Twin, Twins – Festival of Castor and Pollux July 15th

The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia

The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods.   Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda.  So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.

One is therefore immortal and the other isn’t.   They had many adventures including sailing with Jason as Argonauts.

According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend  eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus.  Thus, they are the epitome of brotherly love.

Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.

It happened like this.  The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed.  On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.

Leda and the Swan, 16th-century copy after the lost painting by Michelangelo

Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks.  On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)

painting of Clytemnestra after she has slaughtered her husband Agamemnon _by_John_Collier,_1882 (Wikipedia Guildhall Museum)
Clytemnestra_by_John_Collier,_1882 (Wikipedia Guildhall Museum)

Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.

Cassandra prophesizes that she too will be a victim.  She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.

I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.

In the 18th/19th Century rich people were into ‘attitudes’.  For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats.  She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of.  She would assume an appropriate facial expression and posture for everyone’s pleasure. 

Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’

Being Clytemnestra is difficult! I imagine Collier’s model being  prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.

Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle. 

Leighton’s model was Dorothy Dene.  She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895.  Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.

I have one of those half million prints on my bedroom wall.

Print of Flaming June by Lord Leighton

Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).

For more on Flaming June see my blog post of 12 July 2024

European Twin Gods

It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue  people lost at sea.   St Elmo’s fire was said to be the way they manifested their divinity to sailors.   Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.

First written in 2023 updated in July 24.

Sandals of the Saints

Copy of the Last Supper by Leonardo da Vinca at the Collection Gallery, Royal Academy, UK
(Copy made 1515-1520, and was in the Carthusian Monsatery at Pavia in the 17th Century before being brought to the RA in the 19th Century)

Whilst visiting Flaming June at the RA, it was nice to have another look at the Last Supper. What strikes me most is their sandals (and the beautifully pressed table cloth).

Detail of the RA copy of the Last Supper

Details that bring the past to life. The shoes would surely sell today, while the table cloth really destroys the common idea that the past was dirty and smelly. It wasn’t. People took pride in their appearance and surroundings. Just look at the ironing!

Here, by way of contrast, is a medieval shoe from the 14th Century from the Museum of London. And this is a link to the Museum of London’s collections of medieval shoes, most have been collected from excavations, and it is one of the best collections.

Discovering Mary Beale in Pall Mall, Flaming June in Piccadilly

Philip Mould Galley,Bond Street.The home of painter Mary Beale

Yesterday, I was asked to do two Jane Austen’s London walks.  The walk explores Mayfair, where her brother, Henry lived and had his Bank, and where Austen placed the central drama of Sense and Sensibility. I decided to use the time between the walks to look for a shopping mall which dates back to Jane Austen’s time, but I got diverted as I saw a sign for a free exhibition on Mary Beale in Pall Mall. 

Mary Beale is that rare beast; a professional female artist of the 17th Century (1633-1699). So, I double-checked the ‘free entry’ notice because this was a posh West End private art gallery and the name Philip Mould was familiar.  I went in and realised that this was something special. I returned to the entrance to ask the very friendly staff whether I could take photographs.  ‘Yes, of course, they said.’ much to my surprise.

Mary Beale Exhibition sign.

Downstairs, the art of Mary Beale was beautifully displayed, and the exhibition had a very interesting story to tell, which was well-told, using excellent labels and a film narrated by Philip Mould.  He was, as I thought, the co-presenter of ‘Fake or Fortune’ (with Fiona Bruce, newsreader and anchor of the BBC’s Antiques Roadshow). This is a BBC art programme which is in its 12th Series. The conceit of the show is that they investigate dubious paintings to find out whether they are genuine or not.

The film revealed that Philip Mould opened his Art Gallery here over a decade ago, but research has recently discovered that this is the very address where Mary Beale had her studio.

Scene shot of Philip Mould in the Mary Beale Exhibition in his short film shot in his Art Gallery.

Her career is not only remarkable in itself, but it was recorded in great detail by her husband. She was the bread winner.  He was her partner, and in effect the studio manager. In correspondence, he describes her as his ‘dearest heart’. 

Self-Portrait of Mary, with her husband and son

It was a family business and their children also worked as painting assistants, doing draperies and other background details.   Her paintings gave them an income of around £200 a year, which is not riches but, by comparison, a labourer got about £30 a year.

She was associated with Sir Peter Lely, the Court painter who succeeded Van Dyke. Mary Beale made copies of many of his paintings.  She also painted many pictures of her family.

