Category: World

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St Germanus Day & Original Sin July 31st

St Germanus of Auxerre, Window in St Paul’s parish church, Morton, Lincolnshire, made by Sir Edward Burne-Jones and William Morris in 1914. Photo by Jenny of Jules & Jenny from Lincoln, UK (CC BY 2.0 Wikimedia Photo by Jenny of Jules & Jenny from Lincoln, UK)

St Germanus is the source of one of the few contemporary references to Britain in the 5th Century (the Dark Ages). One of his followers wrote his life story. The Saint, a Bishop in France, was sent to Britain because the Pelagian Heresy was endangering the Catholic version of Christianity. Pelagius was a highly educated British (or possibly Irish) priest who moved to Rome in the late 4th Century. He lived by a strict moral code, attacking Catholic laxity and opposing St Augustine of Hippo’s theory of Divine Grace. By contrast, Pelagius promoted human choice in salvation and denied the doctrine of original sin. Wikipedia tells us that he:

considered it an insult to God that humans could be born inherently sinful or biased towards sin, and Pelagius believed that the soul was created by God at conception, and therefore could not be imbued with sin as it was solely the product of God’s creative agency.

17th Century print of Pelagius

Germanus was sent to Britain, where he confronted Pelagian converts in a public debate which is thought to have taken place in a disused Roman amphitheatre. The author is not interested in Britain, per se, so does not tell us which town it was, but, it is mostly assumed to be St Albans, although London is possible.

In the stadium, the Saint and his acolytes confound the heretics and, so, convert the town’s people sitting watching the debate. St Germanus goes to a nearby shrine of St Alban to thank God, falls asleep in a hut, and is miraculously saved from a fire. He then comes across a man called a Tribune, and helps defeat a Saxon army in the ‘Alleluia’ victory. The importance of all this is that it, in about 429AD, gives us a few glimpses of Britain two decades after the Romans have left, and that Britain stayed in the Catholic fold.

The British Bishops were led in their heresy by someone called Agricola. The writer describes these bishops as ‘conspicuous for riches, brilliant in dress and surrounded by a fawning multitude’. The use of the title ‘Tribune’ in the story suggests Roman administrative titles are still in use 19 years after the date of the ‘formal’ end of Roman Britain, 410AD. The Alleluia victory over the Saxons also gives us an early date for Saxon presence in the country as an enemy.

St Albans is the favoured choice for the location of the event because, Bede tells us St Albans was born, martyred and commemorated in Verulamium, now called St Albans. Archaeology shows possible post Roman occupation of the town. And it has a famous Amphitheatre.

However, Gildas, who is writing 200 years or more before Bede, tells us St Alban was born in Verulamium but martyred in London, which makes sense as London was the late Roman Capital and more likely to be the site of a martyrdom. There is also a church dedicated to St Albans close to the Roman Amphitheatre, where Gildas tells us the execution took place. The Church cannot, unfortunately, be, archaeologically dated back to 429AD.

Bede’s account of the martyrdom of St Albans is also somewhat farcical, as God divides the waters of the River Ver for Alban to get to his martyrdom more quickly. The bridge was said to be full of people walking to witness Alban’s execution, and blocking Albans path to Heaven. But the Ver is but a piddle, and it would be easy to walk over without needing wellington boats, let along a miracle to get to the otherside. This story is much more impressive,in Gildas’ version who has the miraculous crossing over the River Thames.

Had Pelegius won and the Roman Church had a more optimistic view of the human spirit, would it have made any difference? It’s a big question, but maybe it would have left less room for pessimism and guilt?

Frances Marsden on Quora wrote:

What were the effects of original sin? …. it damaged our relationship with God. He seemed distant, we became mistrustful. We lost sanctifying grace. The weakening of the will, making us more prone to temptation. The darkening of the intellect. Increased vulnerability to sickness and disease. Spiritual death.

Germanus died in Ravenna.

