rejected.
‘Longitude’ by Dava Sobel tells the story of the discovery of a clock-based method of calculating longitude.
Easter is a Germanic name, and, the only evidence for its derivation comes from the Venerable Bede, who was the first English Historian and a notable scholar. He says the pagan name for April was derived from the Goddess Eostra. The German name for Easter is Ostern probably with a similar derivation. But this is all the evidence there is for the Goddess, despite many claims for the deep history of Easter traditions.
Philip A. Shaw has proposed that the name of Eastry in Kent might derive from a local goddess, called Eostra and that the influence of Canterbury in the early Church in England and Germany led to the adoption of this local cult name for the Holy Week in these two countries. Otherwise, the name for Easter in Europe derives from Pascha which comes from the Hebrew Passover and Latin. In French it’s Pâques’ in Italian Pasqua, Spanish Pascua; Dutch Pasen, Swedish Påsk; Norwegian Påske and so on.
Eleanor Parker in her lovely book ‘Winter in the World’ gives a lyrical insight into how the dates were chosen because of the belief that God would only choose the perfect time for the Creation and the events of Easter. The Creation began with the birth of the Sun and the Moon, so it was fixed to the Equinox, when the days were of equal length, and the fruits of the earth were stirring into life. But Holy Week also needed to be in harmony with the Moon and so was tied, like Passover, to the first full moon after the Equinox, which is also when the events take place in the Gospels.
The quotations Parker uses from early English religious writing and poetry shows a deep interest in nature and the universe which is very appealing. It seems to me that this is something the Church, to an extent, lost in later times, and replaced with fixation with dogma and ‘worship’ of the Holy Trinity.
At the time fixing the date of Easter was very controversial as the kingdoms in Britain had a different calendar to the Roman Catholic Church and therefore Easter fell on a different day. The King of Northumberland, for example, celebrated Easter on a different day to that of his wife. Oswiu was exiled to Ireland where he was influenced by Celtic Christianity while his wife, Eanflæd, while also being from Northumberland, had been baptised by the Roman Catholic missionary, Paulinus.
Oswiu, became the ‘Bretwalda’ of all Britain, and encouraged a reconciliation, culminating at the Synod of Whitby (664AD), between the two churches where the Celtic Church agreed to follow the Catholic calendar and other controversial customs. After her husband’s death Eanflaed became Abbess of Whitby.
King Alfred’s law code gave labourers the week before and after Easter off work, making it the main holiday of the year. Ælfric of Eynsham gives a powerful commentary on the rituals of the Church over Easter, which was full of drama and participation including Palm leaf processions on Palm Sunday, feet washing and giving offerings to the poor on Maundy Thursday. Then followed three ‘silent days’ with no preaching but rituals and services aiming to encourage empathy for the ordeal of Jesus. Thus the night time service of Tenebrae, when all lights were extinguished in the Church while the choir sang ‘Lord Have Mercy’. The darkness represented the darkness and despair that was said to cover the world after Jesus’ death. Good Friday was the day for the adoration of the Cross in which a Cross would be decorated with treasures and symbolised turning a disaster into a triumph.
It seemed to me that I saw a wondrous tree Lifted up into the air, wrapped in light, brightest of beams. All that beacon was covered with gold; gems stood beautiful at the surface of the earth,….
The Dream of the Rood quoted in Eleanor Parker’s ‘Winter in the World’
The days before Easter Sunday are known as the ‘Harrowing of Hell’ which was a very popular theme in the medieval period (featuring in Piers Plowman for example). Jesus went down to hell to free those, like John the Baptist, who had been trapped because the world had no saviour until the first Easter. The Clerk of Oxford Blog provides more information on the Harrowing of Hell on this page, including that the name ‘Harrowing’ comes from ‘Old English word hergian ‘to harry, pillage, plunder’ which underpins the way the event is depicted as a military raid on Hell.
I have just realised that the Clerk of Oxford Blog is by written by Eleanor Parker, and started ‘in 2008, whilst an undergraduate student at Oxford. The blog won the 2015 Longman-History Today award for Digital History‘.