Mary Beale’s painting after Sir Peter Lely’s portrait of Charles II

There are several excellent short films about Mary Beale on the Gallery’s web site, which is well worth a visit. The exhibition ends on the 19th July, but there is also, for you to see, Tate Britain’s exhibition ‘Now you see us’ which is the story of British female artists from the 1520’s to 1920.

On the way back from the Gallery, I popped into the Royal Academy to renew an old acquaintance with ‘Flaming June’ by Lord Leighton, a copy of which hangs on my bedroom wall, and which is on one of its rare visits to the UK. There is also the statue of the Sluggard and it’s all free to view.

Flaming June by Lord Leighton
The Sluggard by Lord Leighton

It is days like this, that you realise what a wonderful thing it is to live in London. All this superb art, and all without laying out a penny (travelling on my free travel pass too!).

I wrote about Flaming June in a post you can read here.

June & July – Street Parties in London on the Vigils of Feast Days

Image from the Agas Map of London
Civitas Londinum is a bird’s-eye view of London first printed from woodblocks in about 1561
Civitas Londinum is a bird’s-eye view of London first printed from woodblocks in about 1561

John Stow, author of the ‘Survey of London‘ first published in 1598, tells us that there were bonfires and street parties in the City throughout June and July on the Vigils of Festivals. The Vigil is the evening before a festival. A custom that might owe a little to the Celtic choice of dusk as the beginning of the new day.

Front cover of the Survey of London by John Stow
Front cover of the Survey of London by John Stow

Stow does not give a list of the vigils thus celebrated and only mentions those of St John the Baptist and of St Paul and St Peter, (which fall later in June, when I will post about them). But I would guess it would include prominent Saints in the Catholic Calendar, and also Saints with London Churches or Chapels named after them. These might include: St Botolph, St Alban, St James, St Thomas, St Margaret, St Wilgerfortis, St. Mary Magdalen, St Bridget, St James, as well as Saints John, Peter, and Paul. I’m guessing that City wide celebration would be reserved for the most important Saints, and with local celebrations for the Saint on the local Church. I am assuming these celebrations were ended or much reduced after the Reformation.

Here is his introduction to the Vigil celebrations.

In the months of June and July, on the vigils of festival days, and on the same festival days in the evenings after the sun setting, there were usually made bonfires in the streets, every man bestowing wood or labour towards them; the wealthier sort also, before their doors near to the said bonfires, would set out tables on the vigils, furnished with sweet bread and good drink, and on the festival days with meats and drinks plentifully, whereunto they would invite their neighbours and passengers also to sit and be merry with them in great familiarity, praising God for his benefits bestowed on them. These were called bonfires as well of good amity amongst neighbours that being before at controversy, were there, by the labour of others, reconciled, and made of bitter enemies loving friends; and also for the virtue that a great fire hath to purge the infection of the air.

He goes on to describe a large scale City wide celebration, which is probably a description of the Midsummer festivities, which I will present on the 21st June.

John Stow is one of the most important sources for Tudor and Medieval London. He was a Londoner, buried in St Andrews Undershaft (see map above), who wrote up all he could glean about London. I use him all the time – for example, on my Wolf Hall Tudor London Walk, which I am doing tomorrow. Stow’s Survey of London can be accessed online, in full, here: or via the wonderful online Agas Map, from which the map above came from.

May Posts & Medieval Royal Horses

Medieval illumination of a medieval tournament

I’ve been taking groups around Britain from London to Edinburgh and have fallen behind on my postings.

So, I am going to post a few posts today to put them on my Almanac of the Past. They will be brief, and will be worked up for a re-publication in greater length next year.

Archaeological Discoveries at Elverton St. Westminster

Near the site of the medieval jousting arena in Westminster, London at Elverton St, archaeologists, nearly 30 years ago, excavated a Cemetery which contained the remains of horses. The University of Exeter has recently revealed the results of their analysis of the horses’ bones. The 15 animals studied were found to be above average in height, and marked by a life where they had been worked hard. Analysis of their teeth suggested they came from as far afield as Scandinavia, the Alps, Spain, and Italy.

Three of the animals are the largest found in England at the time. The findings suggest they might be from a Royal Stud farm, providing war, jousting or hunting animals for the elite.

For more details read: https://www.bbc.co.uk/news/uk-england-london-68632099

Boating adventure & the Second Best Modernist Building in London

The Hoover Building in Perivale NW London, photo Kevin Flude

I published this piece in April, but for some reason to do with the fact that I published the posts from my phone rather than my computer, no email was sent to subscribers.