For more on Nick Fuentes and his theories on St Germanus, St Patrick and King Arthur click here:

For St Germanus and St Genevieve click here:

First written in January 2023, copied to its own page in July 2024.

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Twin, Twins – Festival of Castor and Pollux July 15th

The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia

The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods.   Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda.  So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.

One is therefore immortal and the other isn’t.   They had many adventures including sailing with Jason as Argonauts.

According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend  eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus.  Thus, they are the epitome of brotherly love.

Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.

It happened like this.  The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed.  On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.

Leda and the Swan, 16th-century copy after the lost painting by Michelangelo

Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks.  On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)

painting of Clytemnestra after she has slaughtered her husband Agamemnon _by_John_Collier,_1882 (Wikipedia Guildhall Museum)
Clytemnestra_by_John_Collier,_1882 (Wikipedia Guildhall Museum)

Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.

Cassandra prophesizes that she too will be a victim.  She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.

I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.

In the 18th/19th Century rich people were into ‘attitudes’.  For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats.  She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of.  She would assume an appropriate facial expression and posture for everyone’s pleasure. 

Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’

Being Clytemnestra is difficult! I imagine Collier’s model being  prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.

Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle. 

Leighton’s model was Dorothy Dene.  She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895.  Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.

I have one of those half million prints on my bedroom wall.

Print of Flaming June by Lord Leighton

Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).

For more on Flaming June see my blog post of 12 July 2024

European Twin Gods

It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue  people lost at sea.   St Elmo’s fire was said to be the way they manifested their divinity to sailors.   Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.

First written in 2023 updated in July 24.

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Fête Nationale Française. Le 14 juillet. Bastille Day July 14th

French Revolutionary Month of Messidor (June-July)

Today, is the French National Day, le Quatorze Juillet, the day to celebrate the storming of the infamous Bastille on 14 July 1789. It was a symbol of Royal oppression, but only had 7 relatively insignificant prisoners on the day it was stormed. 200 attackers and 1 defender were killed in the first round, and then the Commander surrendered to avoid more deaths, but was then himself killed with 7 of his soldiers. But it was symbolic of the collapse of the old order.

I wrote about the French Revolutionary Calendar earlier in the year which introduced a rational non-christian calendar to France.

Here is an except of what I wrote about the names of the new months:

I’m going to begin by giving you the names (of the months) as reported, satirically, by John Brady in England 1811 (starting with ‘October’ and separating seasons by semicolons).

Wheezy, Sneezy and Freezy; Slippy, Drippy and Nippy; Showery, Flowery
and Bowery; Hoppy, Croppy and Poppy.

The official name of this month was Messidor (or ‘hoppy’ in the list above). You might like to have a look at the post below to celebrate the French National Day. The 14th July was the day named after Sage in the Month of Messidor.

The French Revolution’s Solar Year — January 2nd

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Sandals of the Saints

Copy of the Last Supper by Leonardo da Vinca at the Collection Gallery, Royal Academy, UK
(Copy made 1515-1520, and was in the Carthusian Monsatery at Pavia in the 17th Century before being brought to the RA in the 19th Century)

Whilst visiting Flaming June at the RA, it was nice to have another look at the Last Supper. What strikes me most is their sandals (and the beautifully pressed table cloth).

Detail of the RA copy of the Last Supper

Details that bring the past to life. The shoes would surely sell today, while the table cloth really destroys the common idea that the past was dirty and smelly. It wasn’t. People took pride in their appearance and surroundings. Just look at the ironing!

Here, by way of contrast, is a medieval shoe from the 14th Century from the Museum of London. And this is a link to the Museum of London’s collections of medieval shoes, most have been collected from excavations, and it is one of the best collections.

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Discovering Mary Beale in Pall Mall, Flaming June in Piccadilly

Philip Mould Galley,Bond Street.The home of painter Mary Beale

Yesterday, I was asked to do two Jane Austen’s London walks.  The walk explores Mayfair, where her brother, Henry lived and had his Bank, and where Austen placed the central drama of Sense and Sensibility. I decided to use the time between the walks to look for a shopping mall which dates back to Jane Austen’s time, but I got diverted as I saw a sign for a free exhibition on Mary Beale in Pall Mall. 

