The second is from November 17th and is about St Cecilia and the London Proms, which you will find below:
St. Cecilia
St Cecilia is the patron saint of musicians. She was martyred in Rome in the Second or Third Century AD. The story goes that she was married to a non-believer, and during her marriage ceremony she sang to God in her heart (hence her affiliation with musicians). She then told her husband, that she was a professed Virgin, and that if he violated her, he would be punished. She said she was being protected by an Angel of the Lord who was watching over her. Valerian, her husband, asked to see the Angel. So Cecilia told him to go to the Third Milestone along the Appian Way, where he would be baptised by Pope Urban 1 and would then see the Angel. He followed her advice, was converted and he and his wife were, later on, martyred.
The Church in Rome, Santa Cecilia in Trastevere, is said to be built on the site of her house, and has 5th Century origins. My friend, Derek Gadd, recently visited and let me use these photographs:
St Cecilia in London
There is a window dedicated to her in the Holy Sepulchre Church-without-Newgate, In London, opposite the site of the infamous Newgate Prison. Henry Wood, one of our most famous conductors and the founder of the Promenade Concerts, played organ here when he was 14. In 1944, his ashes were placed beneath the window dedicated to St Cecilia and, later, the Church became the National Musician’s Church.
The memorial to Henry Wood at St Sepulchre is engraved:
This window is dedicated to the memory of Sir Henry Wood, C.H., Founder and for fifty years Conductor of THE PROMENADE CONCERTS 1895-1944. He opened the door to a new world Of sense and feeling to millions of his fellows. He gave life to Music and he brought Music to the People. His ashes rest beneath.
The Concerts are now called the BBC Proms and continue an 18th and 19th Century tradition of, originally, outdoor concerts, and then indoor promenade concerts. At the end of the 19th Century, the inexpensive Promenade Concerts were put on to help broaden the interest in classical music. Henry Wood was the sole conductor.
Czech conductor Jiří Bělohlávek described the Proms as “the world’s largest and most democratic musical festival”.
The Eight-week Festival is held at the Royal Albert Hall. It moved here during World War 2 after the original venue, the Queen’s Hall, was destroyed in the Blitz in May 1941.
The anniversary was celebrated in London with bonfires and bell-ringing, lighted fire-barrels were rolled along Cheapside. It was, in a way, the precursor to Guy Fawkes Day (1605 onwards). Protestants celebrated it with such joy as it was the end of the reign of her sister Queen Mary I. ‘Bloody’ Mary, as she was named by Protestants, had 287 Protestants burnt at the stake, mostly relatively ordinary people: clergy, apprentices, artisans, and agricultural workers. 60 were women; 67 were Londoners: the majority were of the younger generation, and most from the South East of England.
The executions were overwhelmingly unpopular, ghastly exhibitions of brutality, and in 1555 the weather was very wet so the burnings an even slower form of torture. The savagery was blamed on the old religion and particular the people who came over with Mary’s Spanish husband. Ironically, Philip, in fact, urged caution. When Mary refused to be as lenient to religious dissidents as she was to political ones, he suggested they should, at least, be in private. She felt that as immortal souls were at risks the public nature of the death was a useful deterrent.
So, when, three years later, in 1558, in the early hours of the 17th November (6am) Queen Mary died, London rejoiced. An old regime, a foreign regime, a Catholic regime was sweep away by a young Queen (Elizabeth was 25), with a young Court sworn to protect the new Protestant religion.
Soon, Foxe’s Book of Martyr’s outsold all other books printed except the Bible, and enthusiasm for religious reform morphed into anti-Catholic intolerance.
One of the martyrs in the book is Thomas Tomkins, a weaver and a Londoner from Shoreditch.
Tomkins was a humble but godly man who was kept imprisoned by Bishop Bonner, the Bishop of London, at his Palace at Fulham. Here he was beaten. The Bishop personally beat him around the face and ripped off part of his beard. The beatings continued for six months. Finally, exasperated at his failure to persuade the weaver of his error, Bonner burnt Tomkins hand with a lighted taper until ‘the veins shrunk and the sinews burst’. Bonner wanted to give him a foretaste of the fires of heresy, indeed the very fires of Hell that the weaver faced.
But nothing would avail; Tomkins, simple man that he was, would not accept that bread was made into flesh. (Transubstantiation). He would not say that which he did not believe. So he met his end at Smithfield by fire with his bandaged hand in the reign of Queen Mary on 16th March 1555.