So, here is a chance to see it.

What makes owning a narrow boat so wonderful, apart from enjoying living amidst nature, is the accidental discovery of undreamt of wonders.  Last week, I moved my narrow boat from Westbourne Park, on the Grand Union Canal, to Perivale.  A 3-hour boat trip of less than 10 miles to a frankly uninspiring suburb.  But, as so often, mooring in an uninspiring place uncovered surprises that transform the mundane to the delightful.

Paddington branch of the Grand Union Canal heading west from Westbourne Park.  Photo Harriet Salisbury

We set off on a beautifully sunny April morning to move the boat the requisite distance to satisfy licence terms. Rain at 12 prompted a premature end to the trip.  We trudged to Perivale Underground Station, bemoaning our failure to get to Southall, to enjoy a Dosa In London’s Little India.

The road to Perivale is dull suburbia.  But we stopped at a library boasting a cafe, which turned out to be a really nice bit of early 20th Century library architecture, with a cheerful volunteer explaining they were keeping the library from closure due to council cost-cutting.

Perivale Library photo Kevin Flude

They had made the library really cosy with sofas and comfortably sitting areas. Sadly, the promised Café was not open.

Perivale Library. Interior. Photo Kevin Flude

The volunteer pointed us in the direction of a sandwich at the Tesco in the Hoover Building. I had no idea this icon of Modernism was a short walk away, so we jumped at the chance to see, at close range, one of my favourite London buildings. 

The Hoover Building (photo K Flude)

I regularly point it out to the groups I take to Oxford.  But I have never seen it up close nor standing still. Not only is the building a fabulous cream and green, but it has a backstory of interest to London’s history.  As road transport began to remake the geography of London in the early 20th Century, factories in Hackney, Tower Hamlets, Southwark, Lambeth, and other Inner London Boroughs closed, and new factories were constructed on the roads out of London, mostly manufacturing consumer goods.  Park Royal, Greenford, Slough and Staines were among the areas to develop as consumerism powered the 20th Century with the production of irons, kettles, hairdryers, radios, washing machines, vacuum cleaners and suchlike delights for the workers and families. The fields around were turned into rows of semi-detached houses to mortgage to the workers.

The Hoover Building is a Grade II* listed building of Art Deco architecture[1] designed by Wallis, Gilbert and Partners located in Perivale in the London Borough of Ealing. The site opened in 1933 as the UK headquarters, manufacturing plant and repairs centre for The Hoover Company.[2]‘ (Wikipedia). It has been converted to apartments and a Tesco occupies the Factory Floor.

What made this trip even more special was that one of the original buildings has become a Hotel, in which we discovered a massive Indian Restaurant.  There, we found it full of about 500 people eating a fast-breaking Eid dinner. £26 to eat as much as you can, all self-service, with scores of chefs serving their delicious tureens of Asian food. Such a great cultural experience, and rather better than the tasteless Tesco sandwich we were expecting.

If I’m passing the factory on a tour, I tend to read to my group Sir John Betjeman’s patronising poem ‘Slough’ which is about the horror of the new consumer society.   ‘Slough’ is wonderful to read and, yet, also, awful, not just the Oxbridge author looking down his long privileged nose at the lower classes but going to the extreme of suggesting Slough would be better off bombed to smithereens.

Guernica was bombed on 26th April 1937 and ‘Slough appeared’ in a Betjeman collection called ‘Continual Dew’ in the same year (I havent located a reference with the actual date of publication).  Bad taste in the extreme, hardly mitigated by the fact that it was originally written in 1928 and was about trading estates in general rather than Slough in particular.  Still, despite all it is still one of my favourite poems for the insight it gives to attitudes of the British class system.

So, here it is.

Slough

Come friendly bombs and fall on Slough!
It isn’t fit for humans now,
There isn’t grass to graze a cow.
Swarm over, Death!

Come, bombs and blow to smithereens
Those air-conditioned, bright canteens,
Tinned fruit, tinned meat, tinned milk, tinned beans,
Tinned minds, tinned breath.

Mess up the mess they call a town-
A house for ninety-seven down
And once a week a half a crown
For twenty years.

And get that man with double chin
Who’ll always cheat and always win,
Who washes his repulsive skin
In women’s tears:

And smash his desk of polished oak
And smash his hands so used to stroke
And stop his boring dirty joke
And make him yell.

But spare the bald young clerks who add
The profits of the stinking cad;
It’s not their fault that they are mad,
They’ve tasted Hell
.