Mary Beale is that rare beast; a professional female artist of the 17th Century (1633-1699). So, I double-checked the ‘free entry’ notice because this was a posh West End private art gallery and the name Philip Mould was familiar.  I went in and realised that this was something special. I returned to the entrance to ask the very friendly staff whether I could take photographs.  ‘Yes, of course, they said.’ much to my surprise.

Mary Beale Exhibition sign.

Downstairs, the art of Mary Beale was beautifully displayed, and the exhibition had a very interesting story to tell, which was well-told, using excellent labels and a film narrated by Philip Mould.  He was, as I thought, the co-presenter of ‘Fake or Fortune’ (with Fiona Bruce, newsreader and anchor of the BBC’s Antiques Roadshow). This is a BBC art programme which is in its 12th Series. The conceit of the show is that they investigate dubious paintings to find out whether they are genuine or not.

The film revealed that Philip Mould opened his Art Gallery here over a decade ago, but research has recently discovered that this is the very address where Mary Beale had her studio.

Scene shot of Philip Mould in the Mary Beale Exhibition in his short film shot in his Art Gallery.

Her career is not only remarkable in itself, but it was recorded in great detail by her husband. She was the bread winner.  He was her partner, and in effect the studio manager. In correspondence, he describes her as his ‘dearest heart’. 

Self-Portrait of Mary, with her husband and son

It was a family business and their children also worked as painting assistants, doing draperies and other background details.   Her paintings gave them an income of around £200 a year, which is not riches but, by comparison, a labourer got about £30 a year.

She was associated with Sir Peter Lely, the Court painter who succeeded Van Dyke. Mary Beale made copies of many of his paintings.  She also painted many pictures of her family.

Mary Beale’s painting after Sir Peter Lely’s portrait of Charles II

There are several excellent short films about Mary Beale on the Gallery’s web site, which is well worth a visit. The exhibition ends on the 19th July, but there is also, for you to see, Tate Britain’s exhibition ‘Now you see us’ which is the story of British female artists from the 1520’s to 1920.

On the way back from the Gallery, I popped into the Royal Academy to renew an old acquaintance with ‘Flaming June’ by Lord Leighton, a copy of which hangs on my bedroom wall, and which is on one of its rare visits to the UK. There is also the statue of the Sluggard and it’s all free to view.

Flaming June by Lord Leighton
The Sluggard by Lord Leighton

It is days like this, that you realise what a wonderful thing it is to live in London. All this superb art, and all without laying out a penny (travelling on my free travel pass too!).

I wrote about Flaming June in a post you can read here.

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July Julius Caesar’s Month

July – Kalendar of Shepherds 15th Century

July is named for Julius Caesar. Originally, the Roman Month was called Quintilis, as it was the fifth month of the Roman calendar, which originally started in March. Caesar reformed the calendar in 44BC and the Senate renamed the month after him.

It is called Lúil in Irish and Gorffennaf in Welsh. In Anglo Saxon July was Æfteraliða, or “after-mild;”, Liða, means “mild” or “gentle,” or the period of warm weather around Midsummer. June is Arraliða, or “before-mild”.

It is on average the warmest month in most of the Northern Hemisphere, where it is the second month of summer. The star signs for July are: Cancer (until July 22) and Leo (July 23 onwards),

‘

July is the month of Haymaking, as you can see from the July image (above from in the Kalendar of Shepherds). To find out more, wait for the next post.From the Kalendar of Shepherds comes this description of July.

First published, in 2023 and republished in 2024.

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Ovid abandons the ‘Fasti’ Ovid June 30th

OVID 19TH CENTURY ENGRAVING BY j w cOK
OVID 19TH CENTURY ENGRAVING BY J W COOK

If you want to read Ovid’s almanac of the year, the ‘Fasti’, for yourself, this is the translation I am using.

Fasti is sadly unfinished because Pūblius Ovidius Nāsō was exiled by the Emperor Augustus. The last entry is for 30th June where Ovid writes: ‘put the last touches to my undertaking’. It suggests he knew he was finished, despite only being halfway through the year.

He was exiled to the Black Sea at Tomis where he died ten years later. It is not clear exactly why he was exiled. Ostensibly it was for the immorality of his book ‘The Art of Love’. But that was published almost a decade earlier. So, it seems a strange cause for exile.

Was he involved with a plot against Augustus that saw the Emperor’s own daughter exiled? Her lover was Lullus Antonius, son of Mark Antony. Unlike Julia’s other lovers, he was forced to commit suicide.

Sculpture of Julia the Elder, daughter of Augustus, divorced wife of Tiberius Public Domain . Musée Saint-Raymond in Béziers

But this also happened years before Ovid’s exile. Julia’s daughter, Julia the Yonger, was herself exiled closer to the time of Ovid’s exile. Her husband, Lucius Aemilius Paullus, was executed for treason. So, might this be the context of his exile? No one knows. Ovid said the reason for his exile was a ‘poem and a mistake’. The nature of that mistake is not recorded but he said the crime was worse than murder and more harmful than poetry.

Here is one of my favourite Ovid quotations. Here he recommends how the aspiring male should dress for a night out on the town:

Don’t torture your hair, though, with curling-iron: don’t pumice
Your legs into smoothness. Leave that
To Mother Cybele’s votaries, ululating in chorus
With their Phrygian modes. Real men
Shouldn’t primp their good looks …

… Keep pleasantly clean, take exercise, work up an outdoor
Tan; make quite sure that your toga fits
And doesn’t show spots; don’t lace your shoes too tightly,
Or ignore any rusty buckles, or slop
Around in too large a fitting. Don’t let some incompetent barber
Ruin you looks: both hair and beard demand
Expert attention. Keep your nails pared, and dirt-free;
Don’t let those long hairs sprout
In your nostrils, make sure your breath is never offensive.

Avoid the rank male stench
That wrinkles noses. Beyond this is for wanton women –
Or any half-man who wants to attract men.

Ovid, The Art of Love i

The translation is from Green, Peter (Trans) ‘Ovid The Erotic Poems’ Penguin Classics, London 1982‘

Mother Cybele’s votaries were castrati, hence their high-pitched voices. The Cybele, the Mother Goddess, fell in love with Attys, who made her jealous. She made him mad, whereupon he castrated himself and bled to death. The Goddess had him resurrected body and soul. They enjoyed divine bliss ever after. A Cybelian castration device, dredged out of the Thames, can be seen in the Roman Gallery of the British Museum.

photo of Castration Device from the River Thames at London Bridge British Museum Photo kevin flude
British Museum Castration Device from the River Thames at London Bridge Photo: K Flude

The paragraph above is a quotation from In Their Own Words – A Literary Companion To The Origins Of London‘ D A Horizons, 2009.  by Kevin Flude

To buy the Kindle or Paperback version click here.  

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World’s First ATM Honoured. Digital Heritage June 27th 1967

Screenshot from Londonist Web Page

On the 10th April 2023, Heritage England announced on its webpage, that they had listed a Bank which contained the world’s first ATM Machine. Barclays Bank chose its Enfield Branch for this honour which opened on 27th June 1967. Above, you will see local celebrity, Reg Varney (in hat), a star of a very popular and ‘corny’ sitcom called ‘On the Buses.’ opening the new machine. It miraculously delivered a £10 note without any human intervention, and offered access to money after banking hours.

1967 Ten pound note

Barclay’s had previously launched the UK’s first credit card, and selected Enfield to be the place where they launched an automatic machine to dispense money – nicknamed ‘money machines’ in the UK. The customer was issued a ‘punched card’ and had to enter a PIN for the magic to be initiated. Barclays were developing the idea of a magnetic strip on a card at the same time.