It was a holiday in Germany, France, Holland, England and in Central Europe. People first went to Mass and observed the rest of the day with games, dances, parades, and a festive dinner, the main feature of the meal being the traditional roast goose (Martin’s goose). With the goose dinner, they drank “Saint Martin’s wine,” which was the first lot of wine made from the grapes of the recent harvest. Martinmas was the festival commemorating filled barns and stocked larders.
It was celebrated with Bonfires in Germany, and with St Martins Beef and Mumming plays in England, but, following the Reformation, its place in the Calendar has been taken by Bonfire Day and Halloween.
St. Martin of Tours (died AD397) was a soldier in the Roman Army who would not fight because of his Christian beliefs. When he met a beggar, he cut his cloak in half and shared his cloak. He rose in the hierarchy of the Gallic Church and became Bishop of Tours. He is one of the few early saints not to be martyred and is the saint of soldiers, beggars and the oppressed. Furthermore, he stands for holding beliefs steadfastly s and helping those in need. According to legend, his barge on the River Loire was accompanied by flowers and birds.
Early 20th Century Image of Trafalgar Sq. St Martin’s is in the top right-hand corner.
There are two famous Churches dedicated to St Martin in Central London with possible early origins. St Martin’s in the Fields, near Trafalgar Square, has been the site of excavations where finds show a very early settlement there, with early sarcophagi. It is the one place where a convincing case can be made for continuity between the Roman and the Anglo-Saxon period. It is possible, that the Church was founded soon after St Martin’s death (397AD). A settlement grew up near it, and this expanded to become Lundenwic, the successor settlement to Londinium.
Old Print of London c1540 showing St Pauls, with St Martin’s by the wall to the left of the photo
The other St Martins is St Martins Within, just inside the Roman Gate at Ludgate. Many early churches are found at or indeed above Gates and this one also has legendary links to burial places for King Lud, and for King Cadwallo, or Cadwallon ap Cadfan, one of the last British Kings to have any chance of recovering Britain from the Anglo-Saxons. Geoffrey of Monmouth says that Cadwallo was buried here in a statue of a Bronze Horseman, and thereby to protect London as a ‘Palladium’ (see for more about Palladiums of London. It has been suggested by John Clark, Emeritus Curator at the Museum of London, that Geoffrey of Monmouth might have used the discovery of a Roman Equestrian Statue as an inspiration for the story.
St Martin was also the saint of Travellers, and this might explain the location of the Church near the gate. Although there is nothing but legendary ‘evidence’, it would make sense for an early church to be built near Ludgate, which is the Gate that leads to St Pauls which was founded in 604AD. Although the City might have been mostly empty, the presence of St Pauls means that Ludgate was most likely still in use or at least restored around this period. It also leads, via Fleet Street and Whitehall, almost directly to the other St Martin.
St Martin’s Day was also the time of year when lime plaster was renewed because lime needs to be kept moist when renewed. It takes three to four days to form the calcite crystals that make it waterproof.
(Originally, posted 11 Nov 2021, revised, Nov 2022, and 10 Nov 2023)
Droeshout Portrait of Shakespeare from the First Folio
Four Hundred Years ago, on this day, 8th November in 1623, the First Folio was registered at Stationer’s Hall near the publishing district around St Pauls Cathedral in London. It was actually called
Mr. William Shakespeare’s Comedies, Histories, & Tragedies
It was put together by his actor friends, John Heminge and Henry Condell seven years after his death, and they wanted to replace all the corrupt editions of his plays and poems that had been
“stol’n and surreptitious copies, maimed and deformed by frauds and stealths of injurious impostors”.
The true texts of his plays and poems “are now offer’d to your view cured, and perfect of their limbes; and all the rest, absolute in their numbers as he conceived them.” Wikipedia
In fact, the plays were ready early as they entered in to the catalogues for the Frankfurt Book festival to appear between April and October 1622,- and how amazing is it that, that festival is still the dream of any aspirant writer?
The First Folio offers plenty of proof that Shakespeare was the author of the plays. He left gold rings of remembrance to Heminge and Condell in his Will. They were part of his Players Company, and had worked together on many of the plays. The Folio has forewords by people extolling the virtues of the writer. Enough proof for any reasonable person.
Heminge and Condell are commemorated in the Garden of St Mary Aldermary behind the Guildhall, where they were Churchwardens, and not far from where Shakespeare was living in 1611. True friends.
