Twin, Twins – Festival of Castor and Pollux July 15th

The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia

The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods.   Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda.  So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.

One is therefore immortal and the other isn’t.   They had many adventures including sailing with Jason as Argonauts.

According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend  eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus.  Thus, they are the epitome of brotherly love.

Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.

It happened like this.  The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed.  On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.

Leda and the Swan, 16th-century copy after the lost painting by Michelangelo

Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks.  On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)

painting of Clytemnestra after she has slaughtered her husband Agamemnon _by_John_Collier,_1882 (Wikipedia Guildhall Museum)
Clytemnestra_by_John_Collier,_1882 (Wikipedia Guildhall Museum)

Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.

Cassandra prophesizes that she too will be a victim.  She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.

I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.

In the 18th/19th Century rich people were into ‘attitudes’.  For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats.  She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of.  She would assume an appropriate facial expression and posture for everyone’s pleasure. 

Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’

Being Clytemnestra is difficult! I imagine Collier’s model being  prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.

Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle. 

Leighton’s model was Dorothy Dene.  She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895.  Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.

I have one of those half million prints on my bedroom wall.

Print of Flaming June by Lord Leighton

Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).

For more on Flaming June see my blog post of 12 July 2024

European Twin Gods

It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue  people lost at sea.   St Elmo’s fire was said to be the way they manifested their divinity to sailors.   Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.

First written in 2023 updated in July 24.

Mars, Vesta & the Sabine Women March 6th

a sketch of several books of Swan vesta matches
Sketch of Swan Vesta Matches

For March 6th, Ovid in his Almanac Poem called ‘Fasti’ (Book III: March 6) tells the story of Vesta, who in Greek, is Hestria, and is depicted on the Parthenon Marbles, standing near Zeus and Athene. She was the Goddess of the Hearth, of the fire that keeps families warm, and fed. She had 6 Virgins as her Priestesses, and they had to remain 30 years, from before puberty, as a virgin or they suffered burial alive. Any partners in sin were beaten to death. At the end of their term they could marry, retire, or renew their vows.

At the beginning of Book 3 Ovid tells us the story of Rome’s foundation, and how Mars took Silvia the Vestal while she slept. She later gave birth to Romulus and Remus

The Vestal Virgins tended Vesta’s hearth, and it was not supposed to go out, as it had, in theory come from Troy with Aeneas. Also, housed in Vesta’s Temple was the Palladium, which was a wooden status of Pallas Athene, that kept Troy, then Rome free from invasion. Odysseus and Diomedes had stolen it just before the Trojan Horse episode ending the 10-year-long Trojan War.

(I just asked that question of Google, and he/she/it said it lasted 1hr 55 minutes. On closer examination, Google highlighted a reference to a film about Troy! I have a strong feeling that Google search is getting worse as the AI engines take over the control of the search from database search engines. Once upon a time, Google used to fetch what you asked for. Now it acts like a modern quiz show – giving the answer that will please most people! Finding anything specific is much harder than it was. Or so I think.)

The Temple of Vesta was in Rome’s Forum, and it was a circular temple or a Tholos. Next to the Sacred Shrine at Bath was a circular Tholos, which may have been dedicated also to Vesta.

photo of the Reconstruction of the Temple of Vesta in Rome
Reconstruction of the Temple of Vesta in Rome

Here is what Ovid says in his March 6th entry:

When the sixth sun climbs Olympus’ slopes from ocean,
And takes his way through the sky behind winged horses,
All you who worship at the shrine of chaste Vesta,
Give thanks to her, and offer incense on the Trojan hearth.
To the countless titles Caesar chose to earn,
The honour of the High Priesthood was added.
Caesar’s eternal godhead protects the eternal fire,
You may see the pledges of empire conjoined.
Gods of ancient Troy, worthiest prize for that Aeneas
Who carried you, your burden saving him from the enemy,
A priest of Aeneas’ line touches your divine kindred:
Vesta in turn guard the life of your kin!
You fires, burn on, nursed by his sacred hand:
Live undying, our leader, and your flames, I pray.

Translated by A. S. Kline online here.

Caesar is Julius Caesar. Aeneas was the last Trojan and survived the end of Troy. He came to Italy, found a Kingdom (Latium) in which his descendent, Romulus, would found Rome. This is told in Virgil’s Aeneid. So the Romans considered themselves to be Trojans.