The above is but a very poor précis of Eleanor Parker’s use of Anglo-saxon poetry and literature to bring Easter to life. So if you are interested to know more or would like to have a different viewpoint on the Anglo-Saxons please get a copy of her book.
It is a simpler sort of bun than the Chelsea Bun, which was the bun to have at Easter, at least in London in the Georgian Period. To read my updated blog post on Chelsea Buns on Good Friday see below:
There seem to be all sorts of dubious traditions around the origins of the Hot Cross Bun. It has been suggested that the Greeks knew how to put a cross on a bun. Also that the Anglo-Saxons celebrated the Goddess Eostre with the crossed bun where the cross represents the four quarters of the moon, the four seasons and the Wheel of the Year. I doubt this folklore because there is very little evidence for Eostre other than the Venerable Bede’s mentioning her name, so her association with Hot Cross Buns cannot be known.
However, the addition of a cross, and the association with Easter, makes the bun powerful, so there are lots of superstitions on record. A piece of an Easter Hot Cross Bun given to the sick may promote a cure. It was said that a bun cooked and served at Easter will not go off for a year. This might help explain the traditions that hanging them up on a string or ribbon is a good thing – one hung in a kitchen prevents fire, on a ship prevents sinking, in the Widow’s Son pub in East London to remember a sailor son who never returned for his bun on Good Friday.
The technology of putting a cross on a Bun requires nothing more complicated than a flour and water paste so it might well be an ancient tradition. A more impressive cross can be made with shortcrust pastry as was traditional. The bun itself is simply flour, milk, butter, egg, salt, spices and mixed fruit.
They are, in my opinion, the sort of food that has been eaten so often after purchase from a shop that a home-made Hot Cross Bun would be strangely disappointing – better almost certainly but then just not the same. It’s normally eaten toasted and buttered although I really prefer the soft doughy untoasted and unbuttered bun. But then it is possible to get carried away and eat the entire pack of four.
There is a tradition of Skipping on Good Friday. I can’t say I ever saw it – in my school skipping was a perennial activity, mostly enjoyed by the girls, but the boys would sometimes be intrigued enough to join in.
There is a great article about Long Rope Day in the Guardian with a wonderful picture of a collective skip.
‘RRRRRare Chelsea Buns’ as Jonathan Swift called them in a letter to Stella in 1711.
T!he tradition was that on Good Friday Georgian period Londoners would go to Chelsea to buy Chelsea Buns. Thousands of people would turn up at the Five Fields which stretched from Belgravia to what is now Royal Hospital Street. There were swings, drinking booths, nine pins and ‘vicious events that disgraced the metropolis’. The Bun House was on Jew’s Row as Royal Hospital Street was then called. As several King Georges visited the Bun House it became known as the Royal Chelsea Bun House. It was run by the Hands family. They were said to sell 50,000 Buns on the day. Stromboli tea garden was nearby.
Fragrant as honey and sweeter in taste As flaky and white as if baked by the light As the flesh of an infant soft, doughy and slight.
The buns were made from eggs, butter, sugar, lemon and spices. Inside the Chelsea Bun House was a collection of curiosities. Chelsea became known for its collection of curiosities in the 18th Century. Of course, there was the great Hans Sloane’s collection which was the founding collection of the British Museum, And then there was Don Saltero’s which was a coffee house that had curiosities on the wall. The Bun house displayed clocks, curiosities, models, paintings and statues on display to attract a discerning Public.
Me. I love a Chelsea Bun above all buns, But can you get them any more? The British Library Cafe was the last place I found that sold them. And that was 6 years ago I reckon. If you see any let me know.
Maundy Money Pouches. and cover of the Order of Service for Royal Maundy service 1974 Photo Wehwalt
This is the last day of Lent, and the day before the Passion. Its also called Holy Thursday when Christians remember the Washing of the Feet, and the Last Supper.. Maundy is thought to be from the ‘Latin word mandatum, or commandment, reflecting Jesus’ words “I give you a new commandment.’ (Wikipedia). But I much prefer the derivation that it comes from the custom of the English Kings giving alms to poor people on this day.
‘English name “Maundy Thursday” arose from “maundsor baskets” or “maundy purses” of alms which the king of England distributed to certain poor at Whitehall before attending Mass on that day. Thus, “maund” is connected to the Latin mendicare, and French mendier, to beg.‘
The monarch gives out money in special red and white pouches to old people. In modern times the money is specially minted for the occasion. It is now more symbolic than a practical gesture. It dates back to the 13th Century.
Queen Elizabeth II and Prince Philip after the 2005 Royal Maundy Ceremony at Wakefield Cathedral. Photo Runner1928
In 1572 Queen Elizabeth 1 washed one foot of a group of poor women, then wiped, crossed and kissed them. In fact, the women had first had their feet washed by the laundress, then the sub-almoner, then the almoner, and finally the Queen. (The Perpetual Almanac of Folklore by Charles Kightley’
One scholar, Prof Humphreys author of ‘The Mystery Of The Last Supper’, believes that there is far too much going on between the Last Supper on Thursday and the Crucifixion on Good Friday. He suggests an old Jewish Calendar was used and therefore the Last Supper was on the Wednesday not the Thursday and the date he favours is:
Duccio’s The Annunciation. Egg Tempera on Wood c 1307-11
Today, is the anniversary of the conception of Jesus Christ. 9 Months before Christmas.
The picture above is by Duccio, from Sienna in Italy. It shows the Archangel Gabriel bringing Mary the news that she is to give birth to the Son of God. It is in the Sainsbury Wing of the National Gallery. I chose it to represent March 25th as it has a special meaning to me. When I suggested taking my groups to the National Gallery I was surprised to find myself agreeing to leading a tour of the Gallery. For an archaeologist to give an Art History Tour was a particular thrill. I decided the only way I could do it was to find a narrative thread to pull my tour together, and my choice was the development of perspective. I had been reading a book on the subject by David Hockney.
The painting shows that Duccio does not understand single-point perspective. But then, no one could do perspective at that time in Europe. This skill was lost following the Roman Period, but here at the beginning of the 14th Century, painters like Duccio from Sienna, and Giotto from Florence, were groping towards more realistic representation. You might say they wanted a more human depiction in which events are shown in spaces that are trying to look real, filled with more realistic looking people and beginning to show on their faces what can be interpreted as real emotions. Previously, the Byzantine style produced iconic, storytelling images, that were somewhat cartoon-like rather than realistic. Here, is an detail from one such, where there is little attempt to make the encounter seem real, in a real space between real people. But it does tell the story effectively.
The Annunciation, St Catherine’s Monastery, 12th Century.
Now, look at the Duccio, he uses the arcading at the top of the painting to give an impression of this being an encounter in a real space, and the Archangel Gabriel is moving through that space decisively. This is not just a picture with a story, this shows Duccio’s interest in capturing a fleeting but incredibly emotional moment. It happens to be the most important moment in the history of the world (from a Christian view point), the moment that the son of God is conceived as a human.
Gabriel is striding towards Mary, who has come out of her house to see him. He is just telling her ‘Hey, you are going to give birth to the Son of God.’ She looks overwhelmed, holding her arm protectively towards her. ‘What me?’ she might be saying but is also pointing at the Bible where this moment in time is predicted by Isaiah. Their faces are rounded, and realistic, Mary is clearly emotional. Also if you look at Gabriel’s feet he is quite well grounded unlike many other medieval paintings, where people often seem to be floating above the ground. Mary, too is firmly, anchored, although you cannot see her feet. It’s by no means ‘perfect’ because they don’t know the rules of perspective, not yet have discovered they could use lenses to develop the ability to do photorealistic portraits but they are searching for methods that can bring spaces and people towards realistic life. It mirrors a humanistic trend to see Mary not as sort of Goddess, but as a real mother.
Above the arcading can be seen a small sphere of blue sky from which emanates several ‘rays’ and a tiny Holy Dove. As I told the story, the rays are showing the moment of conception coming from Heaven to her womb which is hinted at by the red of her dress. The National Gallery commentary, which you can read here, suggests ‘The conception takes place at the moment she hears the words, which is why a tiny white dove, representing the Holy Ghost, flies towards her ear‘. This made me stop and think – the tiny dove is heading to her ear is it? Really? Why? Gabriel is the messenger saying the words, the words head to the ear. The Holy Dove is a symbol of the Holy Spirit, part of the Trinity of Father, Son and Holy Ghost. Its role, in the painting, is to show that God is the Father. So why, would the Holy Spirit enter by the ear?
I have been using a ruler to try to see if the National Gallery are right! It’s difficult to be sure with a reproduction. but my ruler says the rays from Heaven are neither heading to the ear not directly to the womb but in the general direction of her body. If they are right that the rays from heaven are heading for her ear, then is this rather the moment she is being told she will conceive rather than the moment of conception?
But the National Gallery text accepts that it is the moment of conception that is shown. So, I’ve looked at Luke 1:26-38:
‘Do not be afraid, Mary, for you have found favour with God. And now, you will conceive in your womb and bear a son, and you will name him Jesus.‘
On first reading he is telling her she will conceive, but reading it more carefully he is saying ‘now, you will conceive’. So Duccio is paying very careful attention to the Gospel and by the time Gabriel finishes his sentence she will have been impregnated by the Holy Dove.
Looking at other paintings of the Annunciation the rays from heaven/Holy Ghost head generally towards the virgin, sometimes to her head, nothing suggesting the ear. I’ve included a 19th Century Rossetti painting because it is so beautiful. It shows a lilly representing purity, instead of the rays, pointing to Mary’s womb.
By the way look at the feet in Rossetti’s painting. This is an early Rossetti painting, who was poet and I don’t think he yet had the skills to ground feet, but he takes advantage of it in this case and disguises his ineptitude by giving Gabriel fiery feet. Subsequently, Rossetti concentrated on paintings of women from the waist up. Since, first writing this, I have visited an exhibition of Rosetti’s drawings, and they show a very capable draughtsman. For more on March 25th. This page shows that, in fact, from a Christian perspective, March 25th is the most important day in history.
Veronese ‘The Annunciation’The Annunciation by Rossetti originally known as Ecce Ancilla Domini! 1849 – 1850
eBay advert screenshot for Old Moore’s Almanac 2024
This week I received my copy of Old Moore’s Almanac. This is probably the best known Almanac in the Uk. It follows the format of Alamancs which have been published since the medieval period as I discussed in an earlier post about the Kalendar of Shepherds of the 15th Century. Almanacs became the third most popular book published in London.
Old Moore’s, which claims ancestry back to 1697, begins with a large tranche of predictions both for the world and for celebrities, based on astrology. 2024, Frances Moore says, is the ‘Year of Hope’. He says, ‘we may have a good time, [but] a severe money problem from elsewhere may surface to worry us’. Hedging his bets or what?!
He predicts astonishing advances in technology, and thinks that Britain is in a good place to profit from these advances in healthcare, IT, and Robotics.
We need good, old-fashioned leadership to get through challenging times, with Pluto in Aquarius and Saturn through Pisces, we should be steered to ‘safe management.’
Wokery will lead us down a spiral to weakness. However, the Tories will remain disorganised with the country receptive to caring Socialism, with an upsurge in local power. The UK will become a more caring society.
Old Moore hints that Putin might be indicted. The US will have deep financial and social problems. The election might be close, but he also suggests Trump’s support might be on the wane.
There is a page for each month, noting the calendar events such as Epiphany, Burns Night, Australia Day, and other days filled with very random notable events chosen to represent that day through history- 2nd Jan Conquest of Granada 1462. 9th Jan Duchess of Cambridge b. 1982, 13th Jan Trump impeached 2021 etc. It also gives a forecast for the Month. January is likely to see constitutional change, Old Moore predicts which seems very unlikely.
Next are columns for Sun rise and set, high water at London Bridge, moon at London. And a weather column. (Early cold spell followed by normal rainy pattern), which isn’t wrong yet.
It has pages of predictions for celebrities such as King Charles III, which suggests ‘communication problems’ in the family. Who could have guessed that! Anton Du Beke, Adele. Zelenskyy, whose entry suggests success will be achieved only by diplomacy; otherwise the stubbornness predicted by the stars will lead to a long stalemate.
Then there are charts for each star sign. Towards the back are astrological help for winning on Horse Racing, Greyhound Racing, Football pools, Bingo, Lottery, Lucky Lotto, Euro Millions and pages for sowing and planting times for gardening by the moon, and a Guide for Anglers.
£5.41 good value, or is it just cheap? It was £3.50 in 2022.
The Harper Road Burial Southwark (museum of London web site)
I’ve had a draft of a piece on he Harper Road Burial awaiting a suitable occasion to publish it. And today, International Women’s Day is, perhaps, that occasion. International Women’s Day began, as an idea within Socialist organisations in 1909/1910. Following the February Revolution in Russia and women gaining the vote, March 8th was chosen as the day to celebrate. The wider feminist movement adopted it in the 1960’s followed by the UN in 1977; since when it has been a day to celebrate women’s achievements and campaigns.
The Soviet Union 1949 CPA 1368 stamp (International Women’s Day, March 8. (Wikipedia)
My post was about the Harper’s Road burial, which came up in Dominic Perring’s new book ‘London in the Roman World.’ He uses it to establish that Southwark was a place where people lived both before and after the Roman Conquest in 43AD. The burial was found in the 1970s’ dated to 50 – 70 AD but recent scientific analysis has shown that the burial was of a woman (21 – 38 years of age) with brown eyes and black hair who was brought up in Britain. She was of some wealth by her grave goods. She had both imported Roman pottery and British made objects: a bronze necklace (a torc possibly of Catevalaunian or Trinovantian origin) and a mirror. Dr Rebecca Redfern & Michael Marshall (Human Osteology Curator & Museum of London Archaeology) on the Museum of London’s website make a case for her being: a ‘Powerful women in late Iron Age London’. It’s well worth reading. They make a case for the mirror being ‘used by women for divination and magic, and were a source of knowledge that only women could command. Being able to use and read the mirror meant that the woman was highly regarded by her community.’
Iron age burials are often found either with a sword or a mirror and the thinking is that the mirror reflects an equivalent status to a sword. I think we can say that the finds do reflect someone of standing, but as to the use of the mirror that must be speculation. Divination using a mirror is called ‘scrying’ and the British Museum has John Dee’s scrying apparatus. You can buy scrying mirrors on etsy. https://www.etsy.com/uk/market/scrying_mirror.
Melanie Giles & Jody Joy in ‘Mirrors in the British Iron Age: performance, revelation and power published in 2007 (and available to read here) conclude:
‘Iron Age mirrors, whether made of iron or bronze were beautiful, powerful, and potentially terrifying or dangerous objects. They were used in the preparation and presentation of the body and prestigious displays, but may also have been associated with powers of augury and insight into the past, or access to ancestral or spiritual worlds.’
The evidence we have for iron communities is for a powerful role for women in contrast to the Romans. The Romans dismissed women when they wrote that Boudicca was ‘uncommonly intelligent for a women’. In fact, she nearly forced the Romans to abandon their conquest of Britain. We also know that Queen Cartimandua of the Brigantes had executive power in the North of Britain. The Britons also worshipped the three Mother Goddesses, which focussed on the value of woman as maidens, mothers, and grand-mothers.
A book to order today is ‘Patriarchs’ in which Angela Saini investigates when the Patriarchy took over. I heard her talk about it and it seems an excellent summary.