St Mary Aldermany monument to Shakespeare, Heminge and Condell and the First Folio.
There is a wonderful BBC festival of Shakespeare on at the moment. Have a look at it here:
I have just given a guided walk and a virtual tour of London in the prehistoric period. I rashly promised, as follow-up, a booklist. I have many books that I have found pivotal in shaping my own opinions, but I find myself very reluctant to recommend them in the light of the remarkable new, and recent, DNA discoveries.
The cause of this ‘revolution’ is the Petrous Bone – a small bone in/near the ear from which scientists can extract, without too much damage to ancient skeletons, a reliable source of ancient DNA. Previous studies were done on modern DNA and extrapolating backwards. Now, archaeologists can, relatively cheaply, investigate (and often debunk) archaeological theories about the spread of human cultures.
It is a salutary story. Early archaeologists had, what you might call, a colonial, diffusionist model of the past. So when a new culture was identified, normally on the back of the arrival of a new form of pottery. It was interpreted as being spread by diffusion, normally from the ‘civilised’ fertile crescent to barbaric pre-literate Europe. Hence, Stonehenge was thought to be built by a prince from Mycenae, on the basis of the Lion Gate in Mycenae having vague similarities with the Trilithons at Stonehenge (and other diffused cultural markers). And with a viewpoint, that the uncivilised Britons would not be able to build something so amazing!
Archaeologists in the 1970s rejected this imperialist model and preferred to think that cultures need not depend on advances from their betters, nor should ‘invasion’ be allowed to be the main means of technical and cultural advancement. The advent of Radio Carbon Dating profoundly affected how the past was dated, and showed that diffusionist chronologies, often, did not stand up. And thus Stonehenge was freed from cultural imperialism, and we Brits could take all the credit. And Prehistory lost a whole host of ‘invasions’ and ‘migrations’, and a start was also made on diminishing the centrality of the ‘invasions’ at the core of the Anglo/Saxon/Viking migrations into Briton.
Along comes the petrous bone and the development of the study of Ancient DNA, and we discover, in the last couple of years, that:
Farming was indeed introduced from the Continent, around 4000BC and the DNA of the UK was largely (but not completely) replaced by incomers. So it was not the Mesolithic hunter gathers who adopted farming but the ‘Western Neolithic’ people who settled bringing in sheep, cows, goats, pigs, wheat, oats, rye, barley, polished axes and pottery.
The Beaker Folk, DNA now tells us, came from abroad around 2,500 BC. Originally from the Steppes via the Netherlands, and their DNA replaced all but 10% of the Western Neolithic DNA. This happened at about the same time as Stonehenge was remodelled with the giant Trilithons.
So we now have at least 3 major population replacements before the coming of the Romans, Saxons, Vikings and Normans. Very annoying to find that those old-fashioned imperial archaeologists of the early 20th Century had it more correct than the enlightened archaeologists of the Late 20th Century.
View of London from the SE as it might have looked before the Roman Invasion
So to my book list. Firstly, you will have noted above that I have linked the stories to reliable websites, so you can get further information. Here are a few other important websites:
As to books, I suggest the best start is to read Mike Parker Pearson’s ‘Stonehenge A Brief History, Bloomsbury Academic 2023’ because it is up-to-date and Pearson has considered the DNA studies noted above.
For similar reasons and for a more general introduction to Britain in the Prehistoric period, you could try:
Roberts, Alice ‘Ancestors: A Prehistory Of Britain In Seven Burials ‘ Publisher: Simon & Schuster Ltd 2022
which has good reviews, but I have not yet read it.
I know that neither is about London, but the only ‘book’ on Prehistoric London I have is:
Merriman, N ‘Prehistoric London’ Museum Of London, 1991
And this is more of a booklet than a full academic book. There is another book, but then it was published in 1914:
Prehistoric London : its mounds and circles / by E.O. Gordon ; with appendices by John Griffith. Volume c.1 1914
For the period just before the Roman Invasion, I would highly recommend reading Julius Caesar’s opinions on Prehistoric Britain.
Caesar, Julius (ed Anne & Peter Wiseman). ‘The Battle For Gaul’ Chatto And Windus Ltd, London 1989
Peter Wiseman was my Professor at University, and it is an excellent introduction, still available new but also cheaply second hand at Abebooks.
