The Raven – Corvus corax – is hatching. An early nesting bird, and the biggest of the Covids. They were pushed to the west and north by farmers and game keepers but are making a comeback and finding towns convenient for their scavenging habits. So they, again, cover most of the UK except the eastern areas.
Their habits, and their black plumage has made them harbingers of death. In poetry Ravens glut on blood like the warriors whose emblem they are. Here is a very famous quotation from Y Gododdin, a medieval poem but thought to derive from a poem by the great poet Aneirin from the 7th Century
‘He glutted black ravens on the rampart of the stronghold, though he was no Arthur.’
This is one of the much argued-about references to Arthur in the ‘Was he a real person’ argument.
The Raven was also the symbol of the God-King Bran. Bran was one of the legendary Kings of Britain and his sister, Branwen, was married to the King of Ireland. To cut a long story short, which I hope to tell in further detail on another occasion, Branwen was exiled by her Irish husband to the scullery. She trained a starling to smuggle a message to her brother.
Bran took an army over the Irish Sea to restore her to her rightful state, but the ships were becalmed and so Bran blew the boats across the sea – he was that mighty a man.
Bran was mortality wounded in the battle that followed, having previously given away his cauldron of immortality to the Irish King in recompense for the insults given to the Irish by his brother.
So, the dying Bran, told his companions to cut off his head and take it back to the White Hill in London. His head was as good a companion on the way back as it was on the way out, and the journey home took 90 years.
At last they got to London where he told his men to bury his head on the White Hill, and as long as it were there Britain would be safe from foreign invasion.
This was one of the Three Fortunate Concealments and is found in ‘the Triads of the Island of Britain.’
By Sonny Mauricio from Unsplash
But many years later King Arthur saw no need for anybody or anything other than himself to protect the realm so he had the head dug up. Thus the Saxons won the Kingdom from the Britons. This was one of the Three Unfortunate Disclosures.
The White Hill is said to be Tower Hill with its summit at Trinity Gardens, although Primrose Hill is sometimes offered as an alternative. If we want a rational explanation for the story, there is evidence that Celtic cultures venerated the skull, and palladiums play a part in Celtic Tales.
A Palladium is something that keeps a city or country safe, and was named after a wooden statue of Pallas Athene, which protected Troy. Perceiving this Odysseus and Diomedes stole the Palladium from Troy shortly before the Trojan Horse episode. The palladium then went to Italy (I’m guessing with Diomedes who is said to have founded several cities in Italy), and ended up in Rome.
The Romans claimed to be descendents of Trojan exiles led by Aeneas so it was back with its rightful owners. It protected Rome until it was transferred to the new Roman capital at Constantinople, and then disappeared, presumably allowing the Ottoman Turks to conquer the City of Caesar.
So what was Arthur doing destroying the palladium that kept Britain safe? Vanity is the answer the story gives. But, perhaps, it’s a memory of Christian rites taking over from pagan rituals. God, Arthur might have thought, would prefer to protect his people himself rather than they rely on a pagan cult object.
The story of Bran’s head is inevitably linked to the Ravens in the Tower who, it is still said, keep us safe from invasion, and so we clip their wings and get in a tiz when one goes missing.
Sadly, and I am probably more sad about this than most others, Geoffrey Parnell,who is a friend of mine told me that while working at the Tower of London he searched the records assiduously for the story of the ravens and found no evidence of the tale before the 19th Century and concluded that it was most likely a Victorian invention.
The Welsh Triads give a total of three palladiums for Britain.
The Head of Bran the Blessed, son of Llyr, which was concealed in the White Hill in London, with its face towards France. And as long as it was in the position in which it was put there, no Saxon Oppression would ever come to this Island; The second Fortunate Concealment: the Dragons in Dinas Emrys, which llud son of Beli concealed; And the third: the Bones of Gwerthefyr the Blessed, in the Chief Ports of this Island. And as long as they remained in that concealment, no Saxon Oppression would ever come to this Island.
All good but then came the three unfortunate disclosures:
And there were the Three Unfortunate Disclosures when these were disclosed. And Gwrtheyrn the Thin disclosed the bones of Gwerthefyr the Blessed form the love of a woman: that was Ronnwen the pagan woman; And it was he who disclosed the Dragons; And Arthur disclosed the head of Bran the Blessed from the White Hill, because it did not seem right to him that this Island should be defended by the strength of anyone, but by his own.
Gwrtheyrn is Vortigen, the leader of the Britons after the fall of the Roman Empire in Britain, one or two leaders before Arthur.
The Dragons were making a terrible noise, causing miscarriages and other misfortunes, and King Ludd, whom legends says gave his name to London (Ludd’s Dun or Ludd’s walled City), had them buried in a cavern in Dinas Emrys in Snowdonia. The Dragons represented the Britons and the Saxons. Vortigern in trying to build a castle in Snowdonia at Dinas Emrys disturbed the Dragons and their disclosure caused the Saxon conquest.
Gwerthefyr is Vortimer, the son of Vortigern, who was keeping the Saxons out, but his father betrayed his own people for the lust of Rowena the daughter of Hengist, the Saxon.