The new City chose Mars, the Roman God of War, father of their founder – as its patron God because it suited the Romans and their destiny to rule the world. So March was named after Mars, and, unlike other Calendars the Kalends of Mars (1st March) was the beginning of the Roman year. (At least in Rome’s early days as we discussed on March 1st). Ovid in the ‘Fasti’ tells makes the point, through Romulus’s voice and explains something about the various Calendars run by different tribes/Cities:

‘And the founder of the eternal City said:
‘Arbiter of War, from whose blood I am thought to spring,
(And to confirm that belief I shall give many proofs),
I name the first month of the Roman year after you:
The first month shall be called by my father’s name.’
The promise was kept: he called the month after his father.
This piety is said to have pleased the god.
And earlier, Mars was worshipped above all the gods:
A warlike people gave him their enthusiasm.
Athens worshipped Pallas: Minoan Crete, Diana:
Hypsipyleís island of Lemnos worshipped Vulcan:
Juno was worshipped by Sparta and Pelopsí Mycenae,
Pine-crowned Faunus by Maenalian Arcadia:
Mars, who directs the sword, was revered by Latium:
Arms gave a fierce people possessions and glory.
If you have time examine various calendars.
And you’ll find a month there named after Mars.
It was third in the Alban, fifth in the Faliscan calendar,
Sixth among your people, Hernican lands.
The position’s the same in the Arician and Alban,
And Tusculum’s whose walls Telegonus made.
It’s fifth among the Laurentes, tenth for the tough
Aequians,
First after the third the folk of Cures place it,
And the Pelignian soldiers agree with their Sabine
Ancestors: both make him the god of the fourth month.
In order to take precedence over all these, at least,
Romulus gave the first month to the father of his race.
Nor did the ancients have as many Kalends as us:
Their year was shorter than ours by two months.

This section mentions the Sabines, these were a neighbouring tribe. The Romans were short of women, so they kidnapped the Sabine Women, in what became known as the Rape of the Sabine Women. People argue as to whether they were raped or kidnapped, and there is some concentration on how Romulus worked hard to convince them that it was done out of necessity for Rome’s future. The Women, or some of them, certainly tried to escape. Many became pregnant, and the Sabine Army approached and entered Rome to free their women and enact revenge on their neighbours. Ovid tells the story of Hersilia, Romulus wife talking to the Women, then the poem returns to Mars’ viewpoint, and ends with a beautiful description of spring in March.

The battle prepares, but choose which side you will pray
for:
Your husbands on this side, your fathers are on that.
The question is whether you choose to be widows or
fatherless:
I will give you dutiful and bold advice.
She gave counsel: they obeyed and loosened their hair,
And clothed their bodies in gloomy funeral dress.
The ranks already stood to arms, preparing to die,
The trumpets were about to sound the battle signal,
When the ravished women stood between husband and
father,
Holding their infants, dear pledges of love, to their breasts.
When, with streaming hair, they reached the centre of the
field,
They knelt on the ground, their grandchildren, as if they
understood,
With sweet cries, stretching out their little arms to their
grandfathers:
Those who could, called to their grandfather, seen for the
first time,
And those who could barely speak yet, were encouraged
to try.
The arms and passions of the warriors fall: dropping their
swords
Fathers and sons-in-law grasp each other’s hands,
They embrace the women, praising them, and the
grandfather
Bears his grandchild on his shield: a sweeter use for it.

Hence the Sabine mothers acquired the duty, no light one,
To celebrate the first day, my Kalends.
Either because they ended that war, by their tears,
In boldly facing the naked blades,
Or because Ilia happily became a mother through me,
Mothers justly observe the rites on my day.
Then winter, coated in frost, at last withdraws,
And the snows vanish, melted by warm suns:
Leaves, once lost to the cold, appear on the trees,
And the moist bud swells in the tender shoot:
And fertile grasses, long concealed, find out
Hidden paths to lift themselves to the air.
Now the field’s fruitful, now ís the time for cattle breeding,
Now the bird on the bough prepares a nest and home:
It’s right that Roman mothers observe that fruitful season,
Since in childbirth they both struggle and pray.
Add that, where the Roman king kept watch,
On the hill that now has the name of Esquiline,
A temple was founded, as I recall, on this day,
By the Roman women in honour of Juno.
But why do I linger, and burden your thoughts with
reasons?
The answer you seek is plainly before your eyes.
My mother, Juno, loves brides: crowds of mothers
worship me:
Such a virtuous reason above all befits her and me.í
Bring the goddess flowers: the goddess loves flowering
plants:
Garland your heads with fresh flowers,

Ovid Fasti translated by A. S. Kline online here.

My children’s favourite film in childhood was Seven Brides for ‘Seven Brothers’, which was loosely based on the Rape of the Sabine Women.

sepia Sketch of scene from 'Seven Brides for Seven Brothers'
Sketch of scene from ‘Seven Brides for Seven Brothers’