You will find some interesting, relevant passages in my book:
Flude, Kevin ‘In Their Own Words – A Literary Companion To The Origins Of London’ D A Horizons, 2009
You can buy a hardback copy from me for £5 plus postage (email me, kpflude@chr.org.uk) or from Amazon in a Kindle version.
I published the following post about Hardy’s Tree on 28th December 2022. Here, follows the original post and an update which suggests the tree and the gravestones were not erected by Thomas Hardy.
This is the day that Herod ordered the slaughter of the Innocents, or Childermas, and I am glad to see that my Grandson is now older than Herod’s prescription.
Hardy’s Tree in St Pancras Church, Camden, London has fallen down. Hardy was an architect and worked in London for a while, where one of his jobs was to supervise the clearance of the graveyard. Several poems of Hardy refer to the removal of graves from their original positions and in this case, the gravestones were set around an Ash tree that inspires many, including my Central St Martin’s students who used it in a project recently. So, I was shocked to read a Guardian article (since deleted) which noted the sad demise of the Tree.
Extracts from one of several Hardy Poems about moving graves and gravestones follow, but I need to update the post about the connection to Hardy. The Guardian has now got an article which suggests the connection with Hardy is a more recent one than previously thought (Guardian article).
I (and I think the Guardian) were alerted to this by the work of Lester Hillman, who wrote a Churchyard Guide and a recent pamphlet about the Tree, which is reported in ‘Context ISSN 1462-7574’. This is the Journal of the City of London Archaeological Society. Evidence proves that the Ash Tree dates to the 1930s, and that the mound of gravestones is from burials relocated from St Giles in the Fields, and therefore unlikely to have been in St Pancras at the time Hardy was responsible for clearing it.
So it is not ‘the’ Hardy Tree, but then nor was the tree at Sycamore Gap anything to do with Robin Hood. What it was, was a beautiful piece of nature, in a poignant setting. May she rest in peace.
The Levelled Churchyard Thomas Hardy
O Passenger, pray list and catch Our sighs and piteous groans, Half stifled in this jumbled patch Of wrenched memorial stones!
We late-lamented, resting here, Are mixed to human jam, And each to each exclaimed in fear, I know not which I am.
Where we are huddled none can trace, And if our names remain, They pave some path or porch or place Where we have never lain!
The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia
I have been away leading a tour of Quintessential Britain for Road Scholar and have fallen behind. And I had a few almanac days waiting for the right day to come! And now they have passed. But, I need them in the Almanac, so here is the beginning of a July catching up exercise.
The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods. Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda. So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.
One is therefore immortal and the other isn’t. They had many adventures including sailing with Jason as Argonauts.
According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while he spent his eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal on Mount Olympus. Thus, they are the epitome of brotherly love.
Their sisters were, no less than Helen of Troy, and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta. The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed on the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.
Neither mind the Brothers, what Sisters! Helen you know but Clytemnestra was the wife of Agamemnon, the arrogant leader of the Greeks. On the way to retrieve Helen from Troy, the Greek Fleet is becalmed. So Agamemnon sacrifices his own daughter, Iphigenia, on the island of Aulis to get a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)
Meanwhile, Queen Clytemnestra, abandoned at home broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war Agamemnon comes back, in triumph from the destruction of Troy, with his prize the Trojan Princess, Cassandra. Strutting with arrogance he demands Clytemnestra prepare him a bath and she gives him the hottest bath possible and, with the help of her lover, hacks Agamemnon to pieces.
Cassandra prophesizes that she too will be killed, but she has been cursed with ability of accurate prophecy twinned with the inability to get anyone to believe her. So she is also slaughtered.
I visit John Collier’s painting regularly and am fascinated by her grim expression. (Sadly she has recently come off display at the Guildhall Art Gallery).
In the 18th/19th Century rich people were into ‘attitudes’. For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats. She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or some other classical beauty. She would assume an appropriate facial expression and posture to everyone’s pleasure.
Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’
Clytemnestra is more difficult! I imagine Collier’s model being prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.
Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle.
The model was called Dorothy Dene. She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895. Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.
I have one of those half million prints on my bedroom wall.
Print of Flaming June by Lord Leighton
Before we finish do have a look at John Collier’s Wikipedia because he is the most ridiculously well connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).
European Twin Gods
It is suggested that twin male gods are a feature of indo-european religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue people lost at sea. St Elmo’s fire was said to be the way they manifested their divinity to sailors. Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.
On the 10th April 2023, Heritage England announced on its webpage, that they had listed a Bank which contained the world’s first ATM Machine. Barclays Bank choose its Enfield Branch for this honour which opened on 27th June 1967. Above, you will see local celebrity, Reg Varney (in hat), a star of a very popular and ‘corny’ sitcom called ‘On the Buses.’ opening the new machine. It miraculously delivered a £10 note without any human intervention, and offered access to money after banking hours.
1967 Ten pound note
Barclay’s had previously launched the UK’s first credit card, and selected Enfield to be the place where they launched an automatic machine to dispense money – nicknamed ‘money machines’ in the UK. The customer was issued a ‘punched card’ and had to enter a PIN for the magic to be initiated. Barclays were developing the idea of a magnetic strip on a card at the same time.
Google Street View image of the Enfield Barclays Bank (screenprinted 15/07/23)
The building, which has a plaque and a gold-painted modern ATM, is Grade II listed and so should be protected from development in future. The building itself is an interesting, almost typical, late Victorian red brick commercial building, with fine details in the Flemish Renaissance style by William Gilbee Scott. Scott lived in Enfield.
I look forward to visiting it on my next visit to Enfield Lock on my narrow boat Mrs Towser.
St John the Baptist Church, Walbrook. London. From the online Agas Map
On my post of June 3rd I wrote about the street festivals in the Tudor City of London to celebrate the feast day of saints. I promised to continue the story on the Feast day of St John (24th June). This is set out in full below. It includes the Feast Day of St Peter and Paul (29th June) What is amazing is the scale and the expense of the celebrations.
These Saints are some of the most important in the Christian Calendar. John being the forerunner to Jesus and his cousin, and Peter and Paul being the apostles who, more than anyone else, created the Christian Church.
There are also pagan rituals associated with the Feast of St John. Here is an example of French pagan solstice fires:
“They were lit at the crossroads in the fields to prevent witches and sorceresses from passing through during the night; herbs gathered on Saint John’s Day were sometimes burned to ward off lightning, thunder and storms, and it was thought that these fumigations would ward off demons and tumults.”
For more information, have a look at ‘French Moments’ here:
The Feast of St John is often described as being on the Summer Solstice, it isn’t by modern reckoning, but nor is December 25th the Winter Solstice. But they were celebrated as such by Christians, and the Solstice can be thought of as spread over 3 or 4 days (or more if taking into account Solstice Old style. The major events of the sun and the moon were linked into Christian theology and symbolism. Jesus, son of God, would clearly have arrived on the auspicious time of the Winter Solstice. His cousin, John the Baptist, came to tell the world about the coming of Jesus and so his birthday was exactly 6 months before at the Summer Solstice.
St John is also special as most Saint’s Days are linked to the day of their death, but June 24th is the birthday of St John. His beheading by Herod is commemorated on 29th August.
St John the Baptist upon Walbrook in the City of London is first mentioned in the 12th Century, burnt down and not rebuilt after the Great Fire of London. The parish was united with St Antholin, Budge Row, The Graveyard survived until 1884 when the District Line destroyed most of the Graveyard and the bones were reinterred below a monument, which can still be seen in Cloak Lane.
Here is what John Stow tells us about the processions on the night before the feast of St John (24th June) and St Peter and Paul (29th June):
On the vigil of St. John the Baptist, and on St. Peter and Paul the Apostles, every man’s door being shadowed with green birch, long fennel, St. John’s wort, orpin, white lilies, and such like, garnished upon with garlands of beautiful flowers, had also lamps of glass, with oil burning in them all the night; some hung out branches of iron curiously wrought, containing hundreds of lamps alight at once, which made a goodly show, namely in New Fish street, Thames street, etc.
Then had ye besides the standing watches all in bright harness, in every ward and street of this city and suburbs, a marching watch, that passed through the principal streets thereof, to wit, from the little conduit by Paule’s gate to West Cheape, by the stocks through Cornhill, by Leaden hall to Aldgate, then back down Fenchurch street, by Grasse church, about Grasse church conduit, and up Grasse church street into Cornhill, and through it into West Cheape again.
Grasse Church Street is Gracechurch Street.
The whole way for this marching watch extendeth to three thousand two hundred tailor’s yards of assize; for the furniture whereof with lights, there were appointed seven hundred cressets, five hundred of them being found by the companies, the other two hundred by the chamber of London.
Note a cresset is: a ‘metal container of oil, grease, wood, or coal set alight for illumination and typically mounted on a pole’ (Wikipedia).
Besides the which lights every constable in London, in number more than two hundred and forty, had his cresset: the charge of every cresset was in light two shillings and four pence, and every cresset had two men, one to bear or hold it, another to bear a bag with light, and to serve it, so that the poor men pertaining to the cressets, taking wages, besides that every one had a straw hat, with a badge painted, and his breakfast in the mornings amounted in number to almost two thousand.
The marching watch contained in number about two thousand men, part of them being old soldiers of skill, to be captains, lieutenants, serjeants, corporals, etc., wiflers, drummers, and fifes, standard and ensign bearers, sword players, trumpeters on horseback, demilances on great horses, gunners with hand guns, or half hakes, archers in coats of white fustian, signed on the breast and back with the arms of the city, their bows bent in their hands, with sheaves of arrows by their sides, pike-men in bright corslets, burganets, etc., halberds, the like bill-men in almaine rivets, and apernes of mail in great number;
there were also divers pageants, morris dancers, constables, the one-half, which was one hundred and twenty, on St. John’s eve, the other half on St. Peter’s eve, in bright harness, some overgilt, and every one a jornet of scarlet thereupon, and a chain of gold, his henchman following him, his minstrels before him, and his cresset light passing by him, the waits of the city, the mayor’s officers for his guard before him, all in a livery of worsted, or say jackets party-coloured, the mayor himself well mounted on horseback, the swordbearer before him in fair armour well mounted also, the mayor’s footmen, and the like torch bearers about him, henchmen twain upon great stirring horses, following him.
The sheriffs’ watches came one after the other in like order, but not so large in number as the mayor’s; for where the mayor had besides his giant three pageants, each of the sheriffs had besides their giants but two pageants, each their morris dance, and one henchman, their officers in jackets of worsted or say, party-coloured, differing from the mayor’s, and each from other, but having harnessed men a great many, etc
Screen Shot of the Virtual Tour of the Sir John Soane Museum
The Sir John Soane Museum is my second favourite London Museum. It’s the place I choose to take people who don’t know London. What I like about it is the atmosphere. It’s not a place I go because of the collection, it’s a place I go because I’m just awestruck when I enter the doors.
Architect Soane, made a Museum of his house, filling it with architectural and sculptural pieces but also some stupendous Art, particularly paintings by William Hogarth. But that isn’t my motivation to keep going back. It’s the Picture Room (and the domed ceilings). Soane had a great collection of paintings, but not enough walls. What he did was to design the Paintings Room. When you visit you go in, admire the paintings on the wall, and the attendant comes in, opens a shutter, and behind the great paintings are another wall of great paintings. And then he opens another set of shutters, and there, is another feast for your eyes.
Now, they have made high quality digital images of the rooms, and put them together using photogrammetry into a digital model which you can explore.
So, feast your eyes on it here: (choose Picture Room from the three options).
It’s not quite as user-friendly as it might be. Firstly, when the tour delivers you to the Picture Room, you have to take over control to go in and explore the 360 degree image of the room. Unfortunately, the pictures are not clickable, so you cannot get information about them from here. Also, the ‘hot spots’ which allow you to open the shutters, only reveal themselves, on my computer, if you approach them at a certain angle.
But don’t let this put you off, I’m sure you will find your way around. So go into the Room, look around, move the cursus, and you will see little signs pop up which open and close the shutters. Really, do try it! There are a couple of other rooms to explore too.
Oh, and the Dome Ceilings? Soane was a specialist in buildings that didn’t want windows in normal places. He was the architect of the Bank of England where windows in the walls were a security risk, and also of London’s first purpose built art gallery – the Dulwich Picture Gallery. Windows reduced the space for paintings, so he designed special low domed ceilings, and the Soane Museum is full of his experimentation in the form.
Scara Brae Three D Model
Another delight is the 3D model of Scara Brae which allows you to explore the Neolithic village, and walk around it. There are labels on this one, so you do get information too.
360 Degree Panorama Virtual Tours. My part in their development.
I was an early adopter of this form of virtual reality, setting up virtual tours of the Old Operating Theatre Museum in the 1990’s. I have a draft post of this which I have been awaiting time to finish, which I hope to finish soon….
Thanks to the Museum’s Journal article on Photogrametry of May/June 2022 for the two examples above.
