Feralia – the Roman Festival of the Dead February 21st

To illustrate rainwear in the Roman period and to illustrate winter showing Philu from Cirencester
Tombstone of Philus from Cirencester (Corinium Dobunnorum) showing his rain cloak

Feralia is the last day of Parentalia a 9-Day Festival for the spirits of the Dead described in some detail by the Roman Poet, Ovid, in his Almanac of the year called the ‘Fasti’. Here, he describes how to honour a parent:

And the grave must be honoured. Appease your father’s
Spirits, and bring little gifts to the tombs you built.
Their shades ask little, piety they prefer to costly
Offerings: no greedy deities haunt the Stygian depths.
A tile wreathed round with garlands offered is enough,
A scattering of meal, and a few grains of salt,
And bread soaked in wine, and loose violets:
Set them on a brick left in the middle of the path.
Not that I veto larger gifts, but these please the shades:
Add prayers and proper words to the fixed fires.

There is much more Ovid says about Feralia, and you can read it for free, in translation by A. S. Kline (which I used above, at www.poetryintranslation.com)

For more about Parentalia look at my earlier post about the February festivals of the Romans:

In London, archaeologists have found many cemeteries around the City of London. The Romans forbade burial inside the City limits, so the dead were buried alongside the main roads out of the City Gates: Aldgate, Bishopsgate, Holborn, along Fleet Street, outside Ludgate, and along the main road South from London Bridge in Southwark.

Map of Roman Cemetaries from Museum of London exhibition on the Roman Dead
Map of Roman Cemeteries from the Museum of London exhibition on the Roman Dead, showing the River Thames and River Fleet. Holborn is to the left, marked ‘Western Cemetery’.

Various rites have been observed. Both inhumation and cremation practised. I remember excavating a Roman mortaria with a hole in the bottom with the ashes of the dead in it. These large bowls were used as a mortar for grinding foodstuffs. The bottom was deliberated gritted, but they often wore through, and sometimes found reused to hold cremation ashes. I like to imagine, granny being buried in her favourite cooking vessel (or grandad).

Many bodies were covered in chalk, perhaps to help preserve the body. A surprising number of bodies are found with the head by the knees. The large number of cases helps speculation that this was a burial rite, of whom only a percentage were beheaded as a punishment. Some graves shown signs of a funeral pyre.

Author’s photograph of a skeleton displayed at the Roman Dead Exhibition, Museum of London, She was between 26 and 35 years old, who lived a hard life, and possibly had anaemia. Her head was severed either: before and causing death, or shortly after death, and placed between her legs as shown.

The rich and powerful were remembered with huge monuments, prominently sited along the main roads. Perhaps the most famous are the burial stones found at Tower Hill of the Procurator Classicianus. This is famous as he is mentioned in Roman accounts of the Boudiccan Revolt of AD 60-61. He suggested to Nero that the Province could only be saved if the revenge against the British was de-escalated. Nero wisely withdrew the vengeful Roman Governor Suetonius Paulinus and replaced him with someone ready to conciliate. We, clearly, have lessons to learn from the Romans.

Reconstruction drawing of two stones found while building Tower Hill Underground Station. They read, something like, ‘To the Spirits of the Dear Departed Fabius Alpini Classicianius, Procurator of the Province of Britannia.Julia, Indi (his wife) Daughter of Pacata of the Indiana voting tribe. Had This Set up.

A beautiful carved eagle which adorned a tombstone was found in the Cemetery in Tower Hamlets. But recently a very grand mausoleum was found in Southwark. To find out more, have a look at the BBC website here:

Finally, a week or two ago, an excavation ran by MOLA discovered a ‘funerary bed’ in an just outside Newgate in Holborn. It was on the banks of the River Fleet, a tributary to the River Thames, that gives its name to the street of shame: Fleet Street. The fluvial location meant that there were extraordinary levels of preservation, which included this bed. It was dismantled and buried in the grave and may have been either/or or both a bed used as a grave good, perhaps for use in the hereafter, or the bed upon which the deceased was carried to the funeral.

sketch of Roman 'Funerary' Bed found dismantled in Holborn, London
Reconstruction of a Roman ‘Funerary’ Bed found dismantled in Holborn, London (Sketch from a MOLA reconstruction drawing)

They found other grave goods, including an olive oil lamp decorated with an image of a gladiator; jet and amber beads and a glass phial.

Sketch of Roman burial goods from Holborn 2024
Sketch of Roman burial goods from Holborn, London

For more look at www.mola.org.uk/discoveries

Digital Heritage – the Picture Room at the Sir John Soane Museum

Screen Shot of the Virtual Tour of the Sir John Soane Museum showing the approach to the Paintings Room
Screen Shot of the Virtual Tour of the Sir John Soane Museum

The Sir John Soane Museum is my second favourite London Museum. It’s the place I choose to take people who don’t know London. What I like about it is the atmosphere. It’s not a place I go because of the collection, it’s a place I go because I’m just awestruck when I enter the doors.

Architect Soane, made a Museum of his house, filling it with architectural and sculptural pieces but also some stupendous Art, particularly paintings by William Hogarth. But that isn’t my motivation to keep going back. It’s the Picture Room (and the domed ceilings). Soane had a great collection of paintings, but not enough walls. What he did was to design the Paintings Room. When you visit you go in, admire the paintings on the wall, and the attendant comes in, opens a shutter, and behind the great paintings are another wall of great paintings. And then he opens another set of shutters, and there, is another feast for your eyes.

Now, they have made high quality digital images of the rooms, and put them together using photogrammetry into a digital model which you can explore.

So, feast your eyes on it here: (choose Picture Room from the three options).

It’s not quite as user-friendly as it might be. Firstly, when the tour delivers you to the Picture Room, you have to take over control to go in and explore the 360 degree image of the room. Unfortunately, the pictures are not clickable, so you cannot get information about them from here. Also, the ‘hot spots’ which allow you to open the shutters, only reveal themselves, on my computer, if you approach them at a certain angle.

But don’t let this put you off, I’m sure you will find your way around. So go into the Room, look around, move the cursus, and you will see little signs pop up which open and close the shutters. Really, do try it! There are a couple of other rooms to explore too.

Here is a link to descriptions of the Picture Room and the paintings.

Oh, and the Dome Ceilings? Soane was a specialist in buildings that didn’t want windows in normal places. He was the architect of the Bank of England where windows in the walls were a security risk, and also of London’s first purpose built art gallery – the Dulwich Picture Gallery. Windows reduced the space for paintings, so he designed special low domed ceilings, and the Soane Museum is full of his experimentation in the form.

Scara Brae Three D Model

Another delight is the 3D model of Scara Brae which allows you to explore the Neolithic village, and walk around it. There are labels on this one, so you do get information too.

https://www.historicenvironment.scot/about-us/news/new-digital-model-of-skara-brae-welcomes-virtual-visitors/

360 Degree Panorama Virtual Tours. My part in their development.

I was an early adopter of this form of virtual reality, setting up virtual tours of the Old Operating Theatre Museum in the 1990’s. I have a draft post of this which I have been awaiting time to finish, which I hope to finish soon….

Thanks to the Museum’s Journal article on Photogrametry of May/June 2022 for the two examples above.