It’s not their fault they do not know
The birdsong from the radio,
It’s not their fault they often go
To Maidenhead

And talk of sport and makes of cars
In various bogus-Tudor bars
And daren’t look up and see the stars
But belch instead.

In labour-saving homes, with care
Their wives frizz out peroxide hair
And dry it in synthetic air
And paint their nails.

Come, friendly bombs and fall on Slough
To get it ready for the plough.
The cabbages are coming now;
The earth exhales.

850 new factories were built in Slough before the outbreak of world war two, and the Trading Estate was first seen here. And yes, they are bleak, and Slough is even now, not the most exciting or architecturally sophisticated of towns.  But to imagine bombing a town in a time when there was a real fear of mass destruction from the air?

I particularly object to the line about tinned food because I was brought up on tinned beans, peas, steak and kidney pudding, pineapple chunks, peaches, and rhubarb.  And exactly what is wrong with a hair-dryer?

Before I read Slough, I recount an experience I had years ago with an American group who suddenly started laughing for no reason.  I enquired, and they pointed to a huge advertising hoarding with a poster about the Electrolux Vacuum Cleaner.  Its location near the Hoover building, I imagine might have been deliberate, but what made the Americans laugh was the slogan:

‘Nothing sucks like an Electrolux’

To a British person, the slogan works in a positive sense and we appreciate the wit.  For the Americans, it made them all laugh with shock as to why anyone would pay to say their vacuum cleaner was complete pants.

Oh, and second best? Well, the best Modernist Building in London is the Daily Express Building, Fleet Street.

Archaeology discoveries, February 2024

Sketch of a Roman skull of a man who was crucified.
Archaeology discoveries. The Image is a sketch of the ‘Facial Reconstruction, Impossible Factual/BBC’

Interesting Archaeology discoveries.

The following discoveries were reported in Salon IFA the newsletter of the Society of Antiquaries of London in Salon: Issue 526  7 February 2024, which you can see here:

Pliny the Elder’s Villa found near Vesuvius?

The 1st Century seafront villa, with views of the Bay of Naples and of Mount Vesuvius, has been excavated at the town of Bacoli, which was the port of Misenum. Pliny commanded the fleet as ‘Praefectus classis Misenensis’. Pliny tried to rescue his friends and family, ignoring warnings saying ‘Fortune favours the brave’, ‘Audentes Fortuna luvat’. It didn’t and he died, at Stabiae, by toxic fumes. Read more about the villa here:

Face Reconstructed for a Victim of Roman Crucifixion

A male skeleton found, 4 years ago, in a Roman cemetery in Fenstaton in Cambridgeshire was found with a 2-inch nail through his heel bone. BBC 4 has made a documentary about the recent reconstruction of the man’s face by, as Salon reports it:

‘US forensic artist Joe Mullins, of George Mason University, Virginia. He usually works with law enforcement agencies, reconstructing the faces of modern-day crime victims. ‘

To follow the details, read more here, or watch the BBC documentary, ‘The Cambridgeshire Crucifixion’, which can be viewed on BBC iPlayer.

For more archaeology read my post: https://www.chr.org.uk/anddidthosefeet/london-before-london-and-dna/

Published in February 2024, revised 2025

Coltsfoot & Smoking & Blossom & Cholera February 24th

Coltsfoot by Andreas Trepte Wikipedia

Coltsfoot is a daisy-like plant which is flowering about now. Gerard’s Herbal of 1633 suggests that the ‘fumes of the dried leaves taken through a funnel’ is good for those with coughs and shortness of breath. He suggests that it is smoked like tobacco and it ‘mightly prevaileth.’

This idea, Mrs Grieves says in her herbal (1931), is endorsed by ‘Dioscorides, Galen, Pliny, and Boyle’. And Coltsfoot is ‘nature’s best herb for the lungs’. (This is historic information re herbs and NOT current medical advice, as Coltsfoot can be very dangerous!).

engraving of a man smoking
Lobspruch deß edlen hochberühmten Krauts Petum oder Taback Nuremberg, 1658 New York Public Library Public Domain
Detail from Lobspruch deß edlen hochberühmten Krauts Petum oder Taback Nuremberg, 1658 New York Public Library Public Domain

My grandson and parents found a 19th Century pipe bowl, much like the one above, by the Thames where there were many fragments of clay pipe. For more on 17th Century smoking, have a look here.