After Vortimer’s death his bones were buried at the chief ports and they kept the country safe. But they were moved to Billingsgate which allowed the Saxons to land safely on the Kent coast and consolidate their increasing hold over Britain and turning it into Englandw
Written in February 21 revised in February 23 and 24
I have a friend with whom I argue about the sanctity of the book. She believes they need to be treated like the priceless spear carriers of culture that they are. While I, read them in the bath; turn down corners to mark my place; underline interesting phrases, mark paragraphs and commit other forms of libricide. (is there such a word?)
In my defense I note that I used to work at the Freud Museum, where they studied the marginalia in Freud’s Library to gain insight into his thought processes and influences.
But I recently came across the clincher to my ongoing argument in Charles Nicholls’ marvelous book on Shakespeare’s life as a lodger (‘The Lodger’) in Silver St. just down the road from the Guildhall in the City of London.
He quotes Shakespeare’s Cymberline where Iachino finds a book by Imogen’s bed and says:
‘She hath been reading late: The Tale of Tereus. Here, the leaf’s turn’d down.
For this was St. Valentine’s Day When every bird came there to chose their mate. Of every type, that men think may And that so huge a noise did they make That earth and sea and tree and every lake So full was, that hardly was there space For to stand so full was the place.
This is the first reference to St Valentine’s as a romantic day. St Valentine, is supposed to have been martyred in the 3rd Century (290AD) and for refusing to stop marrying people in the Christian rites. He is the patron Saint of lovers, epileptics, and beekeepers. But until Chaucer, there was no particular link with romance. In fact, there are at least three Saint Valentines who were martyred in the Roman period and their relics are scattered around Europe (have a look at this National Geographic article for the full S.P.), including bones in Glasgow and his heart in Dublin.
Chaucer’s poem suggests one possible route to the link with romance. This is about the time when birds pair off—if they want to have their chicks at optimal time, then they need to get going before spring has really sprung.
When I think of love, I don’t think of birds. Maybe, this is because I live on the Regent’s Canal, and outside my garden I frequently see and hear a Coot chasing his pair across the water before violently mounting her. But then they are fiercely monogamous and defend their nest, fearlessly, against much bigger birds. And swans glide in beautiful family groups. But Magpies are my favourite lovebird because you see one, and then look around, and you very often see the partner. I have adopted an old tradition that you are supposed to say:
‘Hello, Mr Magpie! How’s your wife’?
And it is good luck if you see her and bad luck if you don’t. (Please feel free to assign your own favourite gender!)
‘One for Sorrow’ is a well-known nursery rhyme found in many variations, and is an example of ‘ornithomancy superstition’ whereby the number of Magpies you see determines some aspect of your future. As to the likelihood of seeing thirteen magpies together – they always appear to be in pairs to me, or singletons, and occasionally threes. Magpies normally mate for life, and are not gregarious during the nesting season, but thereafter, they ‘join together in large wintering flocks of more than 20 or so birds.‘. So, perhaps we need another seven lines for the rhyme?
One for sorrow, Two for joy, Three for a girl, Four for a boy, Five for silver, Six for gold, Seven for a secret, Never to be told. Eight for a wish, Nine for a kiss, Ten a surprise you should be careful not to miss, Eleven for health, Twelve for wealth, Thirteen beware it’s the devil himself.
Here is another version.
One for sorrow, Two for mirth Three for a funeral, Four for birth Five for heaven Six for hell Seven for the devil, his own self
For details of the history of versions of this poem, click here:
Magpies don’t have a good reputation, traditionally being regarded as thieves and scavengers with untidy nests and eating habits. They are supposed to be attracted to shiny things, but Exeter University did some research and found that they have the normal Corvid’s curiosity for objects, but they are as happy to snatch a dull object as a shiny one. So, we can see they are very intelligent and faithful lovers and, for me, a good-omened bird (as long as I see the two of them).
First Published in February 2023, revised and updated in February 2024
Skating on the Serpentine by Lucien Davis Antique wood-engraved print. Illustrated London News double page from 2 March 1895 (print owned by K Flude)
London, February 12. There is no abatement of the abnormally cold weather which has prevailed in northern Europe for the last week. The Upper Thames is frozen over, and huge blocks of ice breaking away from the mass are floating down, the river, causing much damage to the smaller shipping craft. Water traffic is consequently at a complete standstill. Many cases of death from cold and exposure are reported, the privation and distress in the east end of the city being particularly severe. The cold is so intense that birds are found frozen to death on the branches of the trees, and thousands are perishing. The severe weather has also directly caused considerable mortality, a number of deaths from exposure having been reported among postmen, omnibus drivers, cabmen, and labourers.
Winter of 1895 Limehouse to left, Tower of London to right. Images from Isle of Dogs blog.
For more details and contemporary newspaper accounts read the Isle of Dogs blog. 1895 was the culmination of a decade of particularly cold winters (and for some the end of the so-called Little Ice Age. On the 11th February the coldest day in British History was recorded at Braemar at −27.2 °C. February 1895 was the second coldest on record, with the lowest minimum temperatures on record. Shipping in the biggest port in the world was stopped. Many workers were laid off, and had to resort to what were then called ‘soup kitchens’ and now ‘food banks’. Winter death rates were said to be doubled, with people dying in the street and in unheated homes.
Record minima were set for these dates in February 1895:
7th: −21.7 °C or −7.1 °F
8th: −25.0 °C or −13.0 °F
9th: −23.9 °C or −11.0 °F
10th: −25.6 °C or −14.1 °F
11th: −27.2 °C or −17.0 °F
12th: −20.6 °C or −5.1 °F
13th: −21.9 °C or −7.4 °F
14th: −21.7 °C or −7.1 °F
16th: −23.9 °C or −11.0 °F
17th: −23.9 °C or −11.0 °F
18th: −23.9 °C or −11.0 °F
19th: −22.2 °C or −8.0 °F
Source Wikipedia.
On the flip side people resorted to ponds around London particularly the Serpentine which had 6 inches of ice and 50,000 skaters, with speed skating competitions.
I have republished my post of the Chinese New Year which you can see here:
In 2023, I saw my first Daffodil in Hackney in a Council Estate on 12 Jan 2023) and see them popping up around and about. Mine were not yet more than green leaves, but they are now coming out. My first daffodil in 2024 was outside my first floor window a week ago, but now Daffodils are appearing in the south-facing front of my house, but not yet in the North facing, canal side garden.
12 Jan 2023. Hackney, London, the first Daffodil.
Their formal name is Narcissus. The Roman natural historian, Pliny tells us that the plant was ‘named Narcissus from narkē not from the fabulous boy.’ Narkē is the Greek word from which we derive the word narcotic, and this is a reference to the narcotic properties of the narcissus. An extract of the bulb when applied to open wounds produced numbness of the whole nervous system and paralysis of the heart. The flowers are also slightly poisonous, which led to their use as an emetic – to bring on vomiting when it was felt necessary that the stomach be emptied. It was used to treat hysteria and epilepsy; treating children with bronchial catarrh; and epidemic dysentery; among Arabian doctors it was used to cure baldness and as an aphrodisiac. (A Modern Herbal by Mrs M Grieve.) Please remember these are not recommendations for use medicinally, but are historic uses and may be dangerous.)
The fabulous boy, mentioned by Pliny, was Narcissus. Narcissus, according to the Roman Poet Ovid, met the nymph Echo, and she fell in love with the beautiful boy. He spurned her, and she faded until all that remained of her was her voice – the echo we hear.
Nemesis, the Goddess of Revenge (the one with the fiery sword) decided on revenge upon the handsome boy. She lured the thirsty youth to a fountain, where he saw an image of a breathtakingly handsome boy and fell in love. It was an image of himself, and he faded from life realising he would always be unfulfilled in his love, He eventually metamorphised into a white and yellow flower which was named after him.
Daffodils are mentioned in a list of Spring Flowers by Shakespeare in the pastoral play The Winter’s Tale:
(Please note that as you read Shakespeare’s words below that Prosperpina is the wife of Pluto, the God of the Underworld, Dis, is another name for him, Cytherea is the Goddess of Beauty and Love. Phoebus is the Sun God. And the Spring Flowers are Daffodils, violets, primroses, oxlips(primula), Crown Imperial (Fritillaria imperialis), Lilies, flower-De-luce (Iris)
Perdita to Camillo
Out, alas! You’d be so lean that blasts of January Would blow you through and through. (To Florizel) I would I had some flowers o’th’ spring, that might Become your time of day – (to the Shepherdesses) That wear upon your virgin branches yet Your maidenheads growing. O Proserpina, For the flowers now that, frighted, thou let’st fall From Dis’s waggon! Daffodils, That come before the swallow dares, and take The winds of March with beauty; violets, dim, But sweeter than the lids of Juno’s eyes Or Cytherea’s breath; pale primroses, That die unmarried ere they can behold Bright Phoebus in his strength – a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one: O, these I lack To make you garlands of, and my sweet friend To strew him o’er and o’er!
WT IV.iv.110.2
The reference to Daffodils suggests that for Shakespeare they are around to withstand the March Winds before the Swallows arrive in April. With selective breeding, early flowering species have been developed and now February and even January are within the scope of the glorious bulb. (here is a post on winter flowering varieties)
Once a noisy Nymph, (who never held her tongue when others spoke, who never spoke till others had begun) mocking Echo, spied him as he drove, in his delusive nets, some timid stags.—For Echo was a Nymph, in olden time,—and, more than vapid sound,—possessed a form: and she was then deprived the use of speech, except to babble and repeat the words, once spoken, over and over. Juno confused her silly tongue, because she often held that glorious goddess with her endless tales, till many a hapless Nymph, from Jove’s embrace, had made escape adown a mountain. But for this, the goddess might have caught them. Thus the glorious Juno, when she knew her guile; “Your tongue, so freely wagged at my expense, shall be of little use; your endless voice, much shorter than your tongue.” At once the Nymph was stricken as the goddess had decreed;—and, ever since, she only mocks the sounds of others’ voices, or, perchance, returns their final words.
One day, when she observed Narcissus wandering in the pathless woods, she loved him and she followed him, with soft and stealthy tread.—The more she followed him the hotter did she burn, as when the flame flares upward from the sulphur on the torch. Oh, how she longed to make her passion known! To plead in soft entreaty! to implore his love! But now, till others have begun, a mute of Nature she must be. She cannot choose but wait the moment when his voice may give to her an answer. Presently the youth, by chance divided from his trusted friends, cries loudly, “Who is here?” and Echo, “Here!” Replies. Amazed, he casts his eyes around, and calls with louder voice, “Come here!” “Come here!” She calls the youth who calls.—He turns to see who calls him and, beholding naught exclaims, “Avoid me not!” “Avoid me not!” returns. He tries again, again, and is deceived by this alternate voice, and calls aloud; “Oh let us come together!” Echo cries, “Oh let us come together!” Never sound seemed sweeter to the Nymph, and from the woods she hastens in accordance with her words, and strives to wind her arms around his neck. He flies from her and as he leaves her says, “Take off your hands! you shall not fold your arms around me. Better death than such a one should ever caress me!” Naught she answers save, “Caress me!” Thus rejected she lies hid in the deep woods, hiding her blushing face with the green leaves; and ever after lives concealed in lonely caverns in the hills. But her great love increases with neglect; her miserable body wastes away, wakeful with sorrows; leanness shrivels up her skin, and all her lovely features melt, as if dissolved upon the wafting winds—nothing remains except her bones and voice—her voice continues, in the wilderness; her bones have turned to stone. She lies concealed in the wild woods, nor is she ever seen on lonely mountain range; for, though we hear her calling in the hills, ’tis but a voice, a voice that lives, that lives among the hills.
Thus he deceived the Nymph and many more, sprung from the mountains or the sparkling waves; and thus he slighted many an amorous youth.—and therefore, some one whom he once despised, lifting his hands to Heaven, implored the Gods, “If he should love deny him what he loves!” and as the prayer was uttered it was heard by Nemesis, who granted her assent.
There was a fountain silver-clear and bright, which neither shepherds nor the wild she-goats, that range the hills, nor any cattle’s mouth had touched—its waters were unsullied—birds disturbed it not; nor animals, nor boughs that fall so often from the trees. Around sweet grasses nourished by the stream grew; trees that shaded from the sun let balmy airs temper its waters. Here Narcissus, tired of hunting and the heated noon, lay down, attracted by the peaceful solitudes and by the glassy spring. There as he stooped to quench his thirst another thirst increased. While he is drinking he beholds himself reflected in the mirrored pool—and loves; loves an imagined body which contains no substance, for he deems the mirrored shade a thing of life to love. He cannot move, for so he marvels at himself, and lies with countenance unchanged, as if indeed a statue carved of Parian marble. Long, supine upon the bank, his gaze is fixed on his own eyes, twin stars; his fingers shaped as Bacchus might desire, his flowing hair as glorious as Apollo’s, and his cheeks youthful and smooth; his ivory neck, his mouth dreaming in sweetness, his complexion fair and blushing as the rose in snow-drift white. All that is lovely in himself he loves, and in his witless way he wants himself:—he who approves is equally approved; he seeks, is sought, he burns and he is burnt. And how he kisses the deceitful fount; and how he thrusts his arms to catch the neck that’s pictured in the middle of the stream! Yet never may he wreathe his arms around that image of himself. He knows not what he there beholds, but what he sees inflames his longing, and the error that deceives allures his eyes. But why, O foolish boy, so vainly catching at this flitting form? The cheat that you are seeking has no place. Avert your gaze and you will lose your love, for this that holds your eyes is nothing save the image of yourself reflected back to you. It comes and waits with you; it has no life; it will depart if you will only go.
Nor food nor rest can draw him thence—outstretched upon the overshadowed green, his eyes fixed on the mirrored image never may know their longings satisfied, and by their sight he is himself undone. Raising himself a moment, he extends his arms around, and, beckoning to the murmuring forest; “Oh, ye aisled wood was ever man in love more fatally than I? Your silent paths have sheltered many a one whose love was told, and ye have heard their voices. Ages vast have rolled away since your forgotten birth, but who is he through all those weary years that ever pined away as I? Alas, this fatal image wins my love, as I behold it. But I cannot press my arms around the form I see, the form that gives me joy. What strange mistake has intervened betwixt us and our love? It grieves me more that neither lands nor seas nor mountains, no, nor walls with closed gates deny our loves, but only a little water keeps us far asunder. Surely he desires my love and my embraces, for as oft I strive to kiss him, bending to the limpid stream my lips, so often does he hold his face fondly to me, and vainly struggles up. It seems that I could touch him. ‘Tis a strange delusion that is keeping us apart. Whoever thou art, Come up! Deceive me not! Oh, whither when I fain pursue art thou? Ah, surely I am young and fair, the Nymphs have loved me; and when I behold thy smiles I cannot tell thee what sweet hopes arise. When I extend my loving arms to thee thine also are extended me—thy smiles return my own. When I was weeping, I have seen thy tears, and every sign I make thou cost return; and often thy sweet lips have seemed to move, that, peradventure words, which I have never heard, thou hast returned. No more my shade deceives me, I perceive ‘Tis I in thee—I love myself—the flame arises in my breast and burns my heart—what shall I do? Shall I at once implore? Or should I linger till my love is sought? What is it I implore? The thing that I desire is mine—abundance makes me poor. Oh, I am tortured by a strange desire unknown to me before, for I would fain put off this mortal form; which only means I wish the object of my love away. Grief saps my strength, the sands of life are run, and in my early youth am I cut off; but death is not my bane—it ends my woe.—I would not death for this that is my love, as two united in a single soul would die as one.”
He spoke; and crazed with love, returned to view the same face in the pool; and as he grieved his tears disturbed the stream, and ripples on the surface, glassy clear, defaced his mirrored form. And thus the youth, when he beheld that lovely shadow go; “Ah whither cost thou fly? Oh, I entreat thee leave me not. Alas, thou cruel boy thus to forsake thy lover. Stay with me that I may see thy lovely form, for though I may not touch thee I shall feed my eyes and soothe my wretched pains.” And while he spoke he rent his garment from the upper edge, and beating on his naked breast, all white as marble, every stroke produced a tint as lovely as the apple streaked with red, or as the glowing grape when purple bloom touches the ripening clusters. When as glass again the rippling waters smoothed, and when such beauty in the stream the youth observed, no more could he endure. As in the flame the yellow wax, or as the hoar-frost melts in early morning ‘neath the genial sun; so did he pine away, by love consumed, and slowly wasted by a hidden flame. No vermeil bloom now mingled in the white of his complexion fair; no strength has he, no vigor, nor the comeliness that wrought for love so long: alas, that handsome form by Echo fondly loved may please no more.
But when she saw him in his hapless plight, though angry at his scorn, she only grieved. As often as the love-lore boy complained, “Alas!” “Alas!” her echoing voice returned; and as he struck his hands against his arms, she ever answered with her echoing sounds. And as he gazed upon the mirrored pool he said at last, “Ah, youth beloved in vain!” “In vain, in vain!” the spot returned his words; and when he breathed a sad “farewell!” “Farewell!” sighed Echo too. He laid his wearied head, and rested on the verdant grass; and those bright eyes, which had so loved to gaze, entranced, on their own master’s beauty, sad Night closed. And now although among the nether shades his sad sprite roams, he ever loves to gaze on his reflection in the Stygian wave. His Naiad sisters mourned, and having clipped their shining tresses laid them on his corpse: and all the Dryads mourned: and Echo made lament anew. And these would have upraised his funeral pyre, and waved the flaming torch, and made his bier; but as they turned their eyes where he had been, alas he was not there! And in his body’s place a sweet flower grew, golden and white, the white around the gold.
First published in February 2023, revise and republished in February 2024
I have long had an interest in Almanacs and Calendars in different cultures, whether it be Egyptian, Greek, Julian or Gregorian, Roman, Christian, Celtic, Jewish, Chinese, French Revolutionary, or Legal, Mayoral, Academic, Theatrical, etc. But, for some reason, I never got very far into the Anglo-Saxon year, only delving a little into Norse legends but not with any confidence.
So, when I saw the front cover above appear on an Anglo-Saxon Facebook page, I bought the book immediately. When it arrived a couple of days ago, I was initially disappointed as I had hopes of a day by day almanac-type presentation which I could mine, conveniently, for this, my Almanac of the Past.
However, reading it properly, I think it is an excellent book. What I like it is that it has a poetry about it, and, for a non-Old- English speaker, it really gives some understanding of the language.
Anyway, the point of this post is that, for the Anglo-Saxons, winter was over on the 7th February, and we are now in the season of ‘lencten’ which probably comes from ‘lenghtening days’ and which is Spring as we call it. The word eventually got absorbed into the Christian calendar, giving us the name of the fasting season which is ‘Lent’.
So Winter began on 7th October and ended on the 7th February. January was ‘Gēola‘ the month of Yule and February ‘Sol-mōnaþ‘ Mud month which Bede calls the ‘month of cakes’ which they offered to their gods in that month’.
The Venerable Bede says that before conversion to Christianity the Anglo-Saxons had two seasons of Winter and Summer. Winter began on the first full moon of October which they called Winterfylleth. The summer was called ‘sumor’ or ‘gear’ (which developed into our word ‘year’.
Thought to be the Venerable Bede, the first historian of the English
There is some sense in this as by February 7th, lambs are being born and many buds and shoot are appearing on branches and poking up from the cold earth. So, their winter is essentially, the time when nothing is growing, while ours is more aligned to the coldest period. Similarly, the Celtic year begins on Halloween, and the spring begins with Imbolc on the 1st February.
Marcus Terentius Varro wrote about the Roman year, dividing it into 8 phrases and his spring began also on 7th February. This is when the west winds began to blow warmer weather and so farmers ‘purged’ the fields, readying them for planting. They would be cleared of old growth and debris, blessed, weeded, pruned with particular attention given to preparing the grain fields, the vineyards, olive trees and fruit trees.
In the section on Winter Eleanor Parker gives a poetic description of winter. What seems particularly interesting about it is that the harshness of winter is often paired with what seems to be descriptions of the ruins of Roman Civilisation. So, the despair of winter, the barren soil, the fight for survival is made more melancholic by the comparison to failed civilisation and nature battering away at the useless ruins, and the destruction of people’s dreams.
Here, is a flavour of the juxtaposition of the bleakness of winter and the sadness of lost society, from ‘The Wanderer’ an alliterative poem from the Exeter Book, dating from the late 10th century. I have presumed to change a couple of words to make it a little more accessible.
Who’s wise must see how ghostly it has been when the world and its things stand wasted — like you find, here and there, in this middle space now — there walls totter, wailed around by winds, gnashed by frost, the buildings snow-lapt. The winehalls molder, their Lord lies washed clean of joys, his people all perished, proud by the wall. War ravaged a bunch ferried along the forth-way, others a raptor ravished over lofty seas, this one the hoary wolf broke in its banes, the last a brother graveled in the ground, tears as war-mask.
“That’s the way it goes— the Shaper mills middle-earth to waste until they stand empty, the giants’ work and ancient, drained of the dreams and joys of its dwellers.”
As I read this I wonder if it is a tradition that began in the cold of Scandinavia as England, at least Southern England, is more often mild than ferocious?
However, there is also an idea about the circularity of life and the interconnectedness of everything. There are 4 Seasons, 4 Ages of Man, and the cycle was from childhood to old age, from Spring to Winter. We start young, and become vigorous, and then we decline and eventually die. And so does the world of the Anglo-Saxons. The world of Adam was young, restored to vigour by the coming of Jesus, and was now in its old age awaiting the Apocalypse, before the Day of Judgement. So Winter was connected with Old Age and Death.
Parker recounts a beautiful image of Bede’s. The King of Northumberland is thinking of taking his wife’s religion, and has invited the Christian, Paulinus to his court. Inclined to convert, he asks the opinion of one of his pagan advisers, who answers to the effect.
‘We are in the Great Hall, gathered warm with friends and family around the roaring fire, with Winter raging outside. A sparrow comes in from a hole in the end wall, flies through the warm of the Hall, and flies out through the other side. Such is life. The Hall is this world, we are the Sparrow, and as pagans we have no idea what happens before we enter the Hall, nor what happens after we leave. How much better it is to embrace a religion that can give us certainty as to what happens when we leave the hall.’
We have also seen that the Kalendar of Shepherds also takes this idea of the year mirroring life. The Kalendar takes the span of Man to be 72 years, divided into 12 ages of 6 years. January represents unproductive childhood from years 0 – 6. February represents the time when children begin to learn and become able to be productive, 6 -12. And so on.
First published in February 2023, republished on 7th February 2024
Full Moon Photos by Natalie Tobert – you can find out more about her work here:
The Goddess Book of Days’ has the the 7th as the Day of Selene and other Moon Goddesses. (February 6th as the Festival of Aphrodite)
Selene is one of the most beguiling of Goddesses as she is the epitome of the Moon (Romans knew her as Luna). She, who gives that silvery, ethereal light to dark days, who appears and disappears to a routine few of us really understand. She is therefore beautiful, beguiling, unknowable. She is the Goddess of Intuition. She brings the tides and the monthly periods, and so is a Goddess of power as well as fertility, pregnancy and so love, and mothers, and babies.
To my mind, far more powerful than Aphrodite, Selene seems much more independent. On the Parthenon Marbles at the British Museum she is shown with her brother Helios, the Sun God; with Hercules – the epitome of male strength, Demeter and Persephone, representing the earth and underworld (or life and death), Athene and her father, Zeus; Iris, the messenger Goddess; Hestia, the Goddess of the home, and Dione with her daughter ,Aphrodite, representing love. At one end, Helios brings up the sun with his Chariot and Horse and at the other, Selene’s horse sinks exhausted in Oceanus after a glorious night of moon shine. It’s a wonderful arrangement, which suggests the scheme was to show a balanced cosmos between female and male forces, framed by the Sun and the Moon.
Cartoon of Elgin Marble, showing Selene’s Horse at the right hand end
I did a longer piece on this pediment of the Parthenon Marbles here
Selene – Moon Goddess by Mike Petrucci -unsplash
I have used several of Natalie Tobert’s photos in my post which I pluck from Natalie’s face facebook feed which is a veritable visual feast. She worked, as an archaeologist at the Museum of London at the same time as me. She is an excellent potter, photographer and artist. Natalie was a Fellow of the Royal Society of Arts, and a member of Society of Designer Craftsmen. You can see more of her pictures here.
First published in 2022, and revised February 2024.
The 15th Century French, illustration shows February as a time to cut firewood, dress warmly and stay by the fire. Food on the table is a nutritious pie and the fish are there to remind us it is the month of Pisces. In the other roundel is the other February star sign the Water Carrier, Aquarius.
Pisces From the zodiac from kalendar of shepherds
The poem above is a reference to Candlemas’s celebration of the presentation of the child Jesus at the Temple, and the paragraph below gives a summary of February. It ends with the idea that runs through the Kalendar – there are twelve apostles, twelve days of Christmas, twelve months in the year, and twelve blocks of six years in a person’s allotted 72 years of life. So February is linked to the second block of 6 years in a person’s life, ages 6 to 12. In January, the Kalendar suggests the essential uselessness of 0-6 year old children, while here, for February, it allows that from 6-12 years old children are beginning to ‘serve and learn’.
Below, is the text for February which gives a rural view of life in winter and ends with the line that February ‘is the poor man’s pick-purse, the miser’s cut-throat, the enemy to pleasure and the time of patience.’
About the Kalendar of Shepherds.
The Kalendar was printed in 1493 in Paris and provided ‘Devices for the 12 Months.’ I’m using a modern (1908) reconstruction of it using wood cuts from the original 15th Century version and adding various text from 16th and 17th Century sources. (Couplets by Tusser ‘Five Hundred Parts of Good Husbandrie 1599, and text descriptions of the month from Nicholas Breton’s ‘Fantasticks of 1626. This provides an interesting view of what was going on in the countryside every month.
Photo of London Fields in the snow of 2022 by Kevin Flude
In January 1776 Gilbert White observed:
‘On the 27th much snow fell all day, and in the evening the frost became very intense. At South Lambeth, for the four following nights, the thermometer fell to 7, 6, 6, and at Selborne to 7, 6, 10, and on the 3ist of January , just before sunrise, with rime on the trees and on the tube of the glass, the quicksilver sunk exactly to zero, being 32 degrees below the freezing point’
If there was a Giant upon whose shoulders Charles Darwin climbed, then it was Gilbert White’s. He was one of many churchmen of the 18th and 19th Century who spent their extensive leisure time, on observing God’s wonderful creation in their gardens and parishes. What made White so important was that his practice was ‘observing narrowly’ and regularly. For example, his observations of the importance of earth worms were fundamental to Charles Darwin’s own studies, Once Darwin came back from his travels on the Beagle, he settled in a country property in Orpington and, like White, used his garden and the local area as his laboratory with which he worked to prove his theory of evolution.
Earth worms were one of Darwin’s passions. This is what Gilbert White wrote about their contribution to nature:
“Earth-worms, though in appearance a small and despicable link in the chain of Nature, yet, if lost, would make a lamentable chasm. For, to say nothing of half the birds, and some quadrupeds which are almost entirely supported by them, worms seem to be the great promoters of vegetation, by boring, perforating, and loosening the soil, and rendering it pervious to rains and the fibres of plants, and, most of all, by throwing up such infinite numbers of lumps of earth called worm-casts, which, being their excrement, is a fine manure for grain and grass.”
By such minute and repeated observations, Gilbert White investigated the food chain, the migration of birds (which was at the time disputed) and laid the foundations of what we now call ecology.
White, although rising to Dean of Oriel College in Oxford, chose to spend his career in the relatively humble occupation of Curate. A Curate is the bottom-feeder in the Anglican Church food chain, and Jane Austen would tell you that a Curate hardly earned enough to maintain a position in the Gentry (£50 p.a.). Although White gained the title of Perpetual Curate (a title shared with Patrick Brontë), he still would only be pulling in, I guess, something like £200 p.a. But then White didn’t need much, he inherited his father’s property at Shelborne, Hampshire. White’s grandfather was the Vicar at Shelborne. But Gilbert could not inherit the title because he went to Oriel College, while the ‘living’ at Shelborne was ‘in the gift of’ Magdalen College, And they were not going to give the role to an alumnus of a rival college; however, he might deserve it.
The house, now open to the public, is just around the corner from Chawton where Jane Austen spent her last years. He was born in 1720; was 55 when Austen was born, and he died in 1793. He lived 4 miles away, so the families knew of each other. We know Jane Austen’s brother wrote a poem about Gilbert White and his natural history observations, particularly on birds
From ‘Selbourne Hanger’ by James Austen
Who talks of rational delight } When Selbourne’s Hill appears in sight } And does not think of Gilbert White? } Such sure he was – by Nature grac’d With her best gift of genuine taste; And Providence – which cast his lot Within this calm, secluded spot, Plac’d him where best th’enquiring mind Might study Nature’s works, and find Within her ever open book Beauties which others overlook. Enthusiast sweet! Your vivid style The attentive reader can beguile Through many a page, and still excite An Interest in what you write! For whilst observant you describe The habits of the feathery tribe Their Loves and Wars – their nest and Song, We never think the tale too long.