Google Street View image of the Enfield Barclays Bank (screenprinted 15/07/23)
Google Street View image of the Enfield Barclays Bank (screenprinted 15/07/23)

The building, which has a plaque and a gold-painted modern ATM, is Grade II listed and so should be protected from development in future. The building itself is an interesting, almost typical, late Victorian red brick commercial building, with fine details in the Flemish Renaissance style by William Gilbee Scott. Scott lived in Enfield.

I look forward to visiting it on my next visit to Enfield Lock on my narrow boat Mrs Towser.

First published in June 2023 and republished in 2024

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June & July – Street Parties in London on the Vigils of Feast Days

Image from the Agas Map of London Civitas Londinum is a bird’s-eye view of London first printed from woodblocks in about 1561
Civitas Londinum is a bird’s-eye view of London first printed from woodblocks in about 1561

John Stow, author of the ‘Survey of London‘ first published in 1598, tells us that there were bonfires and street parties in the City throughout June and July on the Vigils of Festivals. The Vigil is the evening before a festival. A custom that might owe a little to the Celtic choice of dusk as the beginning of the new day.

Front cover of the Survey of London by John Stow
Front cover of the Survey of London by John Stow

Stow does not give a list of the vigils thus celebrated and only mentions those of St John the Baptist and of St Paul and St Peter, (which fall later in June, when I will post about them). But I would guess it would include prominent Saints in the Catholic Calendar, and also Saints with London Churches or Chapels named after them. These might include: St Botolph, St Alban, St James, St Thomas, St Margaret, St Wilgerfortis, St. Mary Magdalen, St Bridget, St James, as well as Saints John, Peter, and Paul. I’m guessing that City wide celebration would be reserved for the most important Saints, and with local celebrations for the Saint on the local Church. I am assuming these celebrations were ended or much reduced after the Reformation.

Here is his introduction to the Vigil celebrations.

‘In the months of June and July, on the vigils of festival days, and on the same festival days in the evenings after the sun setting, there were usually made bonfires in the streets, every man bestowing wood or labour towards them; the wealthier sort also, before their doors near to the said bonfires, would set out tables on the vigils, furnished with sweet bread and good drink, and on the festival days with meats and drinks plentifully, whereunto they would invite their neighbours and passengers also to sit and be merry with them in great familiarity, praising God for his benefits bestowed on them. These were called bonfires as well of good amity amongst neighbours that being before at controversy, were there, by the labour of others, reconciled, and made of bitter enemies loving friends; and also for the virtue that a great fire hath to purge the infection of the air. ‘

He goes on to describe a large scale City wide celebration, which is probably a description of the Midsummer festivities, which I will present on the 21st June.

John Stow is one of the most important sources for Tudor and Medieval London. He was a Londoner, buried in St Andrews Undershaft (see map above), who wrote up all he could glean about London. I use him all the time – for example, on my Wolf Hall Tudor London Walk, which I am doing tomorrow. Stow’s Survey of London can be accessed online, in full, here: or via the wonderful online Agas Map, from which the map above came from.

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May Posts & Medieval Royal Horses

Medieval illumination of a medieval tournament

I’ve been taking groups around Britain from London to Edinburgh and have fallen behind on my postings.

So, I am going to post a few posts today to put them on my Almanac of the Past. They will be brief, and will be worked up for a re-publication in greater length next year.

Archaeological Discoveries at Elverton St. Westminster

Near the site of the medieval jousting arena in Westminster, London at Elverton St, archaeologists, nearly 30 years ago, excavated a Cemetery which contained the remains of horses. The University of Exeter has recently revealed the results of their analysis of the horses’ bones. The 15 animals studied were found to be above average in height, and marked by a life where they had been worked hard. Analysis of their teeth suggested they came from as far afield as Scandinavia, the Alps, Spain, and Italy.

Three of the animals are the largest found in England at the time. The findings suggest they might be from a Royal Stud farm, providing war, jousting or hunting animals for the elite.

For more details read: https://www.bbc.co.uk/news/uk-england-london-68632099