Blossom is also coming out in London a little early. (2022 we had a false spring when Cherry Blossom came out, and I think we are now just getting used to it, so I don’t think it is being noted so much in 2024). Blackthorn (I think) is coming out in profusion in my local park. Photos below by the Author of Haggerston Park in East London. Left February 2022, Right Feb 23.

One thing I am trying to improve in my Almanac of the Past, is to include more specific London content. This can be difficult on a daily basis. But I think I have, by chance, found a solution. I was trying to glue the toe flap on a perfectly good pair of trainers so that it did not flap, and I needed a heavy weight to press the two edges together. I found a random couple of heavy books for the purpose. 24 hours later, I lifted the books to discover the failure of my project. But, as I returned the books to their place in the book case, I found the heaviest was called ‘A London Year. 365 Days of City Life in Diaries, Journals, and Letters.’ Compiled by Travis Elborough and Nick Bennison, published in 2013, and the price on it of £5.99 makes me feel I must have bought it second hand. Have I opened it before now? Indeed, I had forgotten its existence, but Cometh the Hour, Cometh the Book! What a timely rediscovery.

Cholera in London.
The news of the Cholera being in London has been received abroad. According to the feelings of the different nations towards England, France, who wish to court us has ordered a quarantine in her ports of three days; Holland, who feels aggrieved by our conduct at the conference, one of 40 days. The fog so thick in London that the illuminations for the Queen’s Birthday were not visible.

24th February 1832 Thomas Raikes, Diary 1832 (from ‘A London Year’ Compiled by Travis Elborough and Nick Bennison, 2013,

I think the Conference mentioned above was the London Conference of May 1832, which aimed to establish a Kingdom of Greece with a King, It was set up by Foreign Secretary Lord Palmerston without discussion with the Greeks and ended up giving them a Bavarian King. King Otto. Otto was forced from the throne in a revolution in 1862, and replaced by a Danish King, from whom Prince Philip, Duke of Edinburgh was descended.

Day of the Moon Goddess Selene February 7th

Full Moon Photos by Natalie Tobert – you can find out more about her work here:

The Goddess Book of Days’ has the the 7th as the Day of Selene and other Moon Goddesses. (February 6th as the Festival of Aphrodite)

Selene is one of the most beguiling of Goddesses as she is the epitome of the Moon (Romans knew her as Luna). She, who gives that silvery, ethereal light to dark days, who appears and disappears to a routine few of us really understand. She is therefore beautiful, beguiling, unknowable. She is the Goddess of Intuition. She brings the tides and the monthly periods, and so is a Goddess of power as well as fertility, pregnancy and so love, and mothers, and babies.

To my mind, far more powerful than Aphrodite, Selene seems much more independent. On the Parthenon Marbles at the British Museum she is shown with her brother Helios, the Sun God; with Hercules – the epitome of male strength, Demeter and Persephone, representing the earth and underworld (or life and death), Athene and her father, Zeus; Iris, the messenger Goddess; Hestia, the Goddess of the home, and Dione with her daughter ,Aphrodite, representing love. At one end, Helios brings up the sun with his Chariot and Horse and at the other, Selene’s horse sinks exhausted in Oceanus after a glorious night of moon shine. It’s a wonderful arrangement, which suggests the scheme was to show a balanced cosmos between female and male forces, framed by the Sun and the Moon.

cartoon of Elgin Marble, showing Selene's Horse at the right hand end
Cartoon of Elgin Marble, showing Selene’s Horse at the right hand end

I did a longer piece on this pediment of the Parthenon Marbles here

Photograph of the Moon against a black background byMike Petrucci -unsplash
Selene – Moon Goddess by Mike Petrucci -unsplash

I have used several of Natalie Tobert’s photos in my post which I pluck from Natalie’s face facebook feed which is a veritable visual feast. She worked, as an archaeologist at the Museum of London at the same time as me. She is an excellent potter, photographer and artist. Natalie was a Fellow of the Royal Society of Arts, and a member of Society of Designer Craftsmen. You can see more of her pictures here.

This is going to be transferred to April 20th in 2025.

First published in 2022, and revised February 2024.

Festival of Imbolc, St. Bridget’s Day February 1st

Today is Imbolc, one of the four Celtic Fire Festivals. It corresponds with St Bridget’s Day, which is a Christian festival for the Irish Saint, and is the eve of Candlemas. Bridget is the patron saint of all things to do with brides, marriage, fertility, and midwifery (amongst many other things, see above). And in Ireland, last year (2024) was the very first St Bridget’s/ Imbolc Day Bank Holiday!