For more information on White and Austen go to Gilbert Whites House’s web page here:
Here is more of that epic cold January 1776
‘On the 27th much snow fell all day, and in the evening the frost became very intense. At South Lambeth, for the four following nights, the thermometer fell to n, 7, 6, 6, and at Selborne to 7, 6, 10, and on the 3ist of January ‘, just before sunrise, with rime on the trees and on the tube of the glass, the quicksilver sunk exactly to zero, being 32 degrees below the freezing point ; but by eleven in the morning, though in the shade, it sprang up to I6J,1 — a most unusual degree of cold this for the south of England \ During these four nights the cold was so penetrating that it occasioned ice in warm chambers and under beds ; and in the day the wind was so keen that persons of robust constitutions could scarcely endure to face it. The Thames was at once so frozen over both above and below bridge that crowds ran about on the ice. The streets were now strangely encumbered with snow, which crumbled and trod dusty ; and, turning grey, resembled bay-salt : what had fallen on the roofs was so perfectly dry that, from first to last, it lay twenty-six days on the houses in the city ; a longer time than had been remembered by the oldest housekeepers living…..’
‘The consequences of this severity were, that in Hampshire, at the melting of the snow, the wheat looked well, and the turnips came forth little injured. The laurels and laurustines were somewhat damaged, but only in hot aspects. No evergreens were quite destroyed ; and not half the damage sustained that befell in January, 1768. Those laurels that were a little scorched on the south-sides were perfectly untouched on their north-sides. The care taken to shake the snow day by day from the branches seemed greatly to avail the author’s evergreens. A neighbour’s laurel-hedge, in a high situation, and facing to the north, was perfectly green and vigorous ; and the Portugal laurels remained unhurt.’
‘We had steady frost on to the 25th, when the thermometer in the morning was down to 10 with us, and at Newton only to 21. Strong frost continued till the 3ist, when some tendency to thaw was observed ; and, by January the 3d, 1785, the thaw was confirmed, and some rain fell.’
Rosemary flowering in my garden
Here, as a bonus, are food stuffs that are in season now.
Paganalia, also known as Sementivae, was a festival dedicated to seed, to Ceres (from whom we get the word cereal) and also the Earth Goddess. (There are many to choice from (Tellus, Demeter, Cybele, Gaia, Rhea etc.). Ceres can be seen on the top left roundel resting on the Globe on the marvellous Ceramic Staircase at the V&A, and in my slightly out of focus photograph below. (To be honest, in real life, it looks a little more like my photo than the gorgeous photo above!)
Ceres represented Agriculture, Mercury Commerce, and Vulcan Industry. Old Photo by the Author.
To create life, we need earth and water to nurture and seeds for fertility. And so into the cold dead world of January the Romans created a festival of sowing. It had two parts, one presided over by Mother Earth (Tellus) and the other by Ceres, the Goddess of Corn. The actual day of the festival (aka Paganalia) was chosen not by rote on a set day of the calendar but by the priests, in accordance with the weather. This seems very sensible, as there is no point sowing seeds in terrible weather conditions. I’m assuming the Priests took professional advice!
On the 24th-26th January Tellus prepared the soil, and in early February seeds were sown under the aegis of Ceres. Tellus Mater (also Terra Mater) was known as Gaia to the Greeks. Gaia was chosen by James Lovelock & Lynn Margulis in the 1970s as the face of their Gaia hypothesis.
To me, the importance of the idea is not the scientific principle that environments co-evolve with the organisms within them but, rather, Gaia as a personification of our world as a complex living ecosystem that we have to care for. Gaia exists as a series of feedback loops, and she will spit us out unless we can control our appetites to live in balance with our alma mater.
This is what Ovid has to say about Sementavia in ‘Fasti’ (www.poetryintranslation.com)
Book I: January 24
I have searched the calendar three or four times, But nowhere found the Day of Sowing: Seeing this, the Muse said: That day is set by the priests, Why are you looking for moveable days in the calendar? Though the day of the feast ís uncertain, its time is known, When the seed has been sown and the land ís productive. You bullocks, crowned with garlands, stand at the full trough, Your labour will return with the warmth of spring. Let the farmer hang the toil-worn plough on its post: The wintry earth dreaded its every wound.
Steward, let the soil rest when the sowing is done, And let the men who worked the soil rest too. Let the village keep festival: farmers, purify the village, And offer the yearly cakes on the village hearths. Propitiate Earth and Ceres, the mothers of the crops, With their own corn, and a pregnant sow ís entrails. Ceres and Earth fulfil a common function: One supplies the chance to bear, the other the soil. Partners in toil, you who improved on ancient days Replacing acorns with more useful foods, Satisfy the eager farmers with full harvest, So they reap a worthy prize from their efforts. Grant the tender seeds perpetual fruitfulness, Don’t let new shoots be scorched by cold snows. When we sow, let the sky be clear with calm breezes, Sprinkle the buried seed with heavenly rain. Forbid the birds, that prey on cultivated land, To ruin the cornfields in destructive crowds. You too, spare the sown seed, you ants, So you’ll win a greater prize from the harvest.
First Published in January 2023, republished in January 2024