St Bride,s Statue St Bride's Church. Fleet Street
St Bride’s Statue, St Bride’s Church. Fleet Street from K.Flude’s virtual tour on Imbolc

St Bridget, aka Briddy or Bride, converted the Irish to Christianity along with St Patrick in the 5th Century AD. She appears to have taken on the attributes of a Celtic fertility Goddess, called Bridget or Brigantia, so some doubt she was a real person.

Brigantia

There are Roman altars dedicated to Brigantia The Brigantes tribe in the North were named after the Goddess. The Brigantes were on the front line against the invading Romans in the 1st Century AD, and led by Queen Cartimandua.  Cartimandua tried to keep her independence by cooperating with the Romans, while, a few years later, Boudica took the opposite strategy. But both women appear to have had agency as leaders of their tribes and show a great contrast with Roman misogyny.

altar to Brigantia
Altar to Brigantia from K Flude’s virtual tour on Imbolc

Last day of medieval Christmas and the Lords of Misrule.

This was the end of the Christmas period. John Stow, in the 16th Century describes the period between Halloween and Candlemas being the time that London was ruled by various Lords of Misrule and Boy Bishops (see my post here). In the piece below Stow goes on to talk about a terrible storm that took place on st February 1444.

Against the feast of Christmas every man’s house, as also the parish churches, were decked with holm, ivy, bays, and whatsoever the season of the year afforded to be green. The conduits and standards in the streets were likewise garnished; amongst the which I read, in the year 1444, that by tempest of thunder and lightning, on the 1st of February, at night, Powle’s steeple was fired, but with great labour quenched; and towards the morning of Candlemas day, at the Leaden hall in Cornhill, a standard of tree being set up in midst of the pavement, fast in the ground, nailed full of holm and ivy, for disport of Christmas to the people, was torn up, and cast down by the malignant spirit (as was thought), and the stones of the pavement all about were cast in the streets, and into divers houses, so that the people were sore aghast of the great tempests.’

Wells dedicated to St Bridget

There are many wells dedicated to St Bride. They were often used in rituals and dances concerned with fertility and healthy babies. And perhaps, the most famous, was near Fleet Street. Henry VIII’s Palace of Bridewell, later an infamous prison, was named after the Well. St Bride’s Church has long been a candidate as an early Christian Church, and although the post World War Two excavations found nothing to suggest an early Church, they did find an early well near the site of the later altar of the Church, and by the remains of a Roman building, possibly a mausoleum. Therefore, it is possible that the Church was built on the site of an ancient, arguably holy, well.

St Bridget's Well Glastonbury
St Bridget’s Well, Glastonbury

The steeple of St Brides is said to be the origin of the tiered Wedding Cake, which, in 1812, inspired a local baker to bake for his daughter’s wedding.

Steeple of St Brides Fleet Street
Steeple of St Brides Fleet Street

Imbolc and St Bridget’s Day are the time to celebrate the return of fertility to the earth as spring approaches. In my garden and my local park, the first snowdrops, violets, and daffodils are coming out, and below the bare earth, there is a frenzy of bulbs and seeds budding, and beginning to poke their shoots up above the earth, ready for the Spring. In the meadows, ewes are lactating, and the first lambs are being born.

Violets, bulbs, and my first Daffodil of the year. Hackney (2022), London by K Flude

I, occasionally, do walks about Imbolc and other Celtic festivals, in conjunction with the Myths and Legends of London, and at May Eve, the Solstices, Halloween and Christmas (when I have time). See the walks page of this blog

https://www.chr.org.uk/anddidthosefeet/walks

And let’s end with the Saint Brigid Hearth Keeper Prayer Courtesy of SaintBrigids.org

Brigid of the Mantle, encompass us,
Lady of the Lambs, protect us,
Keeper of the Hearth, kindle us.
Beneath your mantle, gather us,
And restore us to memory.
Mothers of our mother, Foremothers strong.
Guide our hands in yours,
Remind us how to kindle the hearth.
To keep it bright, to preserve the flame.
Your hands upon ours, Our hands within yours,
To kindle the light, Both day and night.
The Mantle of Brigid about us,
The Memory of Brigid within us,
The Protection of Brigid keeping us
From harm, from ignorance, from heartlessness.
This day and night,
From dawn till dark, From dark till dawn.

For more about St Bridget.

First published in 2023, revised and republished Feb 2024, 2025

I have republished my post of the Chinese New Year which you can